Robert W. Paul

A jovial looking man is seated nearest the window of a restaurant. He has just finished his meal and the waiter brings a glass of beer, and when he places the glass upon the table, lo, a little sailor boy about six inches high appears from the foam, and climbing down the side of the glass, proceeds to dance a sailor's hornpipe on the table.

Husband comes home late and wakes the wife. Based on a popular stage play.

A man strolling in a city street is attacked by three assailants. A policeman comes to the rescue and the men struggle with each other.

The opening of the Kiel Canal in Germany by Kaiser Wilhelm II on 20 June 1895.

The festive start and disastrous aftermath of the launch of the H.M.S. Albion.

Robert W. Paul production, "The Vanishing Lady", 1897. A magician sits a lady under a rug and makes her disapppear, before she reappearing in a field, alongside an ass, and several other women.

A miser dies of shock when the ghost of a poor woman appears.

The scene is a railroad track on the side of a steep mountain, with a tunnel in the background, toward which a train is running at a high rate of speed. At this instant the audience is appalled at the sight of a second train rushing out of the tunnel. Both trains are on the same track and traveling toward each other at a high rate of speed. They collide. Cars and engines are smashed into fragments and thrown down the steep incline. (Edison Catalog)

Incident at Clovelly Cottage, also known as Incident Outside Clovelly Cottage, Barnet, shot by Birt Acres and produced by Acres and his collaborator Robert W. Paul in March 1895, was the "first successful motion picture film made in Britain" Considered lost since only a few frames have survived.

A robber forces a luckless stroller in the park to remove his hat, coat, waistcoat and trousers.

Santa Claus comes down the chimney and delivers toys to the children.

Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some seconds have survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to the irritation of his wife. The film has cinematographic significance as the first example of film continuity. It was, according to Michael Brooke of BFI Screenonline, "one of the first films to feature more than one shot." In the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside.

The Waif and the Wizard features the same young man who appeared in Undressing Extraordinary (and who might be early filmmaker Walter Booth). It's another early example of a two-shot film along the lines of Paul's earlier film Come Along Do!. The young man plays a magician who, after completing his act, agrees to go home with the young boy from the audience who helped him perform his tricks. At the boy's home he finds a sick sister and a worried mother being threatened with eviction by her landlord.

An artist draws the head of a pretty girl, takes the drawing off the paper and places it on a small table, turning the image into the head of a real woman. He then continuous drawing the lady, one body part after the other.

Four men of different ranks play a game of tetherball on a ship's deck.

'The White Eyed Kaffir' performs with top hat.

A magician performs tricks. First with a top hat, then with his audience.

A barmaid plies a swell with smiles and with cherries from a box that's just been delivered. When she refuses a cherry to a roughly-dressed tradesman who runs a tab at the bar, he pays off his debt in a huff, using all his week's pay. He then storms penniless and without provisions into his ill-furnished house where his wife and two children, ill-clad and ill-fed, cower. Is there any hope for him and for his family? If he does realize how low he's sunk, what help is there to lift him up? Will the family ever know the taste of cherries?