Cathay-Keris Film Productions

The original "Pontianak" was made in 1957 directed by B.N. Rao and starred Maria Menado.The film was such a hit that in quick succession, two sequels were made "Dendam Pontianak" aka "Revenge of Pontianak" later in the same year (1957) and "Sumpah Pontianak" aka "The Curse of Pontianak") in 1958,both with Maria Menado."Dendam Pontianak" started the trend of introducing more than one supernatural being into the story,the other character being an old witch Nenek Kebayan(The Old Woman of the Forest)and by the time "Sumpah Pontianak" was made that had increased to four-female vampire Pontianak,an Orang Hutan(Wild Forest Man),a kind of bird-lizard creature and a Hantu Raya or "King Ghost"."Sumpah Pontianak" is an entertaining Malay horror movie with cheap special effects.The main female character Comel is infected by been infected with sumpah pontianak,the curse of the vampire and the villagers begin to die!

A Vietnam War veteran–turned–journalist in Singapore is pulled into a violent Cold War plot involving espionage, crime, and betrayal.

Filem about Kamil a son of a rich man. His father didn't like him to be fooling around girl especially low status girl. One day a kid appear at a park and pointed kamil as his father.

A prince take decision to leave the palace and begin his journey with his friend, disguise as merchants, in order to know his people better.

Siti Zubaidah is based upon the 19th century poem 'Syair Siti Zubaidah Perang Cina'. It centers on Siti Zubaidah, the wife of Sultan Zainal Abidin, who is left defenseless after her husband is taken hostage by a Chinese empress. She eventually allies herself with Princess Rukia of Yunnan, who had fled her own palace under threats of sexual assault. Taking matters into their own hands, they adopt male identities and lead a military conquest across China to rescue the Sultan. Directed by B. N. Rao and starring Maria Menado, the Cathay production borrowed from both of its niches at the time: the film language and costume styles of Malay cinema and Chinese wuxia films, resulting in an imagined reality fusing both visual cultures. At the core of the myriad garbs, armour, accessories and makeup donned by the characters, the tale chronicles the adoption of transformative identities to overcome adversity, enact justice and revenge.

Che Mamat is always unfortunate. Most of the things that he does goes wrong which makes him wasting most of his time telling stories to kids. Due to his lover pressure he agrees to enter a short story competition. His winning over this competition changed his lifestyle very drastically when he was being offered a position as a reporter at a national newspaper.

The story of an oily man that escape from a prison with the help of his master. With the escape of that oily man, it make the people of the village afraid and feel unsecure

A village comes alive with fear when a nefarious ‘oily man’ terrorises women in the dead of night. At their wits end, the local police enlist the help of talented police inspector Dasuki to trap and end the oily man’s mischief. Orang Minyak was digitally restored by the Asian Film Archive in 2018 using a 16mm black & white composite release print from its collection.

Produced by Cathay-Keris, this omnibus of three stories (with different directors) was adapted from mystery tales featuring Detective Inspector Latiff (S. Roomai Noor), a character created Pelham Groom, a former British officer and genre writer who settled in Singapore. Latiff’s ‘Watson’ is a female Chinese forensic doctor (Mary Lim), and the first story 'Mud on Her Shoes' hinges on the romance between an English expat and a Malay woman. The second story is the titular 'Hantu Rimau'. The third tale ’Double Knock Out’, heralded as the first depiction of a local boxing match, was shot in Happy World (later renamed Gay World), one of the night-life amusement parks known as the ‘Worlds’. 'Mud on Her Shoes' directed by L. Krishnan, 'Hantu Rimau' directed by B.N. Rao, 'Double Knock Out' directed by S. Roomai Noor

The fairy tale is about two sisters, Bawang Merah and Bawang Putih. After their father dies, Bawang Merah and her mother, Labu, have to share the house with domineering Kundor and Bawang Putih. Bawang Merah has to endure more hardship when her mother dies. She is bullied, beaten and abused in every way imaginable by Kundor and Bawang Putih. As the tale goes, her mother eventually reappears – as a fish. Bawang Merah becomes happier and this puzzles both Kundor and Bawang Putih. Her ship comes in when a Prince hears her singing in the woods and marries her. Of course, Kundor is terribly unhappy that her brat, Bawang Putih, is married to none, let alone a prince. So she devises an evil scheme to destroy Bawang Merah’s marriage and get the prince to notice Bawang Putih.

When the treasure map that became a bone of contention has fallen into the hands of a famous comedian, various funny action applies. Rasa Sayang Eh is a Malay film published in Malaysia in 1959. The film Rasa Sayang Eh published in the form of color film. Rasa Sayang Eh film first aired in 1959 in the cinema across the country. Displaying Wahid Satay, Dollah Sarawak, Kasma Booty, Salmah Ahmad, M. Amin, Yem and crowded again.

Mayang raise by her aunt, Mak Tijah. Mak Tijah always ask Mayang to do hard work. But without Mayang own knowledge, she actually often assisted by spirits. Mayang then forced to marry a rich man Daud. When a struggle ensued between Mak Tijah and Mayang, they fell into the river. Mak Tijah drowned but Mayang was saved by spirits.

Datuk Karim Jaya death is good news to Datuk Bandung and his followers who want to seize power.

During an outing to the beach, Ali falls ill suddenly, seemingly struck by a wicked spell. Keeping watch by his bedside, his wife is at a loss as he begins to tell of a long feverish dream set in a legendary (and supernatural) time and place where an unfaithful wife suffers a terrible fate. Ali then attributes his ailment to his wife and accuses her of being unfaithful to him. In order to prove her loyalty to him, the wife blinds herself with sharp object, which miraculously results in Ali’s instant recovery. However, he now abandons his sightless wife and commits adultery with a singer-artiste Dayang. As the plan proceeds, Ali’s wife and her close friend become collateral victims and are killed in a car wreck. Their spirits return to haunt the evildoers.

Inspired by a Malay legend about two friends whose relationship is tested by conflicting loyalties.

1957 Vampire/ghost horror/drama from Malaysia

To seek revenge on a woman whom doesn't reciprocate his love, Dato Ali lies to the Sultan that misfortune will befall him and his kingdom if a sacrificial ritual is not performed. The Sultan believes him and orders that the sacrificial ritual be carried out, without knowing that it involves the use of blood from a woman in her first pregnancy on the sail boat 'Lancang Kuning' before its maiden voyage.

Wahid provides a brief account of his life beginning with his move to the city in search for employment after persuasion from his girlfriend, Rahmah. He soon finds himself caught in a host of sticky situations as he navigates towards finding steady employment. Gado Gado is one of the 91 sole-surviving Cathay-Keris Malay Classics film titles made during Singapore’s Golden Cinema era from the 1950s to early 1970s, and preserved by the Asian Film Archive. In 2014, the collection was inscribed onto the UNESCO Memory of The World Asia-Pacific Register, a list of endangered library and archive holdings. At 35 minutes long, the film is the only musical variety short from the Cathay-Keris catalogue.

After the success of Pontianak, Balakrishna Narayana Rao (B. N. Rao) directed and released a sequel to his horror film – Dendam Pontianak. It came out in the same year as Pontianak, and Menado reprised her role in this sequel.

Revolves around a conflict between two step -siblings Omar and Salim. Salim who lives in the village works on a rubber plantation inherited by their father. While Omar is in the city depending on the money sent by Salim to finance his extravagant lifestyle.