Kino Klub Beograd

A group of WW2 orphans, now young people in their late teens, find out that one of them is a child of a war criminal. They are determined to discover his identity, even though this person could be any of them.

A story about two people who didn't find their way in big city. He came from the countryside and works in steel factory, she's working in factory restaurant. Their lives change when they meet and fall in love.

Two men, who have been fighting on the enemy sides in WWII, meet in the jazz club twenty years after. Mladen, who was a partisan at the time, recognizes a familiar face of a man whom he was supposed to shoot, but missed on purpose.

Two brothers return to their devastated home village after the end of the Second World War with nothing to their name but their army-issue machine guns. There they find a traumatised German, abandoned in retreat. Together, the three men act out a tragicomic tale.

Short experimental 16mm film.

A young woman tries to make love to a park statue, but despite her passionate efforts, the monument remains cold and heartless. Don’t Believe in Monuments is an early short, where Makavejev subtly ridicules Yugoslav state-sponsored monument and history worship.

The subjects are trains and trainyards, which were key iconic symbols in the Yugoslav Black Wave films of the decade that followed. Lazić would also turn pro, directing mostly for television with the intermittent feature film to his credit.

A young slacker circumstantially gets involved in the smuggling of falsified English pounds via Trieste-Yugoslavia route. He helps the police to solve the case.