Shin Films

The mythological tale of a quest from China to India to bring back Buddhist scriptures, famous for the adventures of Sun Wukong, the notorious Monkey King.

Six-year-old Ok Hee is glad when Mr. Han comes to board at her house full of women. She plays messenger for Mr. Han and her widowed mother as they quietly fall in love, but is her support enough to guard their love?

Yeong-shin and Dong-hyuk graduate from college with a cause. They plan to bring education and modernization to farmers living in the rural area of their hometown. When they arrive, the pair immediately get to work, Dong-hyuk builds a village hall and starts aiding the farmers while Yeong-shin tries to gather the children to form a school. However, the villagers at first resent and resist the pair. It is not until one child, Ok-bun, takes the initiative and and learns to read under Yeong-shin’s care that the villages trust the pair and allow their children to be taken from the fields and taught reading, writing and math.

With her elegant classic persona, Li Li-hua was the ideal performer for period aristocratic and imperial roles. The Goddess Of Mercy is a good example of her strong empathy and noble presence. The youngest daughter of a brutal king, the princess openly disapproves of the floggings and cruel treatment her royal family heaps on the peasants. As a result, the heartless king turns on his own daughter forcing her into exile.

A historical drama about Prince Yeon-san of Joseon as a prince trying to restore the status of his mother, the deposed and executed Queen Yun.

Prince Yeonsan-gun turns into a tyrant out of grief for his mother's death. He orders beheadings of all the officials who displease him or who advised the previous king to depose the queen. He becomes crueler by the day. But in 10th year of his reign, he is kicked out of the throne and dies a tragic death.

An oriental doctor Kim Hak-gyu is a cantankerous man who is the longest-term householder in a small village in Seoul. He often causes domestic trouble by being nasty to his wife and his children. Kim Hyeon-ok, a daughter of a young widow who runs Nahana Beauty Shop, is in love with Choi Du-yeol, an obstetrician across the street. Kim Hak-gyu has great distaste for western medicine, and at the same time, is jealous of the obstetrician. He always gets in the way of Choi Du-yeol. Kim's son, Hyeon-gu, dates Jeom-ryae, a daughter of a bar owner.

Choi Eun-hee’s directorial debut The Girl Raised as a Future Daughter-In-Law is the story of ups and downs of a future daughter-in-law who, due to poverty, married an infant rich groom. A ruined widow’s daughter Jum-soon has no time to rest, as her mother-in-law treats her like a maid, leaving her with all the kitchen chores, house cleaning, grinding grain, and sewing, while the mother-in-law smokes a pipe and nitpicks on her. What allows Jum-soon to endure is her ‘duty as a woman’ taught to her since young and her child husband’s lovable yammering.