Valeria and Segundo’s relationship swings between closeness and distance, sometimes wrapped in a routine loop and sometimes in full escape mode. Disturbing and subtle, Tornquist addresses those lives that seem to fuse together ancestrally just like the lush and majestic nature that surrounds them.

A dry tone, bold direction, and only a few everyday situations serve to portray a love story tainted by disagreements and decadence. The lives of Fernando Bonfante and Justina Gancedo are represented in Llavalloll in the most accurate and deserved way they could have been in Argentine cinema. Past and present interact, as the main couple does: violently, without managing to change each other, but with all the energy only human beings are capable of.