Charles Urban Trading Company

In 1953, in an old cabinet of a former photographer from Zermatt, a first mountaineering film was found. It was a silent film from the first era showing the ascent of the Matterhorn by a group of guides across the Hornli ridge. The film is attributed to the American Frederick Burlingham and dated 1901 and is therefore the first mountaineering film in history. The story of the discovery was also dressed in a certain aura of legend and mystery as it was told that the original copy of the film had been lost forever in a shipwreck in the Atlantic and was the only copy printed that remained. The film was renamed Cervin 1901 or Cervino 1901, and in 2014, after being restored again. But the truth is that this whole story, which has somehow held together throughout this period, is full of inaccuracies...

An inventor uses a wireless controlled flying torpedo to destroy enemy airships.

A cheeky female jester uses the smoke of her cigarette to make things appear and disappear. After showing her talents by playing with a chair or a dog, she lets clowns appear; one female, and two male. The male clowns fight each other over the girl who gets changed over and over again by the jester.

With a dual motion a cruise ship and a fishing boat pass one another on the Nile and butlers in turbans set up a wooden gangway. Thanks to a rope and pulley system cows climb skywards then disappear into the hold of the sailing vessel. On the bank, black-haired women rock back and forth, bursting out laughing and showing the first signs of going into a state of trance. Never-before filmed gestures and faces of the people of the Nile succeed one another, uprooted to an unknown, magical world. The Banks of the Nile is one of the first experiments of film in colour that uses the Kinemacolor process.

This fragment comprises just over half of the original film and features a parade of partially-submerged submarines and destroyers launching torpedoes into netting rigged alongside the Dreadnought.

Animated film featuring the hand of Walter R. Booth drawing a coster and his donah who come to life and dance. The hand then crumples up the paper and dispenses it in the form of confetti. (BFI)

A statue of Hope revives and finds a home for a waif.

A clerk, unable to stop playing the game of Diabolo, strays in and out of precarious situations while playing with the toy.