Bionaut

In October 1930, a group of officers belonging to the Finnish army's top leadership decided, after a night of drinking, to kidnap Finland's retired first president, Ståhlberg. The Finnish people were divided in the aftermath of the civil war, and the political atmosphere was turbulent and tense. However, the kidnapping went wrong right from the start when the incompetent henchmen recruited for the job were forced to take the president's stubborn wife, Ester Ståhlberg, with them.

On the eve of Russia's invasion of Ukraine, a high-flying executive tells her husband she wants a divorce, forcing the couple to navigate their bitter separation amid an escalating mid-life crisis and an unfolding regional refugee emergency.

A coming of age story about love, loss and revenge centers around two teenage friends, Adam and Marek, whose aimless lives in a small town are suddenly disrupted by the appearance of Anna, the troubled daughter of a rich and influential local businessman. Initially her free spirit energizes Adam but soon he finds himself thrown into a spiraling chain of events. His innocence is about to be abruptly replaced with the adult emotions of guilt, fear and revenge.

Champion fighter Osvald is banned from competing after injuring a girl in a street fight. Stranded in his bleak Lithuanian hometown, he takes refuge in a run-down Taiwanese restaurant owned by his only friend, Ju-Long. Court-ordered therapy leads him to Skaistė, a woman who offers a glimpse of a life he's never known. But as Osvald clings to this fragile hope, his violent past resurfaces, forcing him to choose between redemption and self-destruction.

At 82 years old, Lula is every inch the rebel. An openly gay man in communist Poland, he organized underground parties and after-curfew salons of men inside private apartments. He enthusiastically took up drag, despite a fiercely homophobic culture, to free himself from the stifling correctness of the 80s. But now, he's an old, single man in a youth-obsessed world. His friend was crushed by depression and killed himself, but somehow Lula, now Poland's oldest drag queen, remains buoyant. Is he escaping loneliness with his constant clubbing, looking for love yet again to insulate himself against what he knows is coming? Lula isn't waiting for approval. Filmmaker Bogna Kowalczyk's energetic portrait pairs with her subject's kinetic drive, right down to the stellar soundtrack and nimble camerawork. Whether it's meeting fans at Pride or selecting an artist to sculpt his specialty crematorium urn, try to keep up with a man who knows life is to be lived out loud.

Film in hand. Carnival in the global village.

An ironic water road movie telling the story of several characters traveling on the waters and roads of the Podkrušnohorská landscape, and at the same time the story of the landscape itself.

On Instagram Michal presents himself as a rapper who is one step away from stardom. In reality, he is a fast-food worker in a place from where no-one ever made the big time. What he doesn't yet know is that his dream will come true this afternoon.

Film about racial problems in the society, love, family, people and their relations.

Fifteen-year-old Klara is raped by a masked boy during Wet Monday. A year later, just before the first anniversary of the incident, she becomes paralyzed by a fear of water. Looking for support and understanding, Klara turns to her new, somewhat esoteric friend.

Odins once trusted advisors, the ravens Huginn and Muninn are thrown out of the Gods realm of Aasgard and down to Midgard. In desperation, they decide to seek out Tor who is last seen touring Midgard with his sister Loki, and steal his hammer to use it to get back home. But the fierce jotuns led by the avengful Mime also want to get hold of the mighty hammer to avenge their defeat by the Gods.

Edgar’s ordinary life is disrupted by a newborn calf he sees on a tourist trip to a slaughterhouse. He takes it home after finding out that the calf would become a schnitzel. His life is turned upside down when the calf turns into a cow and breaks things he holds dear. Edgar realizes that his decision wasn’t the best and decides to make a radical solution.

The discovery of decades-old skeletal remains kicks off a criminal investigation into the ancient secrets of the Beskydy Mountains.

Ester Krumbachová - a costume designer, screenwriter, director; one of the boldest personalities of the Czech New Wave. She worked in theatre, she was a writer and an illustrator. She co-created films such as O slavnosti a hostech (1966), Sedmikrásky (1966), Vsichni dobrí rodáci (1969), Pension pro svobodné pány (1968), Valerie a týden divu (1970), Slamený klobouk (1972) and many others. In the 1960s, she was a 'pivot' of the art scene in Prague, attracting artists who were on the threshold of their career, just setting out to find their own form of self-realization. Those who underwent her tutelage remember her forever. Director Vera Chytilová talks to those who knew Ester Krumbachová, who worked with her, befriended her, loved her. She sets off on a search that is to end by answering the question: Who was Ester?

At a holistic retreat in Poland for single mothers-to-be, pregnant Grace starts experiencing distressing hallucinations and begins noticing the strange behavior of the staff.

Rosa and Dara recount their fantastic summer adventures, chasing down their grandparents' runaway cows in spots around the world.

A love story of the 21st century. Hoping for change, Ema runs away from her family and leaves her husband. She hides at the apartment of her hairdresser, a gay guy Tony, even though she barely knows him. At the beginning they are merely two strangers, connected by their mutual effort of escaping from their families. They get closer and help each other to overcome the internal, as well as external, obstacles of their lives. Their liberating friendship almost becomes a love affair, despite the fact it cannot be fulfilled. This liberation creates an intense bond between them: a new escape, a new quest. This is a love story of two people and their attempts to escape the trap of their own desires of belonging to somebody.