Lira Cinematográfica

The story of my grandmother's first encounter with a *caboclo*, a spirit rooted in Afro-Brazilian traditions, is passed down from generation to generation. Like an invocation, it becomes the narrative matrix for other visions and accounts, especially among the women in the family. Beyond the visible spectrum, *Aparição* reflects on vision as a collective sense.

Gustave is a photographer who makes pictures of nude male bodies in public spaces in São Paulo. One night, Pedro goes with him, without yet knowing whether he will be part of the project. This vast city will be witness.

Isabel is a babysitter pregnant of her own child and can't wait to be a mother. Until she meets Joana.

Silvia is a middle-aged filmmaker in crisis with her life. The same night that she is surprised by the visit of the ex-wife, who left her a few years ago, meets another woman who fascinates her.

The name of Brazil’s biggest airport, Guarulhos, references the fact that it was built on indigenous territory. In a blend of realistic and stylised scenes, the film follows a member of the ground staff as she seeks her roots beneath the runway.

An indigenous teacher implements the use of Ayahuasca in her classes in order to connect her students to another reality. During a ritual, one of the children comes upon a weird gear in the forest.

This popular international series continues with this third volume of five short films focusing on men, including: Vanilla [Baunilha] (2017); Lightrapping (2016); Polaroid (2014); Five Minutes a Day [Cinco Minutos Por Dia] (2018); My Brother [Mio fratello] (2015).

João, a middle-class filmmaker, goes through a series of encounters with people like his long-time friend Irene; his boyfriend Álvaro; Matias, a young man he meets in the subway and has a sexual experience with, among others, some acquainted, others unknown. These encounters affect him and slowly begin to reveal a play of time frames which blends together life and creative process, present and memory.