Red Desert Films

Filmed over six years in four countries: Portugal, Brazil, Colombia and United States, this romantic drama tells the story of Luzia, a Brazilian screenwriter, and Adrian, a Colombian actor, that fall in love during a film festival in 2009 and will live a fragmented love story while competing in different film festivals around the world.

An old hostel, located in the center of Porto, served for many years as a hostel for people with few possessions, prostitutes and people passing through who made that place a more or less prolonged residence.

As she goes through hills and rivers looking for Melusina, a mutant and legendary mermaid from the city of Luxembourg, where she grew up, the director talks to four women about their uncertain identities: what it is like to be an immigrant without being one, and to be a Luxembourgish without being one. A journey through memory in rainy weather. A search for ever-fragmented identities. An uncertain attempt at reconciliation. The memory of emigration from a contemporary perspective of a generation with a radically different relation to territories and displacements.

In The Beach, the elderly return to active life, leave the spaces of suffering and loneliness to which they have sadly been inhabiting in contemporary societies. They have fun, play, swim, run. They go back to being people like everyone else.

One day almost everything turned into a pile of rubble and bush. There remained ghosts wandering through the fields, the ruins and the fog. Some of these ghosts are alive. They are those who stayed, those who came back, those who roam the difficult memories of the most cursed neighborhood of the city. Only that this Tarrafal, the name of the field of slow death of Salazar's dictatorship, is not in Cape Verde but in Portugal.

In a remote village called Bostofrio, a young filmmaker breaks the law of silence in order to unearth the story of his grandfather. A series of awkward and funny interviews that reveal the secrets and half truths that are the fabric of rural Portugal.

The sound was deafening. The noise of the machines, the steps, the daily hustle of the more than a thousand workers, entering and leaving the shifts. There were 12-hour days, people without holidays, a stolen youth so that the cloth would continue to leave the factory. The revolution came and everything changed. Strikes, picket strikes, worker’s rights. Then the globalisation came. The factory went down to close. We went back to it, with the former workers, the old and the young. The machines continue to work in the empty spaces, the ghosts wander illuminated by traces of light until the walls begin to fall.

Lilia, a Colombian citizen, has lived in eight countries around the world. Now, at the age of 67, she grows old alone in Portugal, caring for an Alzheimer's patient. The filmmaker asks her mother Lilia if she has found home and if she will ever return to Colombia, her native country she hasn't visited for the past 40 years. HOME is a personal-approach documentary about loneliness and the sense of belonging.