Radio Television Hong Kong

Choi used to leave voice message to Sze since she had a cell phone. He did it even more when Sze got a smart phone few years later. Years after, Choi was getting old. He needs to visit physiotherapist and underoccupied. One day when Choi is loading of the bamboo in a construction site earthquake happened in Hong Kong

The story of Farewell to My Concubine is itself very dramatic. Lillian Lee is rumoured to have written the original screenplay in the late 1970s, which was made into a two-part television series on RTHK by Alex Law under the name King Chau and Lady Yu. Lee then adapted the story into a novel in 1985, which later inspired a feature film, scripted again by Lee and directed by Fifth Generation mainstay Chen Kaige, going on to become an international sensation that won the Palme d'Or at the Cannes Film Festival and Best Foreign Film at the Golden Globe Awards among other accolades. What's more, the Peking opera of the same title featured prominently in the novel, the TV programme and the film was itself adapted from a Kun opera, which was in turn based on the historical chronicle Basic Annals of Xiang Yu, from Records of the Grand Historian.

Kwong is a child longing for parental attention. To see his mother, who works in a department store, Kwong often pretends to leave his keys at home, compelling her to return home to let him in. While waiting for his mother to finish work, he frequently observes her assisting lost children in the store. Kwong imagines himself as one of those children, craving similar attention from his mother. Meanwhile, rumors of an impending earthquake stir anxiety across Hong Kong...

Peter encounters a small accident at work. In order to repay the debt, he gets himself involved in a seemingly endless string of trouble.

“Ambivalence means… nothing has happened, but you remember everything.” Another coming-of-age story about youngsters who are always desperate for but also afraid of falling in love, director Heiward Mak (High Noon, Ex, Diva) continues to examine the ambivalence of youthful love like an autopsy in this episodic adventure among a group of twenty-something. These characters might be a bunch of losers in love who are searching for self-esteem and recognition, but what make these intertwining tales relevant today are not just the pain and longing, but also the bittersweet memories and emotional growth of Hong Kong’s post-90s generation.

A night delivery man meets a girl who works in a publishing house. He helps her deliver books to a warehouse during rainy days, and in each encounter an endearing bond forms between them.

The matter of growing, which we always understand afterward, is driving us far away enough to not having a good farewell. The story begins with a day that Hong Kong experiences a magnitude 4.5 earthquake. It brings almost no impact to the city but a beautiful yet untouchable year to a form-one boy name Kwok Pak Chi. Due to the unadaptable school life and his introspective character, he starts to imagine animals escaped from the earthquake as his friends. However, the more he immerses in his fantasy, the more he is pushed by the reality. With the pressure from his unsatisfying homework, schoolmates’ opinions and caring from others, how should Pak Chi confront himself and his imaginary friends?

Yunnan girl Xiangnan, coming from a poor family, was married off to Hong Kong in exchange for a generous dowry. She lives in the remote area of Lau Fau Shan with her elderly husband. As a stranger in a foreign land, Xiangnan feels lost both in Hong Kong and back home, unable to find a space of her own. She dreams of escape, yet feels trapped like a small boat adrift in the sea, tossed by the waves with no way forward or back. In her helplessness, Xiangnan begins to converse with different versions of herself, searching for a place to coexist with herself. Birth and death, unity and separation, living and survival—all dissolve into silence. The story unfolds in scattered, fragmented memories, mostly reflecting Xiangnan’s daily life. The narrative shifts between the perspectives of her mother, Xiangnan as a child, and Xiangnan herself, moving through different spaces in Lau Fau Shan—sometimes in contrast, sometimes in harmony.

Hung, a 40-year-old security guard of a commercial building, lives in a cramped sub-divided flat with his wife, Ping, a part-time waitress in a Cha Chaan Teng, and son, Pak Yin. Amidst all the struggles for affordable accommodation, Hung never succumbs and hopes they will eventually move into a public housing unit. Yet, the lives of three get even rougher when Ping finds herself pregnant while they are being forced to leave but unable to find a new flat. Meanwhile, Pak Yin chooses to endure silently for the sake of his parents. Trapped in such a vicious cycle, are love and companionship the way to resolve?

Fei roams the city at night, attempting to capture it with her camera. One night she meets a mysterious cow in the busy city and photographs it. Soon she meets Ming, who is trying to record the cow's noise. Together they attempt to find the elusive cow.

Chun and Jane are siblings. They were very close as children, but after Jane graduated and started working, while Chun stayed at school for his PhD and spent most of his time in the dorm, they gradually drifted apart. One morning, Jane receives news that her brother has committed suicide. While handling his affairs, she discovers that he had already bought insurance, suggesting he had planned this for some time. To find out the reason behind his death, Jane uses his computer and starts messaging his friends on social media, slowly rediscovering the brother she once knew. In the end, Jane realizes that her search for answers was not only for her brother—and the culprit was never just one person.

The film is based on the Founder of Causeway Bay Books - LAM Wing-kee’s experience after he was temporarily released back to Hong Kong after 8 months of detention in Mainland China. LAM was demanded by the authorities to retrieve his computer in the bookstore in Hong Kong, alongside with the information of his customers. Only when he found out that his colleague handed over to him the wrong computer, should he start to think about possibilities besides submitting to authorities from Mainland China. The film re-enacts the events happened in the two days he was allowed to return to Hong Kong and explores LAM’s decision to defy, and refuse to leave his homeland.

The Hong Kong police have been accused of mishandling Yuen Long's attack on 21 July. Stephen Lo Wai-Chung, the Commissioner of Police, explained that the "delay" was due to insufficient manpower as the force was busy dealing with a protest in Hong Kong Island, as well as 3 cases of fight and 1 case of fire in the Yuen Long district. Hong Kong Connection's reporters have collected CCTV footage dated 21 July form different cameras along Fung Yau Street North, Yuen Long, and interviewed relevant persons, to reconstruct the attack's timeline and take a closer look at the police's arrangement during Yuen Long's "nightmare".

In 1995, the young Taiwanese woman writer Qiu Miaojin committed suicide in Paris's Montmartre district, leaving behind the autobiographical novel LAST WORDS IN MONTMARTRE. Two decades later, the novel was published in English by the prestigious New York Review Books, bringing Qiu renown in Western literary circles and quickly prompting translations into other European languages. Qiu is considered the first openly lesbian novelist in the history of Chinese literature; her debut novel, NOTES OF A CROCODILE, became a "Bible" for the Taiwanese lesbian community and an underground classic in Taiwan and Hong Kong, with an official edition finally published in 2012. DEATH IN MONTMARTRE travels through Taiwan, Paris, and New York to trace the life of this literary star who enjoyed fame only after her death, interviewing literary masters from Taiwan, France, and the U.S. while discussing LGBTQ culture and lesbian literature from a perspective of equality.

documentary about teenager life in 1980's Hong Kong

documentary about Vietnamese boat people refuged to Hong Kong during the mid 70s to 80s

documentary about Hong Kong citizens immigrated to America, Canada and Australia, due to the uncertainty future of Hong Kong

A year on from the 7.21 incident, the narrative of what happened that night has morphed from an attack by white-clad men on ordinary people into a violent confrontation between men in white T-shirts and men wearing black. Hong Kong Connection reviewed CCTV and online footage from the day to look for clues and track down those captured on film in a bid to understand the truth as they told it. One of the producers Choy Yuk Ling was later arrested by the Hong Kong Police Force for her involvement in this truth unveiling documentary.