Naxos Film

The leader of a right-wing German political party discovers that an illiterate woodcarver is actually the son of Adolf Hitler.

Erotic comedy about an incorrigible womanizer whose lecherous love life becomes too much to handle. Things culminate when his jealous friends arrange for his fiancee and his mistresses to meet him at the same time.

In '500 a noble Tuscan gives a banquet in which they are told bawdy stories: a cardinal tells dirty stories during a banquet that turns into a purge; a marquise is induced into temptation by an abbot; a tintora has carnal relations with a brother, and the two have a son; prisoner of Charles V , Francis I of France has a relationship with two Spanish and get an acquittal advance by the Pope; a group of cardinals contain a prostitute during a council; the Marquis Cavalcanti, rejected by the bride, vents his cravings with a syphilitic prostitute.

Jean Diserens has a double life: he's a property developer and... drug dealer. He's looking for a new way to sell it. But his superior, Crazy Capo, doesn't see things the same way.

Rome police headquarters. A new commissioner, promoted by the political team at "night", has to deal with the case of a girl seriously injured at Villa Borghese.

Two episodes on the theme of love and death. In the first, set in nineteenth-century Russia, we have a vehement passion that a family feud turns into tragedy. The second is a Boccaccio comedy in contemporary Sicily.

After a beautiful young woman tells her famous choreographer husband that she wants to have a child, he begins rejecting all of her sexual advances, which turns her to a life of insatiable adultery.

A study of a man's physical and mental limitations. In the 24 quite harsh and grueling fragments of the unfinished drama, a body and a mind are tested as far as they can be pushed before their owner goes over the edge. Is there just one thing that proves to be too much for Franz Woyzeck, or is it an accumulation of miseries and torments of a wretched existence? Woyzeck is perhaps not so much a bleak account of how miserable life can be as how much strength is required to deal with the daily vicissitudes of life and how delicate and fragile a balance the human psyche rests on.

The story is set at the beginning of the Christian era on a large terrace of Herod’s palace, during the reign of Herod Antipas. At night, on a terrace of the palace, Salome, Herod’s stepdaughter, is gazed at passionately by Narraboth, captain of the guard. Jochanaan, a prophet, is imprisoned in a cistern for having slandered Herod. He proclaims the coming of Jesus, but his message is met with incomprehension by the guards. Salome hears the prophet. She manages to convince the guards to bring Jochanaan out so she can see him. Both fascinated and frightened by his prophecies, Salome falls passionately in love with this man. Richard Strauss’s opera at the 2018 Salzburg Festival, directed by Romeo Castellucci at the Felsenreitschule. In her debut in the title role, Asmik Grigorian distinguished herself with her talents as a singer and actress.

The Circus Maximus of ancient Rome was a real place. The largest arena in the world, it entertained over 300,000 spectators daily for nearly a thousand years. Chariot races, hunts and battles satisfied the Roman public’s need for grander and wilder amusement as the Empire declined. The parallels between the high decadence of Rome and our present time are obvious. Entertainment dominates our culture, and ever-more-extreme ‘reality’ shows dominate our entertainment. Many of us have become as bemused by the violence and humiliation that flood the 500-plus channels of our television screens as those mobs of imperial Rome who considered the devouring of human beings by starving lions just another Sunday show. The shape of Circus Maximus was built both to embody and comment on this massive and glamorous barbarity.