Toei Central Film

Three stories. A solitary sailor falls from his boat and washes ashore on a tropical island. While seeking rescue, he's found by a nearly naked woman who is playful and compliant. He decides to erase his signs of distress and remain on the island. What awaits? In the second, an adolescent searches for the words of a nursery rime he remembers bits of. His journey takes him into dreams, sexual awakening, and Oedipal fantasy. Third, a man of wealth in late-nineteenth century Paris hires a prostitute for the night. She's also cabaret performer and takes him to her room. He fears he's about to be robbed. What's her secret?

Pink film from Toei Central.

Set in a barren, futuristic Tokyo of highways and wastelands, a rowdy group of punk bands and their fans gather to protest slow, boring, Japanese living.

Set in a world of fantasy and adventure, Amon is a young warrior embarking on a quest to avenge the death of his mother. When the hunt leads him ultimately to the kingdom of Valhiss, Amon enlists in the ranks of the Emperor's army in order to gain an opportunity to exact his revenge. However, a chance encounter with the Princess Lichia, being held captive by the Emperor in an effort to ransom a map away from his main rival, King Darai-Sem, Amon must decide whether to follow his path of revenge or to help rescue the Princess in an effort to save a lost kingdom.

Set in the neon heartbeat of Yokohama, this film ignites an outrageously erotic 17-hour odyssey of desire that unleashes from a lazy Sunday afternoon to a feverish Monday dawn. A sultry fertile female college student meets a band of insatiable young men, sparking a frenzy of scintillating passion that blurs every sexual boundary. Every moment throbs with wild, uninhibited lust—a dizzying climax of youthful ardor and raw, intense, unfettered ecstasy. This cinematic explosion catapults desire into an endless flight of erotic fantasy, transforming ordinary encounters into a delirious, sensual inferno.

Filled with guilt over his forbidden desires, a young man leaves home and his studies. He finds a new smaller place to stay, a low-paying but satisfying job and a girlfriend. Then his mother, unable to fight her forbidden desires, shows up.

BJ is a relatively unknown blues singer who scraps some bars in Yokohama. He does not earn much with it and to make ends meet he also acts as a private detective.

The second movie of Tôru Murakawa's "Game" trilogy. After making a sensational hit, a hitman has gone into hiding for five years. When he comes back he bumps into two women that he has spared five years ago. Two rival yakuza bosses hire Narumi to kill the other. Will Narumi's sense of chivalry entrap him again?

A plot to steal money from gangsters leads to trouble...

Pink film from Toei Central.

The first movie of Tôru Murakawa’s “Game” trilogy, in which an assassin hired to recover a kidnap victim becomes embroiled in a vicious power struggle between two large corporations over a sizable government defence contract.

The third movie in Tōru Murakawa's Game trilogy about a hitman. Narumi is set up by a mysterious woman. Abducted and tortured, Narumi is forced to take on a difficult job. The target is a veteran killer as good as him.

A devil-girl with the face of an angel and a heart of gold, blond Betty falls in love with an earthbound gangster, Danpei Kimogawa, when they meet in a rainstorm. They end up living together in a Tokyo highrise apartment, though Danpei has trouble coping with his new witch and demon in-laws dropping in at inopportune moments. Betty has actually been sent to the human world on a mission to defeat the demon Lutan. While Betty continues her task, her skeletal grandmother sends nubile nymphs to tempt Danpei and see if he is suitable husband material. Based on the manga Mamonogatari itoshi no beti.

Pink film from Toei Central.

Film adaptation to Junichiro Tanizaki's novel "Naomi". Focused around a man's obsession for a "modern girl".

Two killers revenge a wirepuller of the underworld in Yokohama.

Pink film by Toei.

In the early Showa period, a young woman named Asako drifts into a certain red light district. She appears in a white dress, straw hat, and white parasol, which is out of place in this area, but what kind of past does she have, and what are her feelings as she drifts there?

Adaptation of a 1956 novel by Yukio Mishima.