The Australian Opera

In the 50's, in Paris, the neighbors Rodolfo and Mimi meet each other when Mimi's candle blows out in a cold and dark night. They immediately fall in love for each other, in times of financial difficulties in the post-war. Rodolfo introduces Mimi to his close friends Marcello and his beloved Musetta; Colline; and Schaunard and together they have a good-time in Café Momus. Some time later, Mimi tells Marcello that she can not support the jealousy of Rodolfo any longer and when Marcello discuss with Rodolfo, Mimi overhears the real reason for the behavior of her beloved Rodolfo.

Turn of the century Paris provides the glittering setting for this light hearted tale of political and amorous intrigue amidst the gaiety of Parisian high society.. First performed in Vienna in 1905 and here performed in the English version by Christopher Hassal.

A 1995 Opera Australia performance of Gilbert and Sullivan's classic operetta, recorded at the Sydney Opera House. Bunthorne, a poet worshiped by every lady he meets, loves only one woman: Patience. But Patience does not share the other women's fascination with Bunthorne. She loves Archibald, her childhood friend who is now also a poet.

Starring the exquisite coloratura soprano Emma Matthews as the innocent girl priestess Lakmé, and superb tenor Aldo Di Toro as the love-struck Gerald, the story tackles religion and cross-cultural love against a backdrop of British rule in India in the mid-19th century. French conductor Emmanuel Joel-Hornak brings out the full depth of the lush, dramatic score, with familiar high points being the beautiful renditions of the well-known Flower duet and Bell Song. Dominica Matthews adds her rich voice as Mallika and Stephen Bennett is darkly dominating as Brahmin priest Nilakantha, Lakmés father, while Roxane Hislop is a consumate Mistress Bentson. Set and costume designs by Mark Thompson fill the stage with rich colour, atmosphere and exoticism, complemented by Nigel Levings warm lighting. This restudied production, originally conceived by Adam Cook, is skilfully directed by Roger Hodgman.