In this evocative film about the eternal human search for home, Berta and Solomon arrive in a land that promises respite from their many journeys. But have they found utopia... or just another stop on their long journey?

In a small town plunged into darkness, two children, Kyona and Adriel, are separated from their parents and, facing the path of exile alone, embark on a heroic journey that will take them from childhood to adolescence, in search of refuge, peace and the hope of finding their family.

The intertwining fates of two Vietnamese sisters who sustain a wartime relationship through written correspondence.

A woman is forced by her husband to be shut-up for ever. But when she listens to nature's song, she refinds her own song and the hope of a different life.

A very lazy boy, whose mother can no longer stand watching him sleeping and eating all day long, decides to set to work, revealing unsuspected powers of imagination, invention, and perseverance.

Argentina 1983, the dictatorship comes to an end in the country, but not in this woman's life.

Lucie Sunková’s short film The Tree is a metaphorical story about the parallels in lives of people and trees, a lyrical poem about birth and death, about the flow of our time and the nature surrounding us, a parable about parenthood and crossing the boundaries of a human (not only) life. It is a story about relations, seeming hopelessness and a happy promise. Used paint-on-glass technique, a pure poetic means of expression ideal for a story like this, forms another metaphoric layer of the film withs its laboriousness and graphic style. The budget of this co-production reached almost 150 thousand EUR and was almost evenly divided between MAUR film and French production company Les Films de l’Arlequin. Both sides were supported by their respective national funds – State Cinematography Fund in the Czech Republic and the prestigious national fund CNC – Centre National du Cinema in France.

Somewhere in the Universe, the Planet Z. A miracle happens. A water jet springs up and gives birth to a new life: plants. A desert planet became a green planet… The film shows natural phenomena – and not subjects – to tell a story about a living, evolving and dying planet.

An old man recounts: I have always worn glasses. Even in the camp, I managed to keep them. We feared the night almost as much as the day. One night, they brought in a newcomer, a bearded man. His drawings over the days had become essential to us. The guards did not understand that only death would prevent him from drawing. All that remains of the camp is this piece of wall, with his last drawing, which he called "Ligne de vie (Lifeline)."

This film bears witness to a life that changes... Or how Aurore, a young woman of 26 who is bored in Nohant, with Baron Dudevant, her country husband with the appearance of a gentleman, becomes George Sand.