Generalitat de Catalunya - Departament de Cultura

Bea is a successful architect who lives in Barcelona (Catalonia, northeast to Spain) with her boyfriend and boss, Víctor, a CEO of an important company. During a night celebration of an important contract signed to make a skyscraper designed by Bea, in the bar appears the famous TV reporter and anchorwoman Rebecca Ramos, Victor's personal erotic fantasy. Not measuring the consequences of her actions due to the alcohol she drank, Bea makes a meeting between Víctor and Rebecca. When to the next day she wakes up, Víctor proposes to wed Bea and she accepts, but after she arrives to the job, Bea learns about a videotape where Víctor and Rebecca make the love in a car that it's in all TV channels. In front of all CEOs during a full meeting, Bea slaps Víctor and destroys her design, being fired from the job. Looking for a break, she travels her natal coastal town, Santa Clara, just to discover that her rest isn't so easy as it seems: her eccentric, free-spirited and eternal smiling mother ...

A swim instructor dealing with a child terrified of the water is accused of inappropriate behavior -- but the stories offered don't line up, leaving parents suspicious and doubtful.

Having gained success and artistic acknowledgement for his performances on the stage, Joan Barnat has now definitively abandoned the theatre to work exclusively for television. But a turn of events causes him to lose control of his mind and he becomes obsessed with leaving his work to seek out a past love from the 70’s in the island of Formentera.

A group of seniors attends a workshop on sex. Olga, their teacher, try to make them see that their bodies are still alive giving them homework such as learning to look at themselves in the mirror or dedicate twenty minutes a day to some pleasant activity. The problem is that neither society nor their own relatives are always willing to accept that elderly people have their own sexuality.

A young woman is sent to Paradise Hills to be reformed, only to learn that the high-class facility's beautiful facade hides a sinister secret.

God is love. His homeland is the Earth. His genre? Human. In Maldita, a love song to Sarajevo, Božo Vrećo, the most revolutionary artist of the Balkans, sings to life, to overcoming obstacles, and the love story of two cities, Sarajevo and Barcelona. They both knew how to find themselves in difficult times to never day goodbye.

In order to prepare for her role as a certain well-known actress, a young woman has lengthy conversations with three different actresses who were good friends with the famous star. Emerging from these conversations are three equally different versions of the past and the events that shaped their lives and careers. This cinematic adaptation of a theatrical work is true to the original, but does not stray far from a theatrical rendering of the story.

Eric, together with his friends Ona and Marcel, steal Pol's ashes, their recently dead friend, and begin a trip with the objective to throw them. Even so, the getaway becomes a bubble that separates them from reality and move them away more and more from the return to home.

The eroticism exudes in the eleven interconnected stories that recount difficult relationships and violent sexuality

Sabaté lives in exile in France, but since the end of the Spanish Civil War he has never stopped making forays into Spain in an attempt to overthrow fascism in the only way he knows and considers effective: direct action. This journey, structured like a road-movie with a hint of western, highlights the fears of four characters and Sabaté, their past, their regrets and questions about their cause and the violence, uncovering the ghosts of the past of all these characters in a fast-paced adventure where both sides show that they are fine adversaries.

Mila, an eleven-year-old girl, faces her last days of life before the end of the world. At the same time, she struggles to understand what this means and to keep her family together by holding a party for the final moment.

After losing her job at a cutting-edge fashion magazine, Marta finds herself forced to abandon the cool, hip world she has always aspired to be a part of and return to the working class neighbourhood she grew up in, where she reunites with her old school friends.

A bank robbery goes wrong. The robbers, two of them unemployed family men, take two hostages, one of them needing heart medication, and leave them in an apartment, tied to a bomb. The police has to find the apartment before the bomb explodes. At the same time, in the same house, two old men are solving a jigsaw puzzle, and a female cellist practices the Bach cello suites.

"Laia" is located in the imaginary village of Sinera, a fishing village inhabited by a series of extreme characters, indiscriminately diverted to the adversities of destiny. There, Laia lives, a woman marked by a miserable and unhappy childhood, that is debated between her cruel husband and lover who is his best friend and faces the hatred of a whole town while dreaming of a freedom that only the sea can grant.

Mario is dominated by his castrating wife, and is also suffering from writer's block. He goes to a local (very mixed) bar where he meets an exhuberant blonde prostitute, through her room mate, a gay gigolo. With Mario's help, the blonde goes on to better jobs in the world of pornography, involving traveling abroad. This may not seem like good news for Mario, but he may also move on to a better phase in his life as a result.

Marta is a young, pretty and provocative radio talk show host who engages in sexual adventures during the day and talks about them on her steamy nightly show The Neckline. Her only rule is no strings attached - and it's about to be tested.

Ona lives peacefully with her teenage son in a quiet village of the Pyrenees where she works as a gardener, although her big dream is to pilot a tourist plane. One day, everything changes for Ona when some foreigners, a group of henchmen, arrive in the village and bring to light certain dark secrets of her life which she had forgotten about. She will then be compelled to face those secrets from the past once and for all.

Another kind of biography, one that unravels the mysteries of Dalí, the conflicts with himself and with the characters with whom he had greater emotional involvement: his father, his sister Ana María, Gala and Lorca. They lead us to a Dalí from different eras.