John Smith

A view across the border in Nicosia, the divided capital of Cyprus. The camera looks over the rooftops of the Greek Cypriot south to the mountains of the Turkish Republic in the north, where a display of nationalism is enhanced by filmic means. Moving between macro and micro perspectives, Flag Mountain sets dramatic spectacle against everyday life as the inhabitants of both sides of the city go about their daily business.

A film about haircuts, clothes and image/sound relationships. - J.S.

Being John Smith is a deceptively wry and deeply felt work by the English avant-garde legend, in which Smith reflects on his life and career by way of his generic name, grappling with his own mortality and legacy, through a minimal, unassuming deployment of text, image, and voice.

Dad’s Stick features three well-used objects that were shown to the artist by his father shortly before he died. Two of these were so steeped in history that their original forms and functions were almost completely obscured. The third object seemed to be instantly recognizable, but it turned out to be something else entirely. Focusing on these ambiguous artifacts and events relating to their history, Dad's Stick creates a dialogue between abstraction and literal meaning, exploring the contradictions of memory to hint at the character of “a perfectionist with a steady hand”.

The discovery of a VHS tape of the artist's films on eBay triggers obsessive speculation about the seller's identity.