Naxos Film

Erotic comedy about an incorrigible womanizer whose lecherous love life becomes too much to handle. Things culminate when his jealous friends arrange for his fiancee and his mistresses to meet him at the same time.

The leader of a right-wing German political party discovers that an illiterate woodcarver is actually the son of Adolf Hitler.

In '500 a noble Tuscan gives a banquet in which they are told bawdy stories: a cardinal tells dirty stories during a banquet that turns into a purge; a marquise is induced into temptation by an abbot; a tintora has carnal relations with a brother, and the two have a son; prisoner of Charles V , Francis I of France has a relationship with two Spanish and get an acquittal advance by the Pope; a group of cardinals contain a prostitute during a council; the Marquis Cavalcanti, rejected by the bride, vents his cravings with a syphilitic prostitute.

After a beautiful young woman tells her famous choreographer husband that she wants to have a child, he begins rejecting all of her sexual advances, which turns her to a life of insatiable adultery.

Rome police headquarters. A new commissioner, promoted by the political team at "night", has to deal with the case of a girl seriously injured at Villa Borghese.

Jean Diserens has a double life: he's a property developer and... drug dealer. He's looking for a new way to sell it. But his superior, Crazy Capo, doesn't see things the same way.

Two episodes on the theme of love and death. In the first, set in nineteenth-century Russia, we have a vehement passion that a family feud turns into tragedy. The second is a Boccaccio comedy in contemporary Sicily.

A study of a man's physical and mental limitations. In the 24 quite harsh and grueling fragments of the unfinished drama, a body and a mind are tested as far as they can be pushed before their owner goes over the edge. Is there just one thing that proves to be too much for Franz Woyzeck, or is it an accumulation of miseries and torments of a wretched existence? Woyzeck is perhaps not so much a bleak account of how miserable life can be as how much strength is required to deal with the daily vicissitudes of life and how delicate and fragile a balance the human psyche rests on.

Based on Oscar Wilde's lurid play, it is an intense exploration of the Salome story. Its sumptuous vocal and orchestral writing seethes and pulsates as Strauss conjures up the brutality of Herod's corrupt court. Richard Strausss opera at the Salzburg Festival, staged by Romeo Castellucci at the Felsenreitschule, was nothing short of a sensation. Debuting in the title role, Asmik Grigorian propelled herself to international stardom with her mesmerizing singing and acting abilities. The exceptional soprano recently won the International Opera Award as best singer.

The Circus Maximus of ancient Rome was a real place. The largest arena in the world, it entertained over 300,000 spectators daily for nearly a thousand years. Chariot races, hunts and battles satisfied the Roman public’s need for grander and wilder amusement as the Empire declined. The parallels between the high decadence of Rome and our present time are obvious. Entertainment dominates our culture, and ever-more-extreme ‘reality’ shows dominate our entertainment. Many of us have become as bemused by the violence and humiliation that flood the 500-plus channels of our television screens as those mobs of imperial Rome who considered the devouring of human beings by starving lions just another Sunday show. The shape of Circus Maximus was built both to embody and comment on this massive and glamorous barbarity.