Freyja Film

A film about the life of Raimond Valgre, an Estonian songwriter and singer of the 1930s and 40s, the political changes of his country and his life after the war when his songs were considered not suitable for the Soviet way of life.

A historical costume drama where the fragments of the adventurous lives of Bernt Notke, one of the most influential Late Gothic painters, and carpenter Michel Sittow are brought together by the story of the panel painting "Danse Macabre" by Notke and the way the painting reached Tallinn, Estonia from Lübeck.

A young secretary, Helen, must take his boss's car to the garage. On the way she stumbles into unexpected déja vu adventures.

The last film directed by Kaljo Kiisk has been dedicated to theatre and the people in theatre. You are entering the hectic world of musicians, zanies and jesters - and don't expect to hear a symphony but a single delicate sound of a flute.

The documentary portrays artist Evald Okas: an exceptional painter and a diverse graphic artist, a virtuoso drawing artist and creator of thousands of ex libris. Okas was a honorary member of Florence Art Academy, author of numerous book illustrations and master of papercuts, he has practised glass painting and ceramic art. He has been called as the Picasso of Estonian art. 94-year-old Okas tells the story of his colourful life, casts light upon his artwork and reveals the secrets of his principles of working. Tireless artist radiates zest for life and reflects affection towards creative life and looks back at his life with warm humour. Hotblooded passion of creation has never left the grand master.

The highlight of Elsbet's and Albert's day is their son's visit. Every day, the old couple serves festive dinner to Lucas in a cozy dining room decorated with lots of flowers. Lucas is content only when the best food and expensive drinks are served. He patronizingly accepts his parents' care and enjoys eating one delicacy after another until he will finally feel sick. The parents have to prove that the food is not poisoned; so they have to taste all the food that they usually won't share with their son.

The documentary depicts monuments and heritage artwork that have been closely related to the history of the Republic of Estonia. Estonian sculptors, former political prisoners, social scientists and art historians share their memories in the film. Why do we need our monuments? What kind of attitude has been towards Estonian monuments and heritage artwork during the changing times in local history? Memorial columns can be victims of ideology. Estonia has been governed by several state authorities during the 20th century, all of them have left their own monuments. The destiny of numerous military monuments in East-Europe has become a current issue.