Journal-Film Klaus Volkenborn KG

Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.

In this German political drama, an ex-Stasi agent encounters an old friend whom he may have betrayed after his friend tried to escape East Germany. The former East German agent is Otto Skrodt who after many years is about to be promoted in the highest government ranks. He is anxious to maintain a squeaky clean image. His daughter is Isabelle. The young and friendly Kalle returns after spending many years in jail for his escape attempts. He doesn't know exactly who blew the whistle, but his friend Skrodt is definitely under suspicion. Kalle returns to ostensibly renew the friendship and to see Isabelle whom he loves. The duplicitous friendship between the two men becomes the main focus of the story which features interesting plot twists at the end.

Since childhood, Raquel and Maria have been close friends. Now all grown-up, Raquel has fulfilled her dream of becoming an actress, while Maria has married a handyman, given birth to three children and runs the family household. In the wake of the Argentine military coup of 1976, Maria's oldest son Carlos is abducted. Desperate, Maria turns to her prominent friend for help. Yet the more Raquel gets involved in the search for Carlos, the more she becomes herself a target of the junta. Finally, she flees from Argentina to Berlin. Meanwhile Maria joins a group of women who investigate the fate of their disappeared relatives. In 1983, after the fall of the dictatorship, the two friends meet again.

Portrait of the spokesman of the student movement and extra-parliamentary opposition Rudi Dutschke, who died on December 24, 1979 from the late effects of an assassination attempt. The film is not limited to the mere biography of the extra-parliamentary politician, but also depicts the political environment as well as the late effects of the student movement. In retrospect, it condenses into a picture of a highly politicized society that had not yet begun its retreat into the private sphere.

Helke Sander interviews multiple German women who were raped in Berlin by Soviet soldiers in May 1945. Most women never spoke of their experience to anyone, due largely to the shame attached to rape in German culture at that time.

An intimate portrait of the director's sister: German model and former Playboy Playmate Hilde Kulbach.

Gertie, called Flo by her friends, sees her big chance of a model carreer, when she manages to get the business card of successful model Chantal at a fashion show in her sleepy village. She goes to Berlin and nests in the flat share of Chantal and Freddie. Whereas country girl Flo is still busy to find herself, Chantal is about to lose herself more and more in the depths of stardom. The story of a very unusual female friendship.

Helga Reidemeisters poetic documentary gives various residents of East and West Berlin a chance to have their say. They discuss their different ways of life and the nature of their divided city. All interviews are refreshingly sincere when they consider the future of the city, and none of them are even remotely pro-American.

Three suicides leave long-lasting gaps among a group of classmates, many years after their graduation. Director and former classmate Andres Veiel organizes a reunion in search of clues. Despite huge differences in their personalities, the course their lives took and how each died, the three young men are indicative of life in a southwestern German small town in the 1980s. Pressure and career expectations from parents clash with adolescent desire for creative or sexual fulfillment. Even years later, the unspoken reflects the unspeakable that plagues the bereaved.

In 1970, Melek Tez came to Berlin as a young worker from Turkey. A confident woman, she first countered racist resentments and remarks with irony and wit. Jokingly, she even referred to herself as a "Kümmeltürkin", a derogatory German term for Turkish migrants. Yet after fourteen humiliating years, her fighting spirit has given way to resignation: Melek Tez is returning to Turkey. Blending documentary, interviews and re-enacted scenes, director Jeanine Meerapfel chronicles Melek Tez' life experience.