Seven Doc

Terray. This name sounds like a challenge and evokes deep respect in the memory of every mountaineer. For all, Lionel Terray remains forever the "Conqueror of the useless", the example of a generous and mature mountaineer, far from any egocentrism and any ambition. Not only a pioneer and witness to the history of mountaineering, Terray is also remembered as a man and a master more than an athlete. Forty years after the tragic death of this extraordinary mountaineer and guide, who liked to think of himself as a "simple mountaineer", his former friends and the youngest generation of mountaineers come together in this film to celebrate and remember his legacy.

At once a high-level musician, member of the October Group, entertainer, theater artist, film actor, mountaineer, and skier, Maurice Baquet, always on the move, structured his life around two common threads: the cello and the mountains. He once defined himself as a "cellist-skier," "all alone" in this category, which prompted James Couttet, world ski champion, to say: "Of all the skiers I know, he's the best cellist." Echoing this, Professor at the Conservatoire National Supérieur, André Navarra, added: "Of all the cellists I know, he's the best skier." Throughout his varied yet coherent career, Baquet helped to project a joyful and artistic image of the mountains. Who better to talk about Maurice and all his adventures than his alter-ego: Cérébos, the faithful cello that never left his side? From Paris to Chamonix, from the stage to the granite slabs and snowy slopes, this film follows Cérébos, crossing the century and above all... smiling!

In the austere "Horseshoe Cirque", attempts on ice are so impressive and require such a high degree of skill, that after a discrete beginning in 1976, there was a wait of twenty years before new pioneers dared the challenge. Each has returned, marked for life by the extraordinary experience. The opening of The White Witch in January, 2006 by Philippe Batoux, François Damilano and Benoît Robert was the occasion to revisit this emblematic site. Here is an exceptional panorama where incredible ice formations give way to challenging rocky climbs and vibrant testimonials...

Unique shapes, no two the same, formed by the action of water and frost. The water that once ran from the summits in torrents and waterfalls is immobilized for a few weeks. The thing is to be there, in time, just at the moment when they become solid, just before they return to water. A question of balance. Around seven top-level climbers who represent all the richness of the activity, these images will highlight different techniques and different approaches. Although the athletic performance is impressive, it is there only to emphasize the dazzling shapes, the warmth of friendships, the stories of teamwork.

Avid for steep slopes, Marco Siffredi (1979-2002) obeys only one rule: not to fall. This gifted kid with hair sometimes blond peroxidized, green or blue clashed in his valley: Chamonix, mecca of mountaineering. His thing was to go up and down on a snowboard. . 90 minutes September 8, 2002, altitude 8848 meters, rare oxygen, his head already brushing the sky and his snowboard running, Marco Siffredi, 23, rushes from the summit of Everest in the Horbein corridor and its slopes at 50 degrees . A year earlier, he had already made the first descent of the mountain on a snowboard. But there remains another corridor… more direct. It's not a challenge, just a reason to be... However, that day, at the top of the roof of the world, his trace is lost...

Pierre Mazeau has managed to unite three of his passions which seem to have nothing in common, at a very high level: mountaineering, jurisprudence and policy. The Everest mountaineer, rescued from the Freney Pillar, the passionate jurist, the former sports minister, privy counsellor, and president of the French Constitutional Court is a charismatic personality. This sensitive film portrait follows a line, which Pierre Mazeaud himself has quoted: “Alpinism belongs to those who provide themselves with means to reach their goals, to those who are fully committed to a goal, to those, who know the value of solidarity of men, and to those who are aware that true human existence can only be fulfilled by proceeding with a team of roped-partners.”

Jean-Marc Boivin had chosen the natural elements as his playground. In his quest for extremes and discoveries. By turns mountaineer, skier, hang-glider, explorer, paraglider, sailor, speleologist or base-jumper, he loved constantly exploring “terra incognita” and playing with the limits of the possible. His "career" - the word is so weak - Jean-Marc, one day, agreed to tell the strongest moments to his father who recorded everything: happiness, doubts, emotions and difficulties. In this film, which won the Human Adventure Prize at the Saint Hilaire du Touvet Free Flight Film Festival, it is Jean-Marc who himself “comments” on some of his most spectacular feats. Confronted with period documents, Jean-Marc's voice-over sheds new and moving light on the extraordinary personality of a man who once admitted "having lived all his dreams"...

The World of Gaston Rébuffat is a documentary on mountaineering which takes place at Gendarme Du Pic Du Roc and Grande Candelle. Directed by Gilles Chappaz in 2009 and produced by Seven Doc, we find Christophe Profit, Françoise Rébuffat, Thierry Renault, Jean-Olivier Majastre, René Vernadet, Sam Beaugey and many others. Friendship of his rope companions, friendship of the mountain, friendship of all of nature, he spoke of the mountain with simplicity and happiness. A precursor, a visionary, Gaston Rébuffat was a resolutely committed person, without ever having spoken of an exploit, let alone a fight (among other achievements, he was the first to climb the six north faces of the Alps in a lifetime as a mountaineer).

Wolfgang Paalen (1905–1959) was an Austrian-born artist who became a prominent figure in the Parisian Surrealist movement under André Breton. Invited by Frida Kahlo, he moved to Mexico in 1939, where his evolving style greatly influenced abstract expressionism. Paalen’s impactful yet turbulent life ended in 1959 when he died by suicide in Taxco, Mexico.