AMIP

A documentary about the Russian filmmaker Andrei Tarkovsky. The film was an episode of the French documentary film series Filmmakers of our time. The title of the film is a play on the title of Solzhenitsyn's novella One Day in the Life of Ivan Denisovich.

Intimate portrait of Abel Ferrara: the result is an eccentric road movie, with the restless film maker as a charming, shabby guide around New York by night.

“I Have to Make the Word Be Flesh” is an insightful and candid interview with the man himself about his films and his motivations. Cronenberg is cheerfully frank about his often grotesque images and controversial subject matter, and clearly relishes in the opportunity to explore the themes and motifs behind each one.

Presented in 2 parts, this 83 minute piece documents Wieder-Atherton's idea to do a set of pieces from across central and eastern Europe, including Russia. Some weren't originally written for cello, but she had them transcribed. Some were songs for voices, which goes with Wieder-Atherton saying in an earlier film she made with Chantal Akerman that she aspires to play the cello in a way that it carries the specificity of emotion of the human voice. She explains at the beginning of both parts how she feels each country in the region has it's own personality expressed in its music, coming from its individual history and culture, but that each land in the area is also 'impregnated' as she puts it, by the others, so there are certain elements that run throughout.

A documentary look at the fate of Mexicans who cross the border into the United States.

An episode of the television program Cinéastes de notre temps in which the director gives his first on-camera interview.

Chantal Akerman investigates the American Deep South through the story of a lynching and grisly murder of an African-American man that took place in Texas in 1998.

The original television version of 'Where Does Your Hidden Smile Lie?'