Canibal Filmes

A love story, a love triangle that gets soiled with blood with the arrival of a fourth character: a serial killer who collects vaginas. Lesbian couple is chased by lover betrayed in the areas of Weird. Blood and sex in the tradition of the 80's Boca do Lixo films with eschatological scenes and total cinematographic metalanguage.

After refusing to pay their property taxes, a house of cannibals prey on the government workers who come to collect.

A bunch of young people spend a day in the cemetery making gothic poetry and acting evil.

Jesus Christ returns to planet Earth and is beaten up by the Christian community, which takes great pleasure in showing him christian affection!

Record of the rehearsal of the band Amsanctus in which the actor and film editor from Canibal, E.B. Toniolli, played. The master of the document, lasting about 30 minutes, was not found. The work was partially recovered from the feature "The Cannibals-Mabusiânus also dance Vol. 1" where it had been partially used.

It's a film about the world today, about the need for a revolution, an uprising of the masses against the exploiters, so that the financial system can be completely rethought. It's an anarchist vision of the chaos we need for this change to occur (because anarchism is not mess, it's mutual support and solidarity). Of course, in 4 minutes there's no way to theorize about something so complex, but given the inequalities of today we have to do something, even if it's a short 4-minute short that, perhaps, awakens the inner revolutionary of those who watch (or not ).

Dr. Karloff prisons an alien from the Leguminous Planet and calls his friend Dr. Marins to help him in his experiences, because the Leguminous Monster is an anarchist intellectual full of hate against the human beings. While the scientists discuss about the monster, Caquinha is convinced for him to let him go. Done that, the Monster kills the scientists and kills everyone he finds in his way.

A gang of criminals is taken by surprise by colonists contaminated by a drug (tested by the government) that unleashes their murderous instincts.

Zombies, beautiful dead girls, newly-dead and a wide variety of colorful and slimy undead invade the West of Santa Catarina, Brazil. Guts roll while "yerba mate" Cronenberg is consumed by the farmers. But the zombies aren't the biggest problem when all the humans are sadistic and selfish.

This was my first attempt at making a movie. It was unabashedly inspired by Edward D. Wood Jr.'s Plan 9 from Outer Space (1959), one of the culprits in making me want to write increasingly meaningless scripts (the other is Jesus Franco). Until the second order, the 20-minute copy of this film, which was never edited, is lost.

Worshipers of a satanic cult perform a ritual that releases a murderous demon.

About animals and their food.

This film portrays the strength that art has in surviving the megalithic tricks and repressions that the State manipulates towards its compatriots. The colors reflecting the dominance over the being, which, if not thinking, is tortured by its religious, political and academic doctrines, staining and building the States with drops of blood, but the art subjugated and repressed by lobotomized intellectuals of the three doctrines is what we hang and endure our arts and our values in the face of a bankrupt ethics/morality, a false truthfulness created only for the purpose of dominating one another. This art of ours survives and grows stronger as we fight to open up the bulging eyes of our society, already manipulated into being blind, deaf and mute. Our art doesn't speak, it screams! Scream! For only then can ears clogged with false sermons be unblocked like a vase full of shit overflowing with anguish.

Dr. Rottenberg, the greatest Martian scientist, comes to Planet Earth to make preparations for a wild invasion involving re-animated Earth bodies, Martian zombies and teenagers playing in the woods. Criaturas Hediondas is one of the first Brazilian Shot On Video (SOV) to have national distribution via VHS tapes that were marketed in stands at grindcore, death metal and punks shows, becoming a reference (at the time) in the national underground. The video was filmed with a VHS camera and mounted from video to video, in an analog way.

A punk scientist formed the formula of the deadly drink that transforms drunks into hallucinated zombies and awakens the fury of Little Red Riding Hood's grandmother and her afternoon tea buddies, who armed and dangerous decide to get revenge.

Sinners of a rural community having his flesh melted as an atonement for his Christian offenses. A revolutionary army of two people feuding with hordes of rotting zombies, and a mad scientist philosopher that builds a mummy of Christ to control the world.

Documentary short with a clipping of Jorge Timm's performances for Canibal between 1995 and 1998.