Illume

In the vast expanse of desert East of Atlas Mountains in Morocco, seasonal rain and snow once supported livestock, but now the drought seems to never end. Hardly a blade of grass can be seen, and families travel miles on foot to get water from a muddy hole in the ground. Yet the children willingly ride donkeys and bicycles or walk for miles across rocks to a "school of hope" built of clay. Following both the students and the teachers in the Oulad Boukais Tribe's community school for over three years, SCHOOL OF HOPE shows students Mohamed, Miloud, Fatima, and their classmates, responding with childish glee to the school's altruistic young teacher, Mohamed. Each child faces individual obstacles - supporting their aging parents; avoiding restrictions from relatives based on traditional gender roles - while their young teacher makes do in a house with no electricity or water.

A documentary film about three Russian prisoners for life.

Five years in the making, based on six lengthy interviews filmed on six different locations in Saint Petersburg, we meet an outspoken artist who covers here his entire life and prolific career. The locations were Sokurov’s own favourites, where he felt at home.

A sensitive and intimate portrait of Ivanna, a nomadic reindeer herder in the Russian Arctic and mother of five small kids. Ivanna is forced to leave the traditional way of life and emigrate to the city, following her own dreams, due to the quickly deteriorating conditions of life in the tundra. We follow her life for several years.

Many men in the world in order to support their families have to leave families. Our characters go J the North as shift w3ockers and produce gas. Dimity is ambitious engineer in the middle of his career. Alex is a plumber. He does not pump gas, he pinups feces, but he's old polar wolf. Andrew3, young guy, comes to the North for the first time. Each of our protagonists has his challenges and problems and family story lines. Each of them makes his mean's choice and pay for it. Their stories develop in front of our eyes.

Helsinki, Forever is a montage film about the city of Helsinki by the award-winning Finnish film director and academic Peter von Bagh. The film draws a portrait of Helsinki and also acts as an essay on Finnish culture in a wider sense. It shows Helsinki as captured by leading Finnish feature film and documentary makers over a period of one hundred years.

The story of Agit Prop, communist band established in 1970.

A documentary on the executions that took place during and after the Finnish civil war in 1918.

"Himmlers Kantele Player" - about Finnish student, who decides to leave University of Sorbonne and walk from Paris to Helsinki in the spring of 1935. On his way, in Germany, he meets Heinrich Himmler, who is attracted by a traditional Finnish instrument, kantele. Himmler employs Yrjö as researcher to the Ahnenerbe institute to find the Aryan roots from the runic singing culture of Finnish Carelia.

This documentary follows a bustrip from Tallinn to Kaliningrad. A route that was so common in the Soviet times now passes through 4 different countries and crosses 3 different borders.

A documentary film about Martta Koskinen, the last executed woman in Finland during the war in 1943. Martta was a Seamstress who lived in Helsinki during the Second World War. She was one of the post-civil war (in 1918) generation for whom the war had meant a disappointment in the system and failure in unity of the Finnish nation. The legacy of the civil war had left systems of persecution in place for those with socialist ideals. Martta and her fellow revolutionaries were determined to continue the resistance movement although they knew that at worst it could cost their lives. Martta was imprisoned twice before she was shot. She was an idealist, whose seemingly harmless, naive beliefs in peace and justice were the most dangerous traits a person could have at the time.

Documentary about Finnish film theaters - about their past, disappearance and future. And at the same time universal story how cinema is undeniably connected with life.

A movie about two women who are mothers to the same child, and a child who belongs to two different worlds.

Peter von Bagh takes us on a trip to his homeland and Oulu, a small Finnish town, tracing the turbulent changes it has undergone in the 20th century. A life of the filmmaker, a history of his home and a history of cinema intersect in this magical film that works like a time machine. (text: International FIlm Festival Rotterdam

Sweep is a road movie to memory, a realization of the need to review footsteps and past events which build myths. The camera gazes at the spaces in-between image and text, photography and memory, body and place. The surface texture of the film, like the land north of Lake Superior, is overdetermined by the discourse of territorialism, the cultural divisions of space and place framed and divided amid the ruins of history. An irritating buzz overlays parts of the soundtrack, signifying the hydro-electric development that has irreparably disrupted life in the north, while at the same time extending a modicum of material benefits. The filmmakers understand themselves as embodying this southern technocracy, and choose to turn the camera onto their own presence and progress of looking. Here, they work against the tendency, present since the days of Flaherty and in his more recent imitators, to objectify Aboriginal peoples within an unnameable (and thus exploitable) landscape.

Over the past 60 years, Erkki Rissanen has collected more than a million bottles from the streets of Tornio, and through his selfless cleaning efforts, he brings out the best in people. A heartwarming documentary about a life’s mission, recycling, and community spirit.

Strangers in the Dark is an experimental film about how light pollution makes a glow-worm’s love life a living hell. Combining different techniques from animation to archive material the film follows glow-worm’s attempts to find a partner in an environment that is no longer dark at night. The story about light and darkness moves from the scale of planetary to microscopic, from the calmness of nature to a hectic city and from artificial light to the green shimmer of a glow-worm’s behind.

During the Continuation War, there were dozens of POW camps in Finland. About the third of 70,000 prisoners died during the first year of war. Most of the archives of the camps were destroyed and the majority of the war crimes were never revealed.

For the first time in its history, Finland became an autonomous state when it broke away from a crumbling Russian empire in 1917. Witnessing the upheaval of the First World War and all too aware of the threat posed both outside and within its borders, the newly installed government initiated harsh and draconian policies for its younger generation. All children and youths were drilled in the importance of discipline, rectitude and nationalism. With no exceptions.