All the members of the De Roover family have ended up at a point of no return in their lives where crucial choices have to be made. Winnie wants a child. Her husband Rutmer wants to get in touch with his feelings. His brother Charlie doesn't want any responsibilities. Their brother-in-law Dick wants his deceased wife back. Head of the family Arend wants to be happy. Mother Jeannette wants somebody to want her. Written by Topkapi Films

Registration of the fourth theatre program by the Dutch comedy duo (Niels) Van der Laan & (Jeroen) Woe.

After her father's death, Anna Peterson and her family move from Australia to her father's ancestral home in New Zealand.

An unsuspecting flower farmer visits the hospital to discuss some test results, only to find himself admitted without explanation for an indefinite period of further examination and observation.

Registration of the fourth theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. The comedy duo broke up after their last program: Van Vleuten has started a second-hand bookstore and seeks solitude. The TV-personality Van Muiswinkel regularly visits his intellectual friend and gradually takes on increasingly insane guises.

Registration of the fifth theatre program by the Dutch comedy duo (Niels) Van der Laan & (Jeroen) Woe.

Registration of the fourth comedy special by the Dutch comedian Ronald Goedemondt, in which Goedemondt explores the theme conformism.

The suffocating love between between a father and a son who, as modern outlaws, struggle to survive in the depleted and neglected southern Dutch province of Limburg.

Registration of the second theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. In their first program, the two comedians limited themselves to the earth and the strange peoples who inhabit it. In their second program they expand their explorations into the world of the unseen, where they test their strength with astrologers, illusionists, millennium preachers and similar figures. What mechanisms drive people to believe in supernatural madness, and to derive pleasure and comfort from it? Have we made any progress in the twentieth century? If Darwin, Freud and Einstein opened humanity's eyes, then a hundred years later there will be enough volunteers to close them again. Van Muiswinkel and Van Vleuten argue about it for a long time during this performance.

On his birthday, a hitman reluctantly takes on the easy task of killing a writer, only to find the job a lot more difficult than expected.

A romantic comedy told with a set of interwoven Christmas tales about life, love, forgiveness and caring. A heroic vagrant becomes a TV sensation Santa Claws, while a prince takes a menial job at a department store to woo his sweetheart.

Registration of the third theatre program by the Dutch musical comedy duo (Niels) Van der Laan & (Jeroen) Woe.

Complete registration of the anniversary theater program, recorded in April 2003 in the Royal Theater Carré in Amsterdam. To celebrate the 25th anniversary of the Leids Cabaret Festival, a performance was created with the participation of more than twenty different comedians, including Wim Helsen, Kees Torn, Sanne Wallis de Vries, Erik van Muiswinkel, and many others.

Ronald Goededmondt's third stand-up comedy show is about the confusion in the world and taking revenge on it. From big issues to small dilemmas can be read on his face. A man who does more than any other comedian and his performance becomes a social thing.

The second show of Dutch comedian Hans Teeuwen: sex, violence and foul language in a string of songs, abrupt transitions and evocative characterizations.

An eccentric multimillionaire signs an agreement to have his life ended. While selecting his coffin he meets a young woman who has signed up for the same arrangement. Trouble ensues when the couple falls in love and wishes to get out of the contract.

TV adaptation of Eduard Douwes Dekker's 1872 stage play.

Stage registration of the second comedy special by the Dutch comedian Micha Wertheim. This performance takes place in a dream, a dream in which Micha Wertheim shares all kinds of confessions, for example about how he manages to cope with the knowledge that he is probably not a real genius.

Armin is in crisis. One fateful day he discovers he is infertile and has been throughout his life. From this he discovers his first wife, Monika, was unfaithful before she died. How else could she have the child that Armin always thought was his? His paranoia drives him to find the truth.

In a large country home, the owner Emma Blank is very ill and is cared for by her household staff: Haneveld the head housekeeper, Bella the cook, Gonnie the maid and Meier the man-servant. Despite her desperate need for loving care, Emma is a steely, avaricious dictator whose demands become ever more absurd, to the extent that her staff are driven to madness. That is, until the day they discover that they stand to inherit nothing whereupon they drop their charade of caring and concern and instead plot their revenge...