Blue Film

The film consists of 16 shorts that explore, with humor and social criticism, the characteristics of the Argentine identity.

Karate and K1 champion, Claudio Del Falco is ready for his last fight, a memorable event, followed live worldwide, with a prize money of 10 million euros. The enormous sum is tempting to Apha, the boss of a criminal organization who, while Claudio is busy fighting, breaks into his villa with his cruel and ferocious men to take his second wife, Camila, hostage, unaware that in the villa there is also the 14-year-old daughter Sara. When Claudio learns that Alpha is responsible for the death of his first wife, he secures Sara and decides to face the entire organization alone to take his revenge.

A young Italian mother is living a life of part-time prostitution in Austria, unbeknownst to her friends and family. Everything seems to be going well until her secret is discovered.

This portrait of the Italian director & actor, Pietro Germi, explores his work, from Italian neorealism to the birth of the Italian comedy. He constructed his movies in a conventional way but also experimented new path. His favorite actresses such as Clau

A Medieval town surrounded by wild nature, a diver who is still fighting back against her past, a painter who blurs the distinction between life and art, a Japanese model who is used to play with her body. Three lives at stake, passion named after obsession, non-sense turning to reality.

A labor of love documentary, in which a daughter, with the help of various talking heads, looks back on the life work of her father.

In a not so fictional Italy trying to solve the N.Ε.Ε.Τ. problem, the government decides to reintroduce compulsory conscription for one million young people under 30 who are not studying, working or looking for work, who will have only one month to find real employment and thus avoid the entire year of conscription. Facing this doom four guys try to cheat the system by growing hemp and meanwhile really discovering themselves.

Matera, 1943. Partisan Nichi has been wounded and is returning to her brigade's hideout, but her true concerns are focused on the fate of her husband, a prisoner of the German army. When she arrives at the hideout, however, she finds no one there except a young courier accompanied by a civilian woman who urgently needs to be escorted out of the city by nightfall.

Discover the roots of Korean cinema. A cinema who surprised by the success recorded in the major international festivals. Interviews to five famous Korean directors, to get to know closely the evolution of Korean cinema. Through their words, their pictures and their stories. The Korean cinema has tendency to describe both the society, the past and the modern. The world of west cinema knows these directors through the journey of some of their movies. What do we know about their thoughts, their life, their culture and their way of working? The documentary focus on it.

Lisa is a young 25 year old who has dreamed of cinema since she was a child. For her, the role of the runner is an important milestone: it is her arrival in the world of cinema, but also the starting point for a brilliant career. She is finally on a set, starting a relationship with Sonja, protagonist and film star. What more could you want from life? What could go wrong? But the actress has a dark past that comes back to look for her at the most unexpected moment. Accused of Sonja's murder, the girl is forced to flee. Lisa runs, runs to save her life and to find the evidence that will exonerate her and allow the real murderer to be convicted.

A coming-of-age tale centered on Modigliani's youth. Amedeo moves to Paris in his early 20s, dies while still young, and all his artist friends, immersed in Bohemian madness, are his contemporaries. "Telling the story of Modigliani also means celebrating the culture of a united Europe," Longoni explains, "Paris, in the years around World War I, brought together the leading artists of the century. The French capital was a place where borders and barriers were not built but where people reflected on the future and on art beyond conflict."

There are moments in life when, suddenly, everything stops. For Michelangelo, a young aspiring writer about to publish his first book, everything comes to a halt with the death of his father, forcing him to abandon his ambitions and provide for his family. Antonio, a successful manager accustomed to a perfect life, finds himself imprisoned by his wife's inability to overcome the death of their daughter. Giulia, on the other hand, is a young woman who has just given birth, whose husband had an accident shortly before their daughter's birth and is in a coma, in the same hospital where their daughter was born. Giulia lives there day and night, waiting for her husband to wake up: only then will she name her daughter. The interrupted lives of these three characters intertwine, waiting to find the turning point, the path that will lead them home.

La Balena di Rossellini origins from one of the most beautiful Roberto Rossellini's dreams, an exemplary project for his autorial path. The film conceived, but never realized, by Rossellini took shape in his notes after a trip to Chile conducted in May of 1971, a trip made to conduct an interview-portrait of Salvador Allende, then actually carried out by the director of "Rome, Open City". October 28, 1971: Rossellini, back from Santiago, Chile, reads a newspaper reports of a beached whale on the Pacific coast near a poor village inhabited by fishermen. From this simple news comes a film script for a fable about wealth and poverty. A film whose shooting Rossellini would have been entrusted to the young student Claudio Bondì, just graduated from the Experimental Center of Cinematography.

A Donatello award nominated documentary looking at the work of Don Roberto Sordelli and the Roman Felice aqueduct in the 1960s. .

Dignity is a good reason to fight, or to walk away? Past and present issues on immigration, gender, and dignity in countries - Italy and Brazil - that share many similarities, starting from a biased relationship with their national memory.

Teodoro, Martin, Justin, and Steve are African men who have lived in Italy for over thirty years without obtaining citizenship. They arrived in the 1970s to study and have since built lives in Italy, forming a band, playing soccer, and raising Italian-feeling children. Despite their integration, they face racism and are not considered Italian. Puccioni highlights Italy’s struggle with integration and racism, affecting a second generation of immigrants.