Fondo de Fomento a la Calidad Cinematográfica

Faced with his own mortality, an ingenious alchemist tried to perfect an invention that would provide him with the key to eternal life. It was called the Cronos device. When he died more than 400 years later, he took the secrets of this remarkable device to the grave with him. Now, an elderly antiques dealer has found the hellish machine hidden in a statue and learns about its incredible powers. The more he uses the device, the younger he becomes...but nothing comes without a price. Life after death is just the beginning as this nerve-shattering thriller unfolds and the fountain of youth turns bloody.

Tomás Tomás is a young yuppie playboy with a string of discarded girlfriends. But when Silvia, the victim of one of his adventures, tries to get revenge by typing "positive" on his AIDS test, Tomás experiences for the first time the realities of love and death.

The Mexican painter Francisco Goitia, feeling his death approaching, manages to make a memory of his life: the reunion with his country and his people, his permanent search for identity as a man and as an artist and his struggle against the demons of the body and his subsequent religious conversion.

In 1528, a Spanish expedition flounders off the coast of Florida with 600 lives lost. One survivor, Alvar Nunez Cabeza de Vaca, roams across the American continent searching for his Spanish comrades. Instead, he discovers the Iguase, an ancient Indian tribe. Over the next eight years, Cabeza de Vaca learns their mystical and mysterious culture, becoming a healer and a leader. But soon this New World collides with the Old World as Spanish conquistadors seek to enslave the Indians, and Cabeza de Vaca must confront his own people and his past.

The legendary life of Mexican singer Lucha Reyes is the basis of this fictionalized biography ( or as director Arturo Ripstein puts it "an imaginary biography"). Lucha Reyes was an unconventional, and sexually liberated woman, most famous for her "cancion ranchera" style singing. Her story begins in 1939, where at 33 she still lived at home with her mother, Dona Victora, the madame of a renowned Mexico City whorehouse. Lucha marries the liberal Pedro Calderon and then buys a beggar's daughter. She becomes the mother to this child, Luzma. Lucha craves lasting love like junkies crave heroin. But for her loyal daughter, she never finds it and in the end no one can help her.

"La Nueva Jerusalem" is a small community of believers lead by Papá Basilio and Mamá Dorita. They're waiting for the second coming of Christ, so they've abandoned the world, searching for a new spiritual life. Mamá Dorita sees in young Tomasa the signals of the chosen one. The young girl will be the new leader in "La Nueva Jerusalem".

A telephone operator from Mexico City tries to support a family and her passion for popular dance.

After St. Jude appears in Esperanza's oven, she sets out to find her daughter, who died under mysterious circumstances. The journey forces Esperanza to challenge her own beliefs and face her fears in order to be reunited with her beloved daughter.

A conflict arises between the people of the town and the local priest when they have to decide how to represent certain biblical episode.

Propped up on his deathbed, a 17th century Spanish missionary named Father Kino (Enrique Rocha) looks back on his remarkable life and relives one of his greatest challenges: bringing the teachings of Christianity to California's native population while convincing the Spanish military to respect the Indians' traditions.

Tijuana is a mystical city and the scene of different stories, where the characters search for meaning in their lives.

Over more than thirty years, a department of the Condesa in Mexico City, is the setting in which they are carried out ten stories, mixed, form one whose only constant is the rupture. The passage of time and the outside world only guess through the windows and objects that come with the characters. The set is a great solitude, possible in a city of the blind.

Oshinica Mataraso and Rifke Groman are from two families from Europe: the Mataraso are Sephardic who came to Mexico after being expelled by the Catholic Monarchs, and the Groman are Ashkenazi and their lineage had to face the Holocaust. Oshinica and Rifke are Mexican-born Jews, although they feel treated as foreigners. Anxious to find their identity, Oshi and Rifke confront the traditions of their relatives.

Set in Mexico City, Mentiras Piadosas is the doomed love story of Clara and Israel. She is a health inspector and he is an herb merchant, who is obsessed with the construction of an enormous model of the ancient city of Tenochtitlan. They both decide to leave their respective partners to live together, however, jealousy, blackmail and guilt will become unbreakable patterns destroying their tragic relationship

Vagabunda is the story of young girl (Flor), well aware about her seductive skills, who arrives from an unknown place into a small town in Verazcruz where she is protected by the widowed father of a family who has two sons; one married and the other one lame. After weighting possibilities she ends up dividing the family to get the benefits of the family patrimony causing the married man to killed his pregnant wife, fact that is covered up by his father. At his sister in law's funeral, the head of the family announced his wedding with Flor which takes place before the burial. But since the now widowed son was cheating with Flor, he ends up being killed by his father as he did when killing his pregnant wife, Perla, giving this initial sensual movie a tragic end.

After being falsely accused of a murder, Marcos runs away to the small and quiet town of Cuevano. There he finds that the family matters are more complicated than his.

The life and execution of Gertrudis Bocanegra, a sympathizer of the libertarian cause and a prominent figure in Mexico's independence from Spain.

1941, Jose Antelmo Cruz regrets his past while writing a novel and falling in love with a prostitute.

Two young girls used to play Serpents and Ladders. One of them always won, but they are very close friends. When they grow up, the winner is still the lucky one in the game of life, but life can be treacherous...

Three moments in the life of Fray Bartolomé de Las Casas; his youth encounter with the natives; his resignation in maturity to lands and encomiendas to evangelize and defend justice and dignity against the cruelty of the Spanish and his reflections at the end of his life