This is a story about a real life brother and sister and their journey to the zoo. On their way, they accidentally pick up a hitchhiker.

Mumblecore movie about a young woman named Eleonore who wanders New York City committing acts of theft.

After months of living a solitary existence, Lenny, 34, picks up his kids from school. Every year he spends a couple of weeks with his sons Sage, 9, and Frey, 7. Lenny hosts his kids within a midtown studio apartment in New York. During these two weeks, he must figure out if he wants to act as their father or be their friend. Ultimately, their trip upstate results in complete lawlessness taking over their lives.

While escorting a group of children through New York City, a harried man loses hold of a bouquet of one hundred balloons. Among them, a single black balloon drifts free, seemingly lifeless, only to revive and embark on a strange journey through the city. Searching for companionship, it drifts among the highs and lows of human life, discovering both joy and despair along the way. Conceived as a children’s tale but emerging as a surreal urban fable, The Black Balloon follows the haunting odyssey of a balloon that longs to belong.

A short observational piece by Josh and Benny Safdie, Solid Gold follows a gold-painted “living statue” (performed by Benny Safdie) working the streets and subways of New York—a compact study of street performance and the struggle to be seen, featured online via NoBudge in 2013.

Commissioned by fashion label Vena Cava, Josh Safdie’s short replaces a runway show with an eerie, late-1970s Los Angeles-inspired tale about a women’s cult; it premiered online in November 2012.

John sells things online, cheats off dollar stores, needs friends but settles for strangers, has roaches. He is punch drunk, not with love but something far more strange and lost. One can only say John's gone.

A 5-minute found-footage collage by Josh Safdie that overlays narration from an old Jacques Cousteau documentary about fighting elephant seals onto a broadcast of George Foreman vs. Evander Holyfield, reframing the prizefight as a nature spectacle and blurring lines between sports viewing and wildlife observation.

This is a story about a man, who lives above an older Hindi man, who lives above a delinquent British man, who lives above a girl. It is the back of her head that he is in love with.

A short film by Josh Safdie, Benny Safdie, & Alex Kalman.

A lawyer and his secretary deal with their multiple clients.

Josh & Benny Safdie, Alex Kalman, and Factory 25 present this feature-length program of found moments from the everyday—films that showcase the wonder, beauty, sadness, love, aggression and magic that goes unnoticed on the hectic streets of NYC and elsewhere.

Commissioned by Northwest Film Forum’s One-Shot program, this Safdie short trails two street hustlers working a “cold” con in downtown Seattle, observing the quick pitch, misdirection, and payoff with lean, street-level immediacy.

A film crew trails Philbert Powell through his morning, from the supermarket to his job at a video store. Along the way, he crosses paths with several individuals all named “Slater.” His interactions with them raise the central question: who, among those Slaters, is his friend? The narrative unfolds across a single morning, blending encounters and identity as Philbert’s journey reveals the shifting dynamics of connection.

The Safdie brothers repurpose reality television’s vocabulary of confrontation and cramped cinematography for a miniature study of urban maladies.

An early short film by Josh Safdie, co-written with Benny Safdie and featuring frequent collaborators including Sam Lisenco and Ariel Schulman. Running just over three minutes, it premiered at the 2006 New York Underground Film Festival.

A Fairy-Nose (alternatively, A Love Nose) is a one-minute short film directed by Josh Safdie and produced under Red Bucket Films.

John embarks on a trip to Coney Island for a day of fun and happiness. Things don't quite work out as planned.

Co-directed by Benny and Josh Safdie, this deadpan mock-documentary follows Ralph Handel, a buttoned-down office worker who spends his nights bombing on the open-mic circuit. Staged as cinéma vérité that edges into performance art—Safdie performed the disastrous sets in real clubs—the film channels Andy Kaufman’s anti-comedy and the self-reflexive diary mode of David Holzman’s Diary to sketch a sly portrait of a life quietly coming undone.

When her station wagon conks out by a secluded house in the woods, a woman peers from the window and watches a string of peculiar goings-on next door. Josh Safdie’s 11-minute short turns a simple breakdown into a quietly absurd, deadpan set-piece.