República Pureza Filmes

A group of playboys organizes the last party of the year in a slum before the change in weather. And for this night, beyond the usual drugs, alcohol and sex, they will receive special guests: an addict that uses and is used by the group, a country singer who was raised around the slum, a strange security guard and the owner of the place.

When witnessing a hit, Arandir, a newly married banker, tries to succor the victim, but the man, almost dead, has only time to make one last request: a kiss. Arandir kisses the man, but his act is spotted by his father-in-law Aprígio and photographed by Amado Ribeiro, a tabloid reporter.

In a small city of Brazil, Flor (a very good looking woman) marries Vadinho, a very handsome and erotic man. Once married she finds he is a good-for-nothing. She works teaching cooking to her neighbours but he takes all her money to gamble. One day he dies. Flor misses the goods of the marriage so she marries again with a very correct gentleman – the owner of the drugstore (Teodoro). Now she’s very happy with her man, but misses the erotic moments with her previous husband. Then the ghost of Vadhino comes to earth to chase her.

The film brings some of the best stories about the singer, told by his friends - Cássia Eller, Ezequiel Neves, Ney Matogrosso and Frejat - and by his mother, Lucinha Araújo, in atouching testimonial.

The names of the characters are pronouns. She is a teacher, with his father dead just three days ago. Faced with this situation, He intends to take care of her while He is alive. This is the beginning of an odd relationship.

The film brings Clarice Lispector’s novel Uma Aprendizagem ou O Livro dos Prazeres to the current days. In the plot, Lóri is a lonely and melancholic woman. She divides her time between her duties as a school teacher and her relationships, which are always fast and shallow. By chance, she meets Ulisses, an acknowledged Philosophy professor, who is self centered and provocative. Although he knows nothing about women, Lóri learns with him how to love and to face her own loneliness.

G.H., a well-to-do Rio sculptress, enters her maid’s room, sees a cockroach crawling out of the wardrobe, and, panicking, slams the door on it. But the sight of the dying insect provokes a mystical crisis.

Marluce (Angelina Muniz) is a young woman of humble origin who sells popsicles in the Piscinão de Ramos and still dreams of finding her daughter Marcelly (Laís Said). Moved by the story of Marluce, the journalist Trude (Cacau Melo) and her team try to discover Marcelly’s whereabouts, but they end up discovering Marluce’s great secret.

The quiet life of the small town Piedade's inhabitants is shaken up by the arrival of a big oil company, which barges in taking over houses and local businesses, throwing everyone out, to better reach and use the area's natural resources.

The old man is all of us. The sea is life. The lake, solitude.

At a bar, a lonely mantells the story of the incredible romance he has just lived to three strangers.

Over a trio of summers, a caretaker for luxury condominiums relies on her resourcefulness and her eye for opportunity to take advantage of whatever comes her way.

January 1st, 2003. When Brazil celebrates President Lula′s historic investiture, two middle-class, provincial families gather in an old, poorly maintained house. As they prepare a big party, secrets, hidden desires and frustrations are revealed.

Two Brazilian immigrants in New York become determined to seek revenge after a family member's murder goes unpunished.

The boy Francisco spent his days accompanying his father at work, or rather, on the roads. The man is a driver of the imposing Big Jet, a pickup truck used to clean the city's cesspools without basic sanitation. But the boy is more interested in the ideas of his uncle, a libertarian and anarchist artist. As he discovers his first love, Chico realizes the vocation to become a poet.

When João goes to Brazil in search of a better life, he meets punk music enthusiast Maria and falls in love with her. But his involvement in the local drug trade makes him the target of a vicious drug lord.

Soon after learning of the death of his mother Pérola, Mauro returns to his old family home in Bauru (São Paulo, Brazil). A look back into his mother’s peculiar habits, her illusions, sense of humor, spirituality, and desire to control all things... with the love and tenderness that only distance and time allow. A reunion between mother and son: their conflicts, conversations, and dreams of a better life all converge in constructing a swimming pool in their backyard. It is a portrait of an ordinary family that fights, makes up, celebrates, cries, and carries on, full of stories just like any other.

An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film about cinema, which explores the testimonials of the novelist and playwright Ariano Suassuna and other filmmakers such as Ruy Guerra, Julio Bressane, Ken Loach, Andrzej Wajda, Karim Ainouz, José Padilha, Hector Babenco, Vilmos Zsigmond, Béla Tarr, Gus Van Sant and Jia Zhangke. They all respond to two basic questions: why do they make movies and why do they serve the seventh art. The filmmakers share their thoughts about time, narrative, rhythm, light, movement, the meaning of tragedy, the audience‘s desires and the boundaries with other forms of art.

In a small village in the hinterland, three stories of love and desire are changing the emotional landscape of its residents. Characters of a romanesque world in which their conceptions of life are limited on one side by human instincts, on the other by a blind and fatalist fate.