República Pureza Filmes

January 1st, 2003. When Brazil celebrates President Lula′s historic investiture, two middle-class, provincial families gather in an old, poorly maintained house. As they prepare a big party, secrets, hidden desires and frustrations are revealed.

Sentimental Education centers on the unique relationship between Áurea, a lonely 40 year old teacher, and a young man she has just met by chance – one of these encounters which mythology and literature are full of. A delicate soul who finds itself attracted to a beauty that seems to demand, disturb and move her. That shakes her up entirely. During the days following their first conversation, she will expose all her feelings through classes in which he will let himself be carried away. Until an unusual episode from the past is revealed and changes everything.

In the capital of Ceara, Iracema is the name of many women. It is the name of schools, guesthouses, bakeries, laundries, steakhouses, Iracema is the name of beaches.

The beautiful Flor marries Vadinho -- and soon finds out he's spending all their money on gambles and has mistresses all over the city. Vadinho suddenly dies while partying during Carnival, and Flor, left helpless and full of debts, ends up marrying Teodoro, who's the exact opposite of her late husband.

Lost in a beachhouse, Rodrigo searches in his memory for the romance he lived the previousnight with a woman, and how to find her.

The film brings Clarice Lispector’s novel Uma Aprendizagem ou O Livro dos Prazeres to the current days. In the plot, Lóri is a lonely and melancholic woman. She divides her time between her duties as a school teacher and her relationships, which are always fast and shallow. By chance, she meets Ulisses, an acknowledged Philosophy professor, who is self centered and provocative. Although he knows nothing about women, Lóri learns with him how to love and to face her own loneliness.

The monotonous life of the butcher João is broken with the wedding announcement of Dona Eva’s niece: Melissa, a thirteen-year-old girl. At the end of the day, he closes the butcher shop and the loneliness becomes immense.

Filmed over six years in four countries: Portugal, Brazil, Colombia and United States, this romantic drama tells the story of Luzia, a Brazilian screenwriter, and Adrian, a Colombian actor, that fall in love during a film festival in 2009 and will live a fragmented love story while competing in different film festivals around the world.

Over a trio of summers, a caretaker for luxury condominiums relies on her resourcefulness and her eye for opportunity to take advantage of whatever comes her way.

In a small village in the hinterland, three stories of love and desire are changing the emotional landscape of its residents. Characters of a romanesque world in which their conceptions of life are limited on one side by human instincts, on the other by a blind and fatalist fate.

The lives of a macho butcher, his wife, a lonely waitress, a sadist and a flophouse manager intersect in Recife, Brazil.

When João goes to Brazil in search of a better life, he meets punk music enthusiast Maria and falls in love with her. But his involvement in the local drug trade makes him the target of a vicious drug lord.

An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film about cinema, which explores the testimonials of the novelist and playwright Ariano Suassuna and other filmmakers such as Ruy Guerra, Julio Bressane, Ken Loach, Andrzej Wajda, Karim Ainouz, José Padilha, Hector Babenco, Vilmos Zsigmond, Béla Tarr, Gus Van Sant and Jia Zhangke. They all respond to two basic questions: why do they make movies and why do they serve the seventh art. The filmmakers share their thoughts about time, narrative, rhythm, light, movement, the meaning of tragedy, the audience‘s desires and the boundaries with other forms of art.

Facing many problems, such as impaired hearing and speaking, abnormal bone formation and poverty, Brazilian black naïve artist Moacir lives in the National Park of Chapada dos Veadeiros, aloof and oblivious of outside world, and was discovered by director Walter Carvalho in the 1980s. He spends his days drawing marvellous works with his crayons, depicting human and fantastic beings, fauna, flora, his own inner visions, mystical themes and sex, with a trace of impressive primitivism and beauty. The film registers his daily life.

Can books still change someone's life? To answer this question, the documentary Galáxias tells stories of people from different places in Brazil - Rio de Janeiro, São Paulo, Minas, Pernambuco, Amazonas and Distrito Federal - who, on their own initiative, created libraries open to the public in their communities. In parallel to the narrative of these characters, Galáxias travels through several countries listening to intellectuals and ordinary people, seeking to discover what makes a person love a book. What is the power of literature? In what lies the pleasure of reading? What changes will technological advances bring to the book? Galáxias: a reflection on this small, transcendent object and on the people who love books.

Zizo, a radical and anarchist poet living in a marginal quarter of Recife in the north eastern state of Pernambuco, distributes his social angst-filled thoughts through a publication named Febre do Rato, and spews poetry to anyone who’d listen. Our character always revolves within the universe that he has created around himself. A very particular world, in which satisfying the unfortunate is a mixture of a kind of benefit with high dose of malice.

The boy Francisco spent his days accompanying his father at work, or rather, on the roads. The man is a driver of the imposing Big Jet, a pickup truck used to clean the city's cesspools without basic sanitation. But the boy is more interested in the ideas of his uncle, a libertarian and anarchist artist. As he discovers his first love, Chico realizes the vocation to become a poet.

In a small city of Brazil, Flor (a very good looking woman) marries Vadinho, a very handsome and erotic man. Once married she finds he is a good-for-nothing. She works teaching cooking to her neighbours but he takes all her money to gamble. One day he dies. Flor misses the goods of the marriage so she marries again with a very correct gentleman – the owner of the drugstore (Teodoro). Now she’s very happy with her man, but misses the erotic moments with her previous husband. Then the ghost of Vadhino comes to earth to chase her.

The old man is all of us. The sea is life. The lake, solitude.