JBA Production

Two friends from a small Greek town travel to Bulgaria and Switzerland, hoping they can gain money from the difference in foreign exchange rates.

To avoid losing custody of her six-year-old daughter in Manila, Luz, an undocumented Filipina cleaner working in a luxury Swiss ski resort, must earn money at any cost – even if it means transgressing her own moral limits.

Raoul Peck directed this French-German-Haitian drama set in Manhattan where medical examiner Chase Dellal (Geno Lechner) isn't happy with the diminishing aspects of her life: Not only does she face political pressures to soft-pedal her testimony, her marriage to a judge (Bob Meyer) is collapsing. Suddenly, new options appear after deposed Haitian politician Dimitri (Jean-Michel Martial) re-enters her life. Playwright Israel Horowitz has a role in this film as morgue cop Timothy.

Hsiao-Kang, a Taiwanese film director, travels to the Louvre in Paris, France, to shoot a film that explores the Salomé myth.

The future of many developing countries is largely dependent on an institution which is already fifty years old, the World Bank. Criticized and questioned as to its utility, and confronted with numerous setbacks, the Bank is going through a perplexing time in regard to deciding what new strategies to adopt, especially in Africa. For fourteen months, Peter Chappel followed negotiations between the World Bank and Uganda in order to understand and describe the obscure and abstract mechanisms that shape the reality of North-South relations, as well as the future of millions of people.

In the historic Donbass region of eastern Ukraine, despite the cruel war that has been raging since 2014 between the self-proclaimed People's Republics of Donetsk and Luhansk and the Ukrainian government, people try to survive in the rotten heart of chaos, where violence disguises itself as peace, propaganda becomes univocal truth and hatred reigns in the name of love.

After growing up in Switzerland, 13-year-old Marta returns to a city in southern Italy with her mother and older sister. Independent and inquisitive, she joins a catechism class at a local church. However, the games and religious pop songs she encounters there do not nearly satisfy her interest in faith. Struggling to find her place, Marta pushes the boundaries of the class, the priest, and the church.

James Conners comes home to the town of Legend, New Mexico in 1865 to avenge his fathers death against the ruthless Will Tunney. Along the way he re-captures his long lost love Mary Cooper. With the chance to take Will Tunney he must choose revenge or redemption.

A charming and meditative ode to the city of Madrid, where Guzmán studied directing and filmmaking during the 1960s, and escaped to from Chile after the military coup. Traveling through the streets of contemporary Madrid, Guzmán’s essayistic film freely draws inspiration from the landmarks, the music, the people, and the culture to evoke experiences, reflections, and insights in order to relate the nature of his historical and personal connection to the city.

Athens 1966. Dimitris, 13, unexpectedly loses his father. Seeing his pampered mother collapse, the boy gets carried away and decides to skip childhood in order to stand by her. When he feels ready, he has to claim his mother back from an up-and-coming star of the military regime. A brutal coming-of-age story, where Dimitris reacts in vengeance, changing thus the course of Greek history...

A passionate fan of Daniel Defoe’s Robinson Crusoe as a 13-year-old boy, Guzmán was delighted to find in his adult years that the story is based on actual events & a real place in the middle of the Pacific Ocean, 700 kilometres from the Chilean coast. This moves him to film & construct a kind of ironic travel journal as he sets out to rediscover the island, all the while in constant play with the fields of history, literature & imagination.

An alcoholic man and his two young children barely survive in Taipei. They cross paths with a lonely grocery clerk who might help them make a better life.

Documentary based in Sheffield which follows local residents as they talk about drugs and the sex trade.

A leftist revolutionary or a reformist democrat? A committed Marxist or a constitutionalist politician? An ethical and moral man or, as Richard Nixon called him, a "son of a bitch"? In SALVADOR ALLENDE, acclaimed Chilean filmmaker Patricio Guzmán (The Battle of Chile and Chile, Obstinate Memory) returns to his native country thirty years after the 1973 military coup that overthrew Chile's Popular Unity government to examine the life of its leader, Salvador Allende, both as a politician and a man.

18-year-old Jesús lives with his stern, somewhat unaffectionate father in Santiago, Chile. When not doing drugs, having casual sex or simply slouching in front of the TV, Jesús and his friends perform in a K-pop boyband. But his routine is thrown into chaos one evening when he and his drunken posse viciously assault a young gay man and leave him for dead. It’s an act that propels Jesús into a profound moral crisis which have severe consequences.

Story of the 1974 coup that overthrew the right-wing Portuguese dictatorship--which continued the fascist policies of long-time dictator Antonio Salazar--and of two young army captains who were involved in it.

The situation in Bolivia is a microcosm of the dramatic tensions caused by drug production and consumption. On one side, the traffickers and politicians of course, but also the peasants, ex-miners, unemployed for whom the drug economy is the only rampart against starvation and absolute misery, on the other, the technicians, aid workers and foreign experts who are attempting to persuade the peasants to drop drug production. North-South relations in a nutshell.

In 1952, Argentina's beloved First Lady, Eva Perón, died of cancer at the age of thirty-three. A renowned embalmer was commissioned by the grieving Juan Perón to preserve her body for display, and Argentines flocked to be near "Evita". Three years later, when his government was overthrown by a military coup, Perón fled the country before he could make arrangements for the transportation of his wife's body. The military junta now in control kidnapped the corpse; so afraid were they of Eva's symbolic power that they even made it illegal to utter her name.

A handful of migrants without papers decide to start a hunger strike. Day by day, overcoming the violence that they inflict upon themselves, they discover the greatness of their true cause. From this realisation they learn to affirm their common humanity.

After years abroad in Italy, Shadi returns to his native Nazareth. But this is no spectacular homecoming. He's back somewhat begrudgingly to honour his "wajib" (or duty) to hand out invitations to his sister's wedding with his father. The simmering tension between the two — who are often stuck in a car, more often than not in traffic — builds, exposing the sometimes-comic chasms that exist between men who live in different worlds but share an unshakable bond.