Kino Lorber

Filmmaker Malcolm Ingram takes you on a fascinating journey inside a fast growing segment of the gay community where what was once a perceived negative is now redefining the definition of what it looks like to be gay.

Cuba is well known as a so-called time capsule. The place where the New World was discovered has become both a romantic vision and a warning. With ongoing global cultural and financial upheavals, large parts of the world could face a similar kind of existence.

Gerhard Richter has spent over half a century experimenting with a tremendous range of techniques and ideas, addressing historical crises and mass media representation alongside explorations of chance procedures. This first glimpse inside his studio in decades is exactly that: a thrilling document of the 79-year-old's creative process, juxtaposed with rare archival footage and intimate conversations with his critics and collaborators.

In the wilderness of the Bucharest Delta, nine children and their parents lived in perfect harmony with nature for 20 years – until they are chased out and forced to adapt to life in the big city.

Seeds of Time follows agriculture pioneer Cary Fowler's global journey to save the eroding foundation of our food supply in a new era of climate change.

Jackson Pollock said, “he makes the rest of us look academic,” Mark Rothko acknowledged him as a “myth-maker” and Clement Greenberg called him “a highly influential maverick and an independent genius.” Clyfford Still, one of the strongest, most original contributors to abstract expressionism, walked away from the commercial art world at the height of his career. Extremely disciplined, principled, and prolific, Still left behind a treasure trove of works like no other major artist in history. With a wonderful mosaic of archival material, found footage and audio recorded by the artist himself, Lifeline paints a picture of a modern icon, his uncompromising creative journey and the price of independence.

Documentary on Day Dreams (1922), a Buster Keaton silent comedy.

For one extraordinary week in February 1972, the Revolution WAS televised. DAYTIME REVOLUTION takes us back in time to the week that John Lennon and Yoko Ono descended upon a Philadelphia broadcasting studio to co-host the iconic Mike Douglas Show, at that time the most popular show on daytime television, with a national audience of 40 million viewers each week. What followed was five unforgettable episodes of television, with Lennon and Ono at the helm and Douglas gamely keeping the show on track.

Four visual essays by Silent Echoes author John Bengtson identifying Buster Keaton's shooting locations for his many short films produced between 1920-1923, many in the streets surrounding his former Hollywood studio, the same studio where, a few years earlier, Charlie Chaplin had made his brilliant series of Mutual shorts.

A discussion on restoring title cards to English from foreign source prints.

The actors in My Wife's Relations (1922) are discussed in this documentary.

Animation documentary

The Force presents a cinema vérité look deep inside the long-troubled Oakland Police Department as it struggles to confront federal demands for reform, a popular uprising following events in Ferguson, MO, and an explosive scandal.

Short featurette showcasing Clint Eastwood, film historian and critic Richard Schickel and producer Robert Daley, who speak about Eastwood’s work as an actor, as well as other characters he portrayed at that time.

Retrospective documentary on the British horror anthology classic Dead of Night (1945).

Don Siegel’s classic crime thriller "Charley Varrick," made in 1972 in the wake of the immensely successful "Dirty Harry," stars Walter Matthau in what is probably the actor’s finest dramatic role, airshow pilot turned crop duster turned bank robber turned mob target Charley Varrick. This feature-length documentary takes the viewer back to the time of the shooting of this cult item and features original interviews with Siegel’s son, Kristoffer Tabori, actors Andy Robinson and Jacqueline Scott, stunt driver and actor Craig R. Baxley, composer Lalo Schifrin and Howard A. Rodman, whose father co-wrote the screenplay.

As a boy, Dawa was an illiterate Tibetan nomad whose life revolved around herding yaks. At 13, his life changed: through a series of visions, Dawa acquired the gift of telling the epic story of Tibet’s King Gesar. Now, at 35, Dawa receives a salary from the government as a guardian of national cultural heritage and is regarded as a holy man by his community. When an earthquake reduces his hometown to rubble, redevelopment of the region takes a giant leap forward. In the midst of such seismic shifts, Dawa seeks healing from King Gesar and other divine protectors of the land.

"Religion in Early African-America Cinema" returns to Charles Musser & Jacqueline Najuma Stewart, who offers historical perspective on depictions and criticism of faith in the collected films.

The first career-spanning documentary retrospective of Lydia Lunch's confrontational, acerbic and always electric artistry. As New York City's preeminent No Wave icon from the late 70's, Lunch has forged a lifetime of music and spoken word performance devoted to the utter right of any woman to indulge, seek pleasure, and to say "fuck you!" as loud as any man. In this time of endless attacks on women this is a rallying cry to acknowledge the only thing that is going to bring us together - ART...as the universal salve to all of our traumas.

The special effects in The Play House (1921) are discussed.