National Film Development Corporation of India

In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.

A mistaken delivery in Mumbai's famously efficient lunchbox delivery system (Mumbai's Dabbawallahs) connects a young housewife to a stranger in the dusk of his life. They build a fantasy world together through notes in the lunchbox. Gradually, this fantasy threatens to overwhelm their reality.

Kedar Babu is a freedom fighter since the days of Mahatma Gandhi's call for a Civil Disobedience Movement. Kedar Babu lost his wife at an early stage of his marriage. Since then, he has brought up his only son Sangram with all paternal affection. In town, Sangram stays in the house of a landlord, Bahadur Suryakant Singh, where there is a gradual moral decline. This puts him in a state of dilemma and delusion. In the last encounter with his father. Sangram experiences a new perception of life, illuminated with anxiety.

A family in rural Odisha struggles to maintain their traditional unity against the pressures of changing times. As individual career aspirations and marriages pull the siblings in different directions, the family's shared bond begins to fracture.

Located in a seaside village in Maharashtra during the 60s, the film unfolds over two decades. It is a tragic tale of how the best of friendships can rupture over a trivial quarrel. Once a rupture takes place, there are always people who know how to turn a quarrel to their own advantage, even if the main adversaries are completely destroyed in the process.

An estranged son visits his ailing father and tries to figure out the reason behind the latter's silent remorse. When he learns about his father's past, he makes a decision that may help his father.

A young man is happy to hear the news that the local candidate is offering money to elect. This money will help him get married but he sacrifices the money for an ailing beggar.

In a remote village in Odisha, poverty and illiteracy have fostered dependence on superstition. The villagers have mortgaged their land to the landlord Janrdhan, who forces many of them to become contract laborers and leave the village to earn a livelihood. The story revolves around two villagers, Haria and Bhamar, and Bhamar's daughter, Phoola, who become entangled in Janrdhan's greed and oppression.

Dilip and Mukundo, both married with a child each, live in a building in the city of Kolkata. Both the families do not mix due to the difference in status. A new tenant moves into the building, inadvertently bringing trouble with her.

Dr. Bhaskar, a Magsaysay Award winner, returns to his native village after forty years accompanied by his doctor son and American daughter-in-law. While watching the ruins of his ancestral manor, Dr. Bhaskar remembers the critical year before his joining medical college. It was not his Gandhian freedom fighter father nor his feudal uncle or romantic elder brother, but his mother who motivated him to be a doctor for the service of the poor. She believed that is the only way to appease the Guardian Spirit of the house. Bhaskar is indebted to another woman, Krishnatai, his brother's lower caste lover, who was enlightened enough to support his mother's dream. Bhaskar is now back home to fulfill the wish of his mother

During the 1947 partition of Bengal, a man and a woman cross a river to begin life anew. Their journey manifests many roles against the backdrop of some horrific events and loss of life.

It is the directorial debut film of Farook Abdulrahiman, startting Manoj K. Jayan, Tirtha Murbadkar, Vaiga, Kalamandalam Sivan Namboodiri, Babu Namboothiri, Manju Pillai, and Mani Pattambi in lead roles. It is about Kathakali actor, Kunhiraman and his relationship with his Guru, Asan. Gradually over the years, as the actor gets popular he becomes arrogant and takes to confronting with his Guru.

In a parched, post-apocalyptic world, a veteran scientist grapples with hope and despair amidst water scarcity.

Three college boys think that everything American is fabulous; everything Indian is backward. Determined to get to America, they cook up one hair-brained scheme after another to get the all-important 'letter of sponsorship' from America.

​A village woman devotedly loves an unfaithful man, struggling to keep him while he constantly strays.

Muthiah and his wife Visalakshi are a loving couple, and they come across Saroji who with no one to go for, takes refuge in Muthiah's house. Muthiah and Saroji develop soft corner towards each other. The rest is what transpires between the trio, exploring the nuances of an extra-marital affair.

Ashoke Gupta is an idealistic doctor working in a town near Calcutta. He discovers that the water at a popular temple is the source of an outbreak of typhoid and hepatitis. In order to save lives, he risks his career to try and call attention to this polluted water source, while a local group of building contractors attempt to discredit him in various ways.

Gangoobai, a childless, elderly widow, has lived her whole life in the tiny colonial hill station of Matheran, set in the spectacularly beautiful Sahyadri mountain range about 4 hours' drive from Mumbai.

A family living in a Punjab village deals with social and labor inequities until a fight breaks out during a lunar eclipse.

A subtle interplay between clashing ideologies: that of traditional religious values versus modern youth drawn towards extremism. Events overtake Subbaiah Sastry, a highly respected vedic and scholar in his prime now scraping out a meagre existence as a corpse carrier. He endures the contempt of his Hyderabad neighbours due to his acceptance of Tiladaanam, a lowly Brahammic rite involving the acceptance of the sins of the dead in exchange for coins and the food of the deceased. His son, Raghuram, has become a terrorist hunted by the police, at odds with his father. A stark contrast is provided between an outdated system and as yet undefined future. - Melbourne International Film Festival