Pacific Films

A hundred years after the theft from New Zealand of three irreplaceable tribal carvings, two members of a Māori tribe decide it's time for ancient grievances to be put right. Variously praised as a major step forward in indigenous cinema, attacked for overambition, and little screened, Te Rua marked Barry Barclay’s impassioned follow-up to his acclaimed debut feature Ngāti.

When the clubhouse of a group of country kids, known as the "Terrible ten" needs money for funding they invent numerous ways to make money. During their attempts at making puddings and selling mineral water they stumble on a formula for breeding coloured sheep.

Walter Burton's realistic photographs depicting poor treatment of Maori prisoners are rejected by late 19th century government officials. Walter is condemned to making a living from everyday studio work, the frustration of which is apparently quite sufficient to make him a drunk. His brother Alfred is happy to take the photos that the officials want and therefore gets the commissions. Alfred's photos are well received, but when Walter shows his own photos, toughs are sent around to smash up his plates.

A Samoan male, Sione, and a Palagi New Zealand female,Sarah, meet while studying at Wellington's Victoria University. A relationship develops quickly, but each finds the other's culture a hard adjustment. Friends and family are not supportive, particularly when she becomes pregnant, although he proposes marriage. She leaves for Australia for an abortion and he returns to Samoa.