Rossofuoco

A walk through the immense private library of Italian writer and thinker Umberto Eco (1932-2016).

A beautiful fugitive draws a shy film buff out of his shell while she hides in the museum — the cavernous interiors of the Mole Antonelliana in Turin, Italy — where he works as night watchman.

"One evening, without any particular expectations, I went to the Lavanderia a Vapore theatre in Collegno, headquarters of the Balletto Teatro di Torino, directed by Loredana Furno, and I saw Sexxx, the ballet by Matteo Levaggi. I’m not a fan of modern dance, but I think this is why my fascination that evening was sincere and convinced. Above all, I was struck by the way the choreographer was able to take the explicit gestures and movements of sexual communication and transform them into the language of dance. And since body language is one of the topics I have been interested in filming since that ‘scandalous’ Guardami, I was already sufficiently motivated to transform the ballet into a movie." - Davide Ferrario

In February, 1945, Primo Levi (1919-1987) and other Auschwitz survivors set off for home. The journey took more then eight months. Sixty years later, a film crew retraces Levi's steps. Levi's words, mainly from "The Truce" (1963), tell us what he experienced. In turn, we see Poland's hollow post-war factories, nationalism in the Ukraine, Soviet-style Communism in Belarus, the abandoned town of Prypiat (Chernobyl), poverty and emigration from Moldavia, Italian factories in Romania, and on across Hungary and Slovakia to Munich where Levi's rage found no listeners. Then home to Turin. An aged Mario Rigoni Stern remembers his friend. What has changed? Some issues of the war remain unsettled.

Art documentary about the Accademia Carrara gallery, which reopened in 2015 after seven years of extensive restoration.

Three friends live together in the house owned by one of them - and look for happiness

A prison-set musical about a female theater director who sets up a reinterpretation of the Crucifixion.

The story of Atalanta's Curva Nord from 1993 to the present day through the eyes of Claudio "Bocia" Galimberti, one of the most charismatic figures among the Bergamaschi ultras. The movie retraces the past thirty years of his life, closely intertwined with the events of the Curva and the ultras world in general, which has been undergoing a frantic and profound evolution.

"Piazza Garibaldi" is a name found in almost any Italian town. It is a metaphor for the nation and its history. Like in the successful, award-winning "La strada di Levi", Ferrario sets off on a journey: this time, on the traces of the expedition of the Thousand. The aim: to verify the relationship between past and present, starting from Bergamo, formerly the "City of the Thousand" and today a bastion of Padania, and arriving at Teano. The voyage is full of surprises, meetings, reflections: a sweeping road movie through the history and geography of the country, seeking to answer a nagging question: why are Italians no longer able to imagine a future for themselves?

A journey to three remote observatories in three different continents (Chile, Canary Islands, South Africa) in search for our place in the cosmos. In nearby villages, astonishing humans share the same vulnerability and longing for life.

Footwear company Togo was a family business that thrived reaching the point of owning more than 30 stores in the wider Turin area. All that is left today is a couple of struggling stores, enormous suffocating debt, and the desperation of uncertainty as bankruptcy is looming in. Director Gianluca Mattarese has been living in Paris for the last 18 years meticulously fencing himself off from the harsh reality of a family breakdown. Like a prodigal son, he eventually returns to his roots with the task of recording a routine of malaise framed by financial collapse. A bittersweet tale of family bonds, reuniting, and atonement.

Nuovo cinema paralitico is a project that came about through the collaboration between Davide Ferrario and the author and poet Franco Arminio. Using numerous short films, the project offers a poetic image of a “marginal” Italy, far from residential areas and forgotten by the official media.