A young Czech theater director has an ambition to adapt Eurypides' Phaedra. However, having affair with the actress, he puts his marriage at risk and the play turns to be a fiasco. Desperate, he tries to be the best possible father and husband. Not a perfect one.

Jeong-Woo is sent to a sanitarium deep in the mountains to overcome his alcoholism. There he meets a young nun named Maria who has a special ability to see inside people. In this isolated sanitarium Maria is the only person who seems to care for him and soon he feels drawn to her. While struggling with his withdrawal symptoms, Jeong-woo has a vision where his reality is different from what he believes. The further he escapes from his alcoholism, the closer he gets to confronting the past that he has denied for years.

Low-ranking civil servant Pil Yong (Park Joong Hoon) has things hard looking after his disabled wife(Ye Ji Won). He takes charge of a hanji project in hopes it will bring him a promotion. His wife comes from a family of hanji masters. One of his tasks include working with quarrelsome filmmaker Ji Won (Kang Su Yeon), who is shooting a documentary about hanji. Though he knows little about the subject to begin with, the more he learns about hanji, the more it takes on a new significance for him and the world around him.

An old woman flies past six floors after jumping from the roof of her apartment block. Six stories on the poor state of humanity, told with humour and rare imagination to the accompaniment of a pulsating soundtrack from Amon Tobin. A woeful burlesque set in the present by one of Europe’s most original contemporary filmmakers.

Based on a short story by Gabriel Garcia Marquez, this short film tells the story of a man who falls in love with a woman he sees at the check-in counter of an airport, and later sits near her inside the plane bound for Canada. The two passengers never exchange a word.

Novelist Jeong-seok is looking for his missing wife. A woman appears in front of him and suggests that she can find his wife. Meanwhile, some people approach him and ask him to find missing people. They find themselves becoming chased at some point.

Trapped in routine, a Jeju poet finds himself drawn to a boy—and to emotions he’s never dared name.

In South Korea, 2002, the Democratic Party put the presidential nomination to a plebiscite for the first time. Amongst numerous candidates, the one who brought about the most unexpected result was a fringe candidate named Roh Moo-hyun.

Coincidence brings Gyohwan, a ´keyboard warrior´ who has left home and is moving from gosiwon to gosiwon, and Jeongsu, a ´patriotic senior citizen´ who has fought all his life against the left wing, together who become close like a grandfather and grandson. A black comedy about the two who each prepare for their last big event which leads to disaster.

Munseong goes to Gunsan for the first time in 30 years upon hearing his father Gwangdeok is dying. Gwangdeok’s death brings Munseong and his son Dojin together, but they are unable to reconcile. Painful history repeats in father-son relationship.

Seung-woo, a creatively blocked screenwriter, travels to the small town of Samnye to escape the distractions of big city life. There he meets Hee-in, a young woman who works in a bakery, who is also looking to escape from her surroundings.

Hong Sang-Soo’s Lost in the Mountains (South Korea, 32min) the visitor is the supremely self-centred Mi-Sook, who drives to Jeonju on impulse to see her classmate Jin-Young – only to discover that her friend is having an affair with their married professor, who Mi-Sook once dated herself. The level of social embarrassment goes off the scale. In Naomi Kawase’s Koma (Japan, 34min), Kang Jun-Il travels to a village in rural Japan to honour his grandfather’s dying wish by returning a Buddhist scroll to its ancestral home. Amid ancient superstitions, a new relationship forms. And in Lav Diaz’ Butterflies Have No Memories (Philippines, 42min) ‘homecoming queen’ Carol returns to the economically depressed former mining town she came from – and becomes the target of an absurd kidnapping plot hatched by resentful locals. Serving as his own writer, cameraman and editor, Diaz casts the film entirely from members of his crew and delivers a well-seasoned mix of social realism and fantasy. —bfi

A partially restored version of Director Im Kwon-taek's Bhiksuni, which was halted in 1984 due to opposition from the Buddhist community. It contains the agony of a woman who has converted to Buddhism. The documentary, which is shown together with the partially restored version, contains the story of the production of Bhiksuni told by actress Kim Ji-mi, director Im Kwon-taek, cinematographer Jung Il-sung, and writer Song Gil-han.

A life story of a man named Roh Hoechan who practiced progressive politics without taking a rest in order to make the same between dream and reality, and chose the exhausting way due to his ground that he couldn’t give up respect and faith toward human dignity.

EXIT: Woo-hyun lives a small-time criminal life earning his life as a pick-pocket. He often pays attention to an arrow-shaped-tattoo of his girlfriend which is on the genital area. He calls it ‘the emergency exit.’ THE BODY: Jung-su and Young-sun are a young couple. One new year’s eve, a movie director visits the couple’s house. Only the strong wind of the sea and slow time cross the living room and three people sense something…alive. WALTZING ON THUNDER: Mi-jung just happens to meet a group of people who have survived from being struck by lightning. While becoming aware of her old wound, she takes part in a trip for lightning strikes ‘again’.

“Where does the soul go once it leaves the body?” For religious and philosophical reasons, viewpoints may all differ, but fundamentally, human beings have constantly asked this question. Like a lit matchstick, human life ignites the beauty and ugliness of life intensely and without reserve. The undertaker says, “The more funerals I hold, the more I think that death might not be a period but a comma.

Gi-tae, who continuously failed on his exam, returns to his hometown for the first time in ten years. He tried all different manual labors, but his debt-ridden life never seems to end. Soon Later, he starts working at a worn-out theater and meets Oh, the sign painter. Oh is never sober and always blunt, accordingly difficult to figure out. But Gi-tae doesn’t feel awkward around him.

High school student Min-sik moves to a rural village with his family. There he meets Ye-joo, a classmate who became a social outcast after her father was accused of murder.

A middle-age couple visit a temple in Chuncheon where they spent their first night together 30 years prior. On the way, one of them cannot find their phone and hurries to find it. As the night unravels, they will come across an ex-lover, a friend, and a young couple who resemble them 30 years ago.

Previously focused on Asian directors, “Jeonju Digital Project 2007” takes a look at Europe. The Portuguese filmmaker Pedro Costa, the German filmmaker Harun Farocki, and the French filmmaker Eugène Green participated in this project.