Medieoperatørene

The secret life of a young World of Warcraft gamer is vividly reimagined when his online friends contact his family after his death.

After 52 years of armed conflict the FARC guerrillas are about to hand over their arms in exchange for political participation and social inclusion of the poor. Ernesto is one of them. The much celebrated Colombian peace agreement throws Ernesto and the polarised society around him into chaos in which everyone is afraid of the future and their own survival.

A sister and a brother and the fear of fornication.

When two of artist Barbora Kysilkova’s most valuable paintings are stolen from a gallery at Frogner in Oslo, the police are able to find the thief after a few days, but the paintings are nowhere to be found. Barbora goes to the trial in hopes of finding clues, but instead she ends up asking the thief if she can paint a portrait of him. This will be the start of a very unusual friendship. Over three years, the cinematic documentary follows the incredible story of the artist looking for her stolen paintings, while at the same time turning the thief into art.

The four young Scandinavian women Helene, Marte, Pauline and Wilde are all fat, and they’re not ashamed of it. They are part of a growing fat-activism movement that supports fat women and fights for body positivity and inclusivity. The message is that you’re beautiful just as you are. The women connect and support one another at group activities and outings.

Kids Cup is a character driven coming-of-age family film from the world´s largest sports tournament for kids. We dive into a teenage universe and follow 13-14 year olds from different parts of the world, competing at the football tournament, Norway Cup, in Oslo.

From a Kafkaesque office for social media in Germany and on to Sudan, and to conversations with an Iranian Ayatollah, an Indian film censor and critical journalists in China. The Norwegian Håvard Fossum has travelled the world to understand what censorship is, and how censors work, both in theory and in practice.

How do we choose to tell the stories from our past?