Bontonfilm

With his father's memory waning, a struggling forester must confront the troubling reality about his livelihood and his family's future.

Lupyn returns from prison during the pandemic and plans another job. A local mob boss and a corrupt police lieutenant try to uncover who is disrupting their territory and profit from the situation.

When the family gets together, it's always a joy. But if you haven't seen your brother or sister or their families for a long time, the reunion is full of pretense and social niceties that sooner or later turn out to be false. What if you meet at the saddest event that awaits every family? The patriarch of the family is on his deathbed, and you have gradually gathered to measure his apartment to find out how much it will be worth when his heart stops beating.

Do you also love shopping? Does the word sale make your heart beat faster? Shopaholic Klára feels the same way. A shopping-obsessed forty-something hits the sales with such passion that she doesn't even notice her husband finding a younger model during her shopping marathon. With a bruised ego and without her successful husband's credit card, Klára starts over from scratch. She's looking for a new job, a new man, but most of all, herself.

When the West Coast Crew dance troupe, led by the talented and ambitious Buddy, is selected to enter the widely broadcast “Superdance” reality TV talent show, the young dancers revel in their newfound fame and dream of their lives as winners of the prestigious contest. But as the competition begins to heat up – especially from rival dance troupe Muertas – jealousy, narcissism and interpersonal conflict threaten to break the crew apart.

At the end of the 1960s, when the air is filled with rock-and-roll and student rebellions are changing the world, the older of two brothers joins a prestigious newsroom of the public radio broadcaster. Not long after, he finds himself in the middle of a dangerous conflict between journalists and the secret service.

The only thing separating Nina and Richard from divorce is a contract they once wrote on a paper napkin while drunk, in which they pledged that whoever causes the end of the relationship will not receive a single crown from their joint property.

When her daughter decides to move back home, Ivana, a mother who only lives for her autistic son, finds her fragile family ecosystem challenged forever.

Love takes many forms, and Albert, Kateřina, and Gábina are not afraid to go to extremes in their pursuit of it. They fully enjoy casual sex and the feeling of independence, which leads them to a swingers club. They want to have fun and, above all, not worry about anything. Or are they in denial? With each touch, their physical attraction grows into emotional attraction, and whether they like it or not, they reveal their vulnerability.

The young Zuzanka, Honzik and Goat look for the children's parents, whom the devil has apparently kidnapped to punish them for producing devilishly good goat cheese. However, the children find their parents not in hell, but in the castle, where they must make cheese for Kobyl, the king's advisor. Kobyl gained the king's good graces thanks to the cheese. After a dangerous and corny adventure, Kobyl ends up in hell and the family members are reunited.

One click is all it takes to turn everything upside down. Adam has a successful career, a happy family and the respect of those around him. However, his penchant for video calls with sexual undertones sets off a chain of events that turns his life on its head in the space of a single afternoon. What begins as a private failure quickly turns into an avalanche of public scorn. Call is unusual by Czech standards, not only in terms of its subject matter but also its format. It combines a psychological thriller with an intimate family drama and unfolds practically in real time. The viewer thus becomes a participant in the entire sex call alongside the protagonist, experiencing every tense moment with him.

Daniel (Martin Pechlát) is a successful architect who has just completed the design of a skyscraper that will soon become a landmark of the city. When he is about to tell his wife Kateřina (Anna Polívková) the joyful news, he learns unexpected news in return. Kateřina went to the doctor, who found out that her kidneys were failing and the only long-term solution was a transplant. So to give or not to give? This is the question Daniel must solve. Will he offer his wife a kidney, which may cost him his life, or will he not offer, which may cost him marriage? And how will their friends Erik (Mira Nosek) and Diana (Barbora Seidlová), who hoped to enjoy a carefree weekend and celebrate Kateřina's birthday together, step in?

Libor, a former teacher, enjoys a well-paid position as a bank manager, living in a luxurious villa outside Prague. His business partners are taken into custody and the authorities have a few questions for him to answer. Rather than wait around, he decides to take off to Moravia with his wife and two children. In the process, he pretends that everything is normal, rediscovers the value of family life, meets up with a former colleague lost in provincial obscurity, and becomes the object of a manhunt. Libor is not a criminal type, merely someone who signs cheques and is drawn into a business world failing to recognise its own criminality (he doesn’t even flee the country).

35-year-old Eliska has a wedding and is waiting for her big moment. Instead of his "yes", the groom says "no" and runs away from the altar. Fortunately, overwhelmed Eliska has a great friend with a clear recipe for what needs to be done. She herself alternates boys as socks and therefore immediately bases her profile on a dating site. She doesn't like it very much, but she is middle-aged, she's single and she's afraid the train won't miss her. And she wants to take life more firmly in her hands. She therefore throws herself into a blind date and tries to find new love between a series of catastrophic meetings. At the same time, she has to move quickly and the only option is to live with her half-brother, a weirdo who grows bees on the roof and who does not want her at home.

Jediná vteřina is a feature-length documentary by Vít Klusák about the fine line between everyday bad driving habits and a tragedy that cannot be undone. Using a mobile phone at the wheel, fatigue, rushing through a yellow light, or the feeling that we have everything under control. Bad habits behind the wheel that usually go unpunished. But what happens when they don’t? The film follows four stories of road accidents and the people involved, who must come to terms with the moment when the lives of so many were changed forever. Through intimate portraits, cinematic reconstructions and unusual encounters between the perpetrators and their victims or bereaved families, it explores responsibility, guilt and the possibility of forgiveness. The film reveals our ability to excuse our own failings and poses a disturbing question: what if we are less different from the people who caused the accidents than we would like to admit?

Four old friends decide to shake up their unhappy, monotonous lives with a friendly bet and set off a series of unexpected events.