O Quadro

Euller Miller is a young native Brazilian of kaiwá ethnicity who leaves his small village just outside of Dourados (MS) to study dentistry at a public university in the crowded capital city of the state of Paraná. The film follows the complex transition between two very different worlds and the search for new horizons without abandoning his indigenous roots.

After breaking up with his boyfriend, Bressan will try to tell the story of his relationship in a not so ordinary love tale.

Camila broke up with her boyfriend recently. She's been going out and spending time with her girlfriends and her dog.

Rosa imagines an image: a black woman in a waterfall. Is she from the past, the future, or another world? Everything feels strikingly real… While Paulo, her boyfriend, guides tourists through the black history of Curitiba, Rosa sets out in search of this image, unaware of the dangers the city holds for her.

Eric is in love with his best friend Eduarda. But Michel is quicker and gets her heart first. At the kart tracks, Eric has a chance to beat his opponent in a wild competition. Love and speed, love for speed. Those were the Thunder Days.

Broke and daydreaming about Hawaii, Jairo envisions an easy life without hard work. His chance comes when his depressed half-brother, Barãozinho, gets involved with the sister of an art smuggler. Jairo sees the perfect opportunity to steal from the guy and make his dream a reality. But he didn’t plan on falling in love—or accidentally getting tangled up in a string of murders, turning his dream scheme into a full-blown nightmare.

“Almost Absent” ultimately refers to the gestures of a generation of films that have originated and developed amid the contexts and aesthetic restrictions of the pandemic. While elaborating these elements, the film also explores how our screen-mediated reality affects our way of looking at the world, and in what way this gaze allows us to reflect upon cinema.

Due to a rare disease, a child grows a beard. He likes being himself but resents people staring at him.

When he was a child, Vitor was the poster boy for a toothpaste brand. Now adult, he's about to meet a girl he hasn't seen in a long time, when he was still a boy, young and famous.

For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.

In this retro comedy, Renan wants to return being single without having to break up with his girlfriend Taís, whom he loves. Little does Renan know that Jorjão, his dashing genetics professor, has the solution to his problem: human cloning.

Janco and Samuel own a detective agency, in school. While investigating the disappearance of a volleyball, Janco tries to approach Dariana, the girl he is in love with.

Rosa dreams of an image. The mysterious dream won't leave her head. She becomes obsessed with the hazy memory of a figure that seems to abduct a young black man. In search of answers, Rosa dives into the night.

Winter holidays. Monique goes to the beach with her parents. With no friends around, she tries to find something to do. Then she meets a young man on the volleyball court.

Thiago is in love with a girl who appears every night in his dreams. Obsessed with the desire to meet her, the boy can no longer sleep.