RietveldTV

Brought in by an ill wind, a stranger from another world falls to earth into the body of a young man. A glitch in this interchange hampers the alien consciousness to fully integrate in the new found carcass. We follow this being for a day in their muffled wander through earth.

A short documentary film functioning as the introduction to the One Minutes x Inter-Architecture Department (Gerrit Rietveld Academy) short-film broadcast episode for Rietveld TV, as aired on SALTO. This broadcast was meant to give an artistic impression of a communal art-project developed by the Inter-Architecture Department for the municipality of Amstelveen, The Netherlands. This short documentary film introduces each duo placed and posing at their respective project-based locations, spread out over Amstelveen, through purposely awkward still-but-moving vignettes. The duo's are reintroduced several times in quick succession, with each consecutive appearance showing more of an awkward inter-personality, meant to evoke a certain liminal playfulness. An overpass, a bridge, a bridge-barrier, a docking port, the border between Amsterdam and Amstelveen, the edges of Amsterdamse Bos, an abandoned railroad.

A documentary short about the mice infestation at Gerrit Rietveld Academie Amsterdam, featuring interviews with mice-experiencers and an adoption of baby mice and atmospheric shots of mice, both dead or alive. "When the croissant inside my locker was eaten by the mice I got curious: how many pieces of art have been eaten by mice in the Gerrit Rietveld Academie?" - Qianfu 'Chenny' Ye, 2019

The Concrete Road is a three-channel installation work which was premiered during the Graduation Show 2021 at Gerrit Rietveld Academie. "Landscape shifts, unmodernised desires. This is a story comprising three avatars of myself talking to and interviewing each other, reflecting on memories and weaving a path on coming of age. Sticky childhood memory which never fades. Loosely fitted gender/racial identity struts in juvenile cravings. Self-loathing, negation of the past, and his frowning parents. The tyranny of modernism leaves a leaky path for the protagonist to escape and slobber in a dream of wet summer night. My highest appreciation towards Bertien van Manen, who not only provides images on memory bubbles, but also her images help me to develop the initial script for this work."