Vienna Film Financing Fund

The fate of a Hungarian Jewish family throughout the 20th century.

A portrait of Austrian artist Gustav Klimt whose lavish, sexual paintings came to symbolize the art nouveau style of the late 19th and early 20th century.

300 years of a remarkable musical instrument. Crafted by the Italian master Bussotti (Cecchi) in 1681, the red violin has traveled through Austria, England, China, and Canada, leaving both beauty and tragedy in its wake. In Montreal, Samuel L Jackson plays an appraiser going over its complex history.

Is heavy manual labour disappearing or is it just becoming invisible? Where can we still find it in the 21st century? Workingman's Death follows the trail of the HEROES in the illegal mines of the Ukraine, sniffs out GHOST among the sulphur workers in Indonesia, finds itself face to face with LIONS at a slaughterhouse in Nigeria, mingles with BROTHERS as they cut a huge oil tanker into pieces in Pakistan, and joins Chinese steel workers in hoping for a glorious FUTURE.

David and Chris spice up their stagnant relationship by turning to a gay dating app, but this unwittingly throws their lives into turmoil.

Two fathers, a Romanian searching for his daughter who was forced into prostitution in Kosovo, and a Serbian seeking the body of his son killed in a car accident in Romania, meet on the river Danube. A boatman recounts the 200 year-old legend of Romanian peasants struggling unsuccessfully to move an old wooden church up the hill to their village at a time when building Orthodox churches was prohibited.

"The Road to War" uses elaborate and fascinating computer-generated recreations and archives never seen before to examine how the assassination of Archduke Franz Ferdinand in 1914 was used by the Austro-Hungarian Empire to start a war against Serbia. The film investigates how this regional conflict involving the Central Powers and the Triple Entente escalated to become "World War I", a war with more than 17 million dead and More than 20 million injured.

Hofreiter, who has a relationship with Natter's wife Adele, confronts Natter after the latter launches a newspaper advertisement linking the suicide of an admirer of Hofreiter's wife to Hofreiter himself. In his tried and tested manner, Hofreiter challenges his vis-a-vis to a duel, but contrary to all etiquette, Natter refuses and exposes Hofreiter's system of vain notions of honor by confronting him with "genuine feeling". Natter: "I am hopelessly in love with my wife. That happens, dear Hofreiter. Nothing helps. That's just the way it is." His revenge is of a different nature, because he gets out of Hofreiter's narcissistic game and disavows his deceptive maneuvers and strategies of shifting blame.