Thanhouser Company

An aging King invites disaster, when he abdicates to his corrupt, toadying daughters, and rejects his loving and honest one.

With The Old Curiosity Shop and David Copperfield, both released in 1911, and Nicholas Nickleby in 1912, Thanhouser established itself as producer of the best Dickens adaptations in American film.

After having been wrongly accused of murder and robbery, a heretofore kindly and gregarious weaver becomes a nasty, bitter, lonely old miser. Originally a seven-reel picture, a three-reel re-release survives.

Documentary footage showing the alligator in several stages of growth, from babyhood to a ripe old age; a film taken at an alligator farm in California. In early 1913 as Thanhouser staff and crews were setting up a facility in Los Angeles, cameraman Carl Louis Gregory was taking documentary footage, from which four “split reel” short subjects were created: A MILLION BIRDS, filmed at California pigeon and ostrich farms; LOS ANGELES THE BEAUTIFUL (two different version with the same title), showing scenic attractions; and SEVEN AGES OF AN ALLIGATOR, filmed at an alligator farm. Released together, HIS UNCLE'S WIVES and SEVEN AGES OF AN ALLIGATOR filled up one 1,000-foot “split reel.” (Fandor)

Dramatic three-reel film based on Wagner's opera of chivalry and spiritual struggle. Wandering minstrel Tannhauser wins the heart of Elizabeth, niece of the powerful Landgrave. Later, under the spell of Venus and her nymphs, Tannhauser passes into Venusberg, a netherworld of earthly pleasures. Returning to the Landgrave's court, he praises Venus in song and sparks the righteous anger of all present. His own prayers and those of Elizabeth free him from enchantment and he takes up the habit of a monk, devoting himself to God. He sets off to seek absolution in Rome while Elizabeth waits at court, ever weakening in his absence.

Outside the door of the home of a sculptor and his mother, fell a poor, friendless young girl. They took the girl in and cared for her, and as time went on the mother began to regard her as her daughter. The son regarded the affectionate advances of the girl with only brotherly love. But there came a time when the misgivings of the son changed, for he began to pay scant attentions to a young beauty he met at a reception and who was characterized as a woman with a heart "cold as marble." This piqued the beauty, who was accustomed to abject adulation. She determined to bring him to her feet and in this she succeeded. She offered to pose for him, and, spurred on by such a splendid model and her praises, he produced a figure which was acclaimed by all the critics as a masterpiece.

Zudora, not knowing she's an heiress to a $20 million fortune, lives with her uncle, a mystic and detective, who covets her inheritance. She wants to marry John Storm but her uncle is against it. However, the uncle makes a bargain; if Zudora can solve the next twenty mysteries brought to him, she can marry as she chooses. Episodes 1,2 and 8, plus another unidentified chapter, survive. The rest is believed to be lost.

He was a hard-headed old business man and very mercenary, so when he received a letter from a debtor in a little country town asking for more time in which to pay the amount he owed, he decided to show no mercy. But on the way to the home of his debtors he had an accident. He slipped and fell from a cliff upon a projecting ledge below. He was thinking less of the money than of the chances of prolonging his life when he heard someone call him, and looking up he saw a girl standing on the cliff.

A young lord elopes with an employee's daughter. The visit of a lady to her home causes the young wife to leave her husband. Years later the peer succeeds to his family estates. Approaching his wife for forgiveness, his entreaties are of no avail. He meets his daughter on the cliffs, and she by accident falls and is killed. The sight of the dead body causes the wife to seek the protection and consolation of her husband

The husband was stern, solemn and never could understand why anyone should laugh. The wife didn't have much sense, perhaps, but she was full of life and laughter. Why they should have married was a mystery; that there should have come a matrimonial shipwreck was hardly a surprise.

In the days long ago when knights were brave and venturesome, enchanted forests grew and mythical creatures lived among us.

The Fisherwoman was a dominant force on the busy island. Unaided she had built up a large business. She employed many fishermen, and grew wealthier year by year. She sent her son to college, and was delighted when he told her, after graduation, that he intended to help her in the work. Contact with the world, however, had spoiled him for a narrow life. The mother divined his secret, although he tried to hide it. "You have your own life to live, my son," she said, "and I would not keep you here." The son's progress in business was rapid. One day word came from him that he was married, and he sent his mother the picture of his bride. Time passed, and the son wrote more and more infrequently. The mother believed that the wife was to blame, and although they had never met, she began to hate her bitterly.

In "The World and the Woman", Jeanne Eagels plays Mary, a prostitute (which is implied by her walking the streets and being hassled by policemen) who reluctantly takes a better position at a country lodge as a maid. In this woodland community, she attends church and the path to Salvation becomes clear to her. Through Mary's faith, the injured folk of the countryside are healed. However, her old employer, whose lustful advances she'd previously spurned, still has designs on her.

A rich man who finds that there is nothing in life worth living for, is worse off than is a poor man in similar circumstances, for the poor man may he stricken with ambition, and in a last effort to attain fame and fortune, redeems himself. But what is a man to do if he has wealth, health, all the fame he desires, and yet looks at life through blue spectacles?

A short adaption of the novel by Charles Dickens.

Thanhouser Company three-reel silent film based on Charles Dickens’s story of an English lad's tribulation-filled journey to adulthood, Thanhouser released the three films over the course of three weeks beginning on October 17, 1911, one 1,000 foot reel per week.

This twenty-three episode serial told the story of a secret society called The Black Hundred and its attempts to gain control of a lost million dollars.

Henry Dennys, a wealthy Englishman, has two sons who are frequently brought into the company of Edith Danvers, whose father, a retired general, lives on the adjoining property. As the youths approach manhood each one unknown to the other is secretly in love with the girl.

The production vindicated the new feature-length movie format by restoring several characters, plot complications, and atmosphere that had been truncated in Thanhouser’s 1910 version of less than one-sixth the length.

Sicilian king Leontes jealously accuses his wife Hermione of infidelity with his best friend, and while imprisoned, she delivers a child. Sent away, the child is raised by Bohemian shepherds. The Winter's Tale was the first of six Shakespeare adaptations from Thanhouser, and was the 13th or 14th title from the studio in its first nine weeks of releases.