La Termita Films

Ramón and Céline are a young couple that attended a concert at the Bataclan theatre in Paris on the fateful night of November 13, 2015. They survive the attack, but when they leave the theatre, they are no longer the same. That night leaves a deep scar on both their lives and each tries to cope.

A teenager who went missing and was presumed dead returns home after eight years to find a family deeply affected by his disappearance. Gradually, doubts arise about whether he really is the missing boy or an impostor.

This is the story of a man who created a jungle next to the highway, building with his bare hands beautiful and unbelievable works of engineering in the forest. This is also the story of how he ended up burning them to ashes to reconstruct them, time after time, over decades. He is known as “Garrell”, also as “Tarzan from Argelaguer”, and he is not driven by any apparent purpose, except one: going “on the go”.

Exploring the issue of stolen children in Spain, the plot tracks Vera’s search for her biological son, given in adoption, thereby coming across Cora and her adoptive son Egoz.

Isra and Cheito are two brothers who have taken very different paths in life. When Isra gets released from prison and Cheito comes home after a long tour with the Marines, they both return to the island of San Fernando. The reunion of the two brothers will bring with it the memory of the violent death their father suffered when they were just boys; the need to get back on track with their lives and finally come to terms with what happened will bring them together again.

Various objects are observed using a high-resolution electron microscope: some paint pigments from a supposed 19th-century painting, a dollar bill, and a piece of old film celluloid in the process of decomposition. Microscopic observation will reveal the mysteries hidden on the surface of these materials: the infinite number of paintings that can be found in a tiny fragment of paint, the other possible invisible motion pictures that are hidden in each little piece of film.

A glimpse into a slaughterhouse in Girona. The slaughter of the animal is deprived of its sacred nature, of all ritual; and human gestures become mechanical, almost automatic, when carried out day after day.