British Film Institute Production Board

Song tells the story of the women who worked in Victorian London's clothing sweatshops, eschewing a conventional narrative in favour of a series of still photographs and acted reconstructions to show that this story has been rewritten/written-over many times before.

A group of young friends convene in the countryside to shoot a horror movie. But an experiment with LSD sees normal boundaries between them collapsing, and tragedy subsequently striking.

A marital breakdown is brought to life through a mixture of dramatisation, monologue, montage and animation. Through the perspectives of the husband, the lawyer, the couple’s parents and their “home help”, a picture emerges of the transactional nature and economic fall-out of marriage, along with issues of class and gender politics affecting single mothers.

A girl takes her camera along to a rocky beach, but quickly becomes fascinated with a far stranger mechanical contraption that she finds there.

A young man (Aidan Gillan) arrives in the midst of London's Soho. He's from Belfast, he's anxious and he looks like he's running away from something. Then, by chance, he meets Grace, a prostitute who happens to come from Belfast too. A connection is made and, for a brief time, she seems to offer the chance of a new future.

A rich and challenging account of the experiences of a German Jewish musician who settled in Britain to escape Nazi persecution. Two of his friends are being sued by a former SS Kommandant, who denies their accusation that he was responsible for the genocide of 300 Belgians. Documentary interviews and archive footage merge with dramatised scenes to create a new way of representing history and memory.

The pressures of her job in a hospital forces a young doctor to abandon a colleague suffering from depression to treat another patient.

A series of non-dramatic tableaux representing scenes from De Sade's novel.