La Huit

Céline arrives in Armenia for the first time to legalize the death of Arto, her husband. She discovers that he has lied to her, that he fought in the war, usurped his identity, and that his former friends consider him a deserter.

The author of the film decides to leave the country where she lives, in connection with the outbreak of the dramatic events, and return home to Armenia in search of a worthy example and solutions on how to live on. Paradjanov's house becomes a place of inspiration and a point of no return to toxic reality.

Its light, its smoky bars, its vacant land: the characters that we meet here treasure different aspects of Berlin. Vincent Dieutre puts faces and voices on some of the many artists who have settled there since the collapse of the Wall. Questioning each one about their arrival and possible departure, he depicts how Berlin has become part of the personal stories that have, in turn, been infused with a city’s history. What each artist recounts with their own words and sensitivity is also what the city has taught them – the vocabulary of the sentiments in German, the strength to live in the cold or in precarious conditions. Like a playful wink to the tourist guide format, the filmmaker travels from district to district.

Road trips through Los Angeles, famous verses in the Poetry Lounge and love in times of the pandemic: Rendezvous with an old flame, fourty years later. After Jaurès (2012), Vincent Dieutre presents another tender autofictional piece in the Forum.

In 1956, Orson Welles directed "The Tragedy of Lurs," an episode of the television series "Around the World" that was inspired by the murder of a British family near the Dominici farm. The film was unfinished, but the French director Christophe Cognet recovered his materials and reconstructed the documentary.

Ever since the war in Nagorno-Karabakh, the still disputed territory is contaminated by landmines. This documentary follows five female de-miners on their risky job.

Guitarist Marc Ribot, a longtime legend among musicians but little-known outside the industry, finally gets the recognition he deserves in this compilation of performance footage from intimate clubs in New York's Lower East Side and Europe. These shows prove that Ribot deserves his reputation as one of the most talented and inventive composers and guitar improv performers working today, and why he accompanies so many top stars.

Made in France, English subtitled. In-depth portraits of internationally acclaimed chefs featuring exclusive interviews. Michel Bras is one of France's greatest cooks, obtaining his third star in 2000 and rated #7 on the 2008 World's 50 Best Restaurants chart. We will taste four dishes, cinematographically describe what we feel, then work through each dish's culinary fabrication to the true subject of the series: investigating the ways that one invents cuisine by revisiting their space and time.

In 1945, when the Allies liberated the concentration camps, they discovered thousands of secretly created artworks. With unprecedented access to paintings, drawings, etchings and sculptures held in collections around the world, BECAUSE I WAS A PAINTER conducts a gripping and fascinating investigation into art that captures, reflects and inspires in difficult times.

Conducted by Alaa Abdelsalam and accompanied by singers Rehab Omar and Eman Abdel-Ghani, the Cairo Opera Arab Music Orchestra celebrates Oum Kalthoum.

Only women, children and old people live in this Armenian village, while the men work in Russia. A life with a rhythm of its own, an independent daily life marked nonetheless by exile.

Culture clash on the sandy streets of Burkina Faso. Africa’s biggest cycling race, the Tour du Faso, is a ten-stage challenge where adventurous European amateur cyclist and African local heroes compete passionately to make their dreams come true. Yet the film does not focus on the question of who will win – instead, it puts the protagonists’ experiences centre stage. TOUR DU FASO takes the audience time travelling back to pre-commercialised decades. Following the Tour du Faso, we learn more about cycling, Africa and the extraordinary fighting spirit of the underdogs. Here, it is still the taking part that counts...

Armenia and Azerbaijan are engaged in a multi-secular conflict. A war breaks out again. In Stepanakert, capital of Nagorno-Karabakh, men are at the front, women hide in the cellars, director Silva Khnkanosian sets out to find them and keeps a logbook. Life is organized under the bombs; women follow the war on the radio or checking their phones. No one sees defeat as an option. Yet after 44 days of battles, radio announces the capitulation of Armenia. We must leave.

Reel found on eBay. A soldier films the courtyard of his barracks from his window. It's the 1970s, and I try to imagine what he must be thinking.

Farmers in the Île-de-France region, they filmed life on the farm, working in the fields, and family and village celebrations on 8 mm or Super 8 film. From the 1950s to the 1980s, these testimonies unfold a history of rural life: we move away from a peasant and family model to industrial agriculture for export. Through these family images, I attempt to answer my own questions about our agricultural future. In the 1950s, the land of Île-de-France fed us.

A short documentary on gender parity in politics. In a few minutes, alternating interviews with French personalities and theorists (Geneviève Fraisse, Françoise Gaspard, Laurence Parisot) and archive footage, this film mischievously tackles gender disparities in French politics. It was produced for the Canadian international program The 5 Minutes Project.