O Quadro

For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.

Rosa dreams of an image. The mysterious dream won't leave her head. She becomes obsessed with the hazy memory of a figure that seems to abduct a young black man. In search of answers, Rosa dives into the night.

After an ecstatic drunken party, a couple wakes up without any recollection of the events of the previous night. When they find traces of a possible hit and run on the car's bumper, they come to believe they may have committed murder.

Winter holidays. Monique goes to the beach with her parents. With no friends around, she tries to find something to do. Then she meets a young man on the volleyball court.

Due to a rare disease, a child grows a beard. He likes being himself but resents people staring at him.

Toni is about to move. He decides to spend his last day in town drinking with his friends.