Angoa-Agicoa

In a career spanning sixty years, Britain's absolute darling has brought his mocking nonchalance and formidable gravelly voice to every genre, from hard rock to jazz and pop. Portrait of a pop aristocrat who has managed to stay in touch with the people.

Around midnight, a young couple and their transvestite maid prepare for an orgy. Their guests will be The Slut, The Star, The Stud and The Teen.

Woman hero Dom Juan lives a life full of excesses and love affairs. When he seduces the nun Elvire, but shows no interest in her a short time later, he gets to deal with her vengeful brothers. Dom Juan and his assistant Sganarelle have to flee and set out on a journey full of strange encounters.

The antithesis of the virile heroes of his era, James Dean shook up the representation of adolescence and masculinity in three films shot in 1955, the same year he died in a car accident at the age of 24—exactly seventy years ago: Rebel Without a Cause, East of Eden, and Giant. This meteoric rise made him an instant icon, frozen in eternal, rebellious youth, which still resonates strongly today.

Fearless gunslinger, Lucky Luke, is ordered by the President to bring peace to Daisy Town.

From his chaotic childhood to the White House, JD Vance embodies the MAGA-style revenge of America. To recount the ideological journey of the Vice President of the United States, Thomas Snégaroff and David Thomson met with a dozen people who have been close to him throughout his life. They reveal who Vance truly is: how the man evolved ideologically and how he transformed politically. These encounters and interviews with his closest associates, including his mother Beverly and his mentor, David Frum, uncover the secrets of his ambitions and plans to transform America and Europe.

To tell the story of Joseph Kessel is to tell the story of the entire 20th century. He lived a thousand lives in one: reporter, novelist, exile, resistance fighter, screenwriter, adventurer, gambler, poet, alcoholic, cabaret lover, seducer, and inveterate globetrotter. Through archival footage and Kessel's colorful language, this film traces the journey of a man who turned reporting into an epic and reality into the stuff of novels.

Three juvenile delinquents arrive at a correctional center and are put under the care of an experienced guard.

The end of the afternoon at the edge of a river, a concert near the water. The strange Rodolphe notices Alex, shy young man who has eyes only for Julia, Parisian on holidays. Rodolphe undertakes to help him, in his own way.

Bandits, Bandits, Brazil, Munchausen, Twelve Monkeys, not to mention the crazy Monty Python saga... With their visual extravagance and ever-fresh originality, amplifying his vision of a humanity that is as disturbing as it is comical, his films have made history. In the same baroque, zany, but also tragic vein, Terry Gilliam's work and life merge into an adventure that borders on the epic.

Stephen Dwoskin’s final film is a meditation on the subjective experience and cultural concepts of ageing. The film is an ode to the texture, the beauty, the singularity of aging faces and silhouettes, a hypnotic poem in the Dwoskin meaning of the term which is long observations of very tiny details. A gesture, a pause, a look, a moment. Throughout his films intimacy has always played a leading role and this is also true for Age is..., all the faces being close friends, or close friends relatives and sometimes even Stephen himself.

Between Gennevilliers and New York, Omar and Emmanuel go to great lengths to prove to each other they're no longer in love.

Alexandre, a thirty-year old tailor, has decided to improve his cultural level. That is the reason why he has decided to attend an evening school. The lessons are given in the classroom of an elementary class by a teacher named Etienne. The subject of the course is : "The solitude of Jean-Jacques Rousseau". Will Alexandre become another man after grappling with with Rousseau, Diderot and ... Etienne? - Guy Bellinger

Yann and Lena are brother and sister, but they don’t realize it. Meanwhile, Yann wants to get closer to her…

In the 1950s, Louise left her husband when their children were still little. She was never heard from again. Her daughter Martine stayed in the small seaside town, where she became a doctor. Martine's daughter, Audrey, a thirty-year-old independent woman, returns to visit her parents. By chance, she finds a notebook that belonged to her grandmother, a diary that may at last explain her departure. Will it reveal the things left unsaid, that have altered the relationships within the heart of the family ever since? In it, will Audrey find answers to the questions that she is asking herself about her own future?

Paris, the late 1960s. Madame Claude is at the head of a flourishing business dedicated to prostitution that gives her power over both the French political and criminal worlds. But the end of her empire is closer than she thinks.

In a cabin of the deep of the forest, a child and his father lead a wild and hard life in utmost isolation. The child grows up fearing and admiring his father, with the ghosts haunting the forest as his only companions. Until the day he discovers the neighbouring village and meets a young girl there, Manon. At her side, he discovers that love exists. From then on he won't cease to search for the place where his father's love for him is hiding.

A short documentary about the life of director and artist René Laloux, featuring an interview with Laloux from 2001.

Thomas, a father in his fifties, returns by chance to the town where he grew up. He collapses and wakes up forty years earlier in the body of his teenage self. Thrown back into his past, Thomas will not only have to re-live his first love, but also try to understand the reasons for his father’s mysterious departure. Can you change the past by living it again?

After a festive evening with her friends in Pokhara, Asha, a young high-school student, discreetly returns to her village. Arriving at her mother's house, she is unaware that she is about to enter the adult world.