O Quadro

In this retro comedy, Renan wants to return being single without having to break up with his girlfriend Taís, whom he loves. Little does Renan know that Jorjão, his dashing genetics professor, has the solution to his problem: human cloning.

Due to a rare disease, a child grows a beard. He likes being himself but resents people staring at him.

Broke and daydreaming about Hawaii, Jairo envisions an easy life without hard work. His chance comes when his depressed half-brother, Barãozinho, gets involved with the sister of an art smuggler. Jairo sees the perfect opportunity to steal from the guy and make his dream a reality. But he didn’t plan on falling in love—or accidentally getting tangled up in a string of murders, turning his dream scheme into a full-blown nightmare.

Bruna makes out with Andre before his trip to the beach. After that, she spends the rest of the day with her best friend Jota.

Eric is in love with his best friend Eduarda. But Michel is quicker and gets her heart first. At the kart tracks, Eric has a chance to beat his opponent in a wild competition. Love and speed, love for speed. Those were the Thunder Days.

After an ecstatic drunken party, a couple wakes up without any recollection of the events of the previous night. When they find traces of a possible hit and run on the car's bumper, they come to believe they may have committed murder.

Janco and Samuel own a detective agency, in school. While investigating the disappearance of a volleyball, Janco tries to approach Dariana, the girl he is in love with.

Winter holidays. Monique goes to the beach with her parents. With no friends around, she tries to find something to do. Then she meets a young man on the volleyball court.

Camila broke up with her boyfriend recently. She's been going out and spending time with her girlfriends and her dog.

For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.

With a broken heart thanks to the end of a relashionship, Giba wanders around. All of a sudden he meets his friend Conrado, who introduces him Bia.

Toni is about to move. He decides to spend his last day in town drinking with his friends.