Film crew on the road: Director (Jaroslav Plesl), his Producer (Simona Babcáková), and their Director of Photography (Jirí Vyorálek) and Sound Arist (Johana Svarcova). Starving artists who already have a number of films to their names, Czech Lion award-winning films, excellent reviews and have been screened at numerous festivals, but they don't have audiences. Their next collaborative effort - the Director's lifetime dream - is quickly becoming oblivion because he failed to win a grant, which means it won't be made. And so the frustrated Director and his colleagues await their chance among record-holders of curious disciplines such as crawling with a squash racket or collecting four-leaf clovers. How will the collision of these two worlds end? What will the Director's next film be about?

Luisa and Erika are prototypes of young women who plunge into relationships with the "wrong" men. Luisa wants to become an actress, which upsets her husband Igor to no end. Erika is trying to work as much as possible so that she can afford to study and thereby achieve a better outlook on life, but she unfortunately runs up against a boss who doesn't have the best intentions with her. Ultimately Luisa's husband demonstratively commits suicide. Erika accidentally kills her boss in self-defense... The women blame themselves for all these failures, and that has got to change. Both have to grow up and start living again. Perhaps even together.

Fogi is enjoying his never ending puberty. But simultaneously Fogi is also trying to live up to his family duties and bring up Véna, his son from the first marriage. He did not get married again but lives with Jana, a post office employee. Together they have little Anicka and they all live in a flat in a small town. At first, Jana is trying to tolerate Fogi's moods, but her patience is running out. Fogi loses his job. On top of that he starts to see himself in his adolescent son and realizes with horror that Véna repeats his own mistakes. The first fights, bans and mutual misunderstandings are approaching.

Slovak musicologist Agata Schindlerová, now settled in Dresden, has spent years mapping out the forgotten destinies of Jewish musicians whose lives were irrevocably marked by the advance of nazism. Scenes from the lives of several of them are portrayed in the film In Silence (ballet dancer Alice Flachová, pianist and conductor Karol Ebert, composer, conductor and director of the Dresden Theatre Arthur Chitz, pianist Edith Kraus, and the vocal ensemble Comedian Harmonists), which draws a sharp contrast between the protagonists’ carefree existence working and making music during the pre-war era and the subsequent severe upheaval in their lives brought on by the proliferation of nazism.

When the mother of two adoptees is tipped off about the possible affair her husband may be having with one of their children, her sense of duty takes a macabre turn.

A perfect couple rents a holiday home on a sunny Italian island. The reality does not live up to their expectations when they find out that the pool in the house is broken. Ignorant of the fact that the island faces water shortage, they ask for someone to fix it. The constant presence of a stranger invades the couple's idea of safety and starts a chain of events, which makes them act instinctively and irrationally, heading to the darkest place in their relationship.

In the 1980s, Anna, a Czech sprinter, starts training for the Olympics. After she collapses during training, she learns she is being given steroids and decides to stop using them until her mother helps the coaches give them to her.

The film's protagonists get an opportunity to make a wish. Consequently, their lives take the path they themselves ordained. Several "coincidences" bring them everything they wanted and they have the chance to experience their wishes. We are not only responsible in our lives for everything that we do, but also for everything we say, we think and desire.

Jan Nemec, a leading filmmaker of the Czech New Wave, creates an original portrait of one of the most provocative artists of the 20th century: Toyen (Marie Cerminova). As a female artist, Toyen broke through the male-dominated art world to create paintings and drawings often erotic in nature. She co-founded the surrealist movement in her native Prague, survived the Nazis and the Communists, maintained artistic and personal relationships with artists Jindrich Heisler (whom she hid during WWII) and Jindrich Styrsky.

The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.

Rouzbeh arrives in Prague, far from his troubled family life in Tehran, to research his father’s past. Visiting the flat where his father, a communist expatriate, lived 50 years ago, in the times of Czechoslovakia, he is stopped by a policewoman investigating a recent accident. The current resident of the flat, Vladimir, who turns out to be Rouzbeh’s half-brother, has fallen out the window. Discovering hidden corners of Vladimir’s life and getting closer to his soul, Rouzbeh learns a shocking truth about his father, totally contradicting the image of a hero he had about him. This puts him on the path which led to Vladimir's fall from the window.

It's early May. Julius, a petty thief, has just been released from prison. The sun is shining, but the prospect of the future in the Teplice suburbs is certainly not warming: What to do? The same gang, will I be selling meth again? I'll be back in jail by winter. On TV, they're talking about some festival in Cannes. Some drunk, not an actor, apparently won an award for a film there and became a star. Sure, I'm going to Cannes! How? Hitchhiking.

After her father's wedding, Tereza travels to her grandmother's house with her boyfriend and sister. Their mother takes care of their grandmother and the house. Tereza feels that everything in the house has been left to its own devices, just like her grandmother, who is losing touch with reality due to a lack of attention. Unfortunately for everyone involved and the whole family, Tereza decides to stay in the house and take care of the repairs. But not everything needs a breath of fresh air and repair, and without realizing it, she cleans up much more than just dusty cobwebs in the family.

It's nighttime in Prague, 21 August 1968. Soviet troops and tanks are occupying the city - random attacks, soldiers shooting, bodies lying dead on the sidewalk. With an impromptu crew, the director (Karel Roden) captures some unique evidence - material which is, however, worthless in occupied Prague; it has to be shown to the rest of the world. So, while the Soviets are concocting false reports of heartfelt receptions without military resistance for propaganda purposes, the director sets off on a risky trip across the closed Czech-Austrian border to Vienna.

Mr. Safari, an 80-year-old pensioner, lives alone and without direction. When his son, living abroad, tries to arrange for his elderly father to visit him, Mr. Safari becomes dangerously obsessed with a local female travel agent who is hired to help. Co-written by acclaimed filmmaker Jafar Panahi (Crimson Gold, Taxi), this provocative story delivers a quietly powerful statement about loneliness and those who get left behind in contemporary Tehran.

Řehoř lives a contented life. His wife Evženie does not. After sixty years of marriage, eighty-year-old Evženie comes to her granddaughter, lawyer Katka, to ask for her help in divorcing her eighty-five-year-old husband Řehoř. Katka is shocked by her grandmother's decision and her harshness and intransigence. What must have happened in her grandparents' relationship that even decades have not been able to erase? Katka does not want to break up her beloved family and tries to figure out her grandmother's reasons. She uncovers her own family's dramatic past, but her grandparents' secret remains hidden from her. Her grandmother risks losing her granddaughter and hides the truth from her, not wanting to pass on the burden of her past guilt to the next generation. She tries to come to terms with the past and find peace. And Řehoř? Will Katka protect him?

Dubliner Steve and his Slovak girlfriend Tina try to rebuild their lives until Tina's sister Alzbeta arrives with a secret that will shatter any dreams the pair have of a happy future.

After her husband's death, Hana lives on alone in the family villa. Her two sons visit her with their families, but these visits frequently end in quarrels. When Hana meets Brona, a hardy fellow, inured to winter swimming, a new world opens before her. Brona's team-mates absorb her into their team and Hana gradually learns to overcome her fear of icy water. Her relation with Brona grows into love.

The story of this political thriller takes place in the 90s and follows one night of the life of the Deputy Minister Nikola and his wife Ana.

Knight Borek is searching for his missing son. Enthralled by the stories of children's crusades, little Jan has run away from home. Borek's crusade is a journey into his own subconscious, where he is forced to confront his greatest fear.