Kino Klub Beograd

Three young delinquents, two boys and a girl - go through their personal drama alongside wrongdoings they do. The local chief inspector gives his best to help them, besides the fact that he's beholden to arrest them.

A young slacker circumstantially gets involved in the smuggling of falsified English pounds via Trieste-Yugoslavia route. He helps the police to solve the case.

Tragi-comedy about a man who, overnight, becomes rich by winning a lottery.

In a Serbian village on Christmas Day in 1943, the Chetniks accept two downed American pilots and give them hospitality. However, finding out that the Germans are looking for the pilots, the Chetniks change their attitude towards them.

Two brothers return to their devastated home village after the end of the Second World War with nothing to their name but their army-issue machine guns. There they find a traumatised German, abandoned in retreat. Together, the three men act out a tragicomic tale.

A psychological study of a hero who, after being badly beaten up by Gestapo, rats on his comrades and friends and becomes their vicious killer. Now the death seems like a salvation to him.

A young woman, injured and alone, desperately seeks refuge in an empty house before finding an abandoned train car. Haunted by surreal visions, she repeatedly collapses. At dawn, her motionless form draws the curiosity of local children, leaving her fate uncertain.

A young woman tries to make love to a park statue, but despite her passionate efforts, the monument remains cold and heartless. Don’t Believe in Monuments is an early short, where Makavejev subtly ridicules Yugoslav state-sponsored monument and history worship.

Short by Marko Babac.

Students from the Prague Academy of Film (FAMU) talk about their life in Prague. Filmed in Prague in 1968, a few months before the Russian invasion of Czechoslovakia.

A story of two people who fell in love and couldn't find their way in the big city: a man who came from the countryside to work in a steel factory and a woman who works in the factory restaurant.

Two men, who have been fighting on the enemy sides in WWII, meet in the jazz club twenty years after. Mladen, who was a partisan at the time, recognizes a familiar face of a man whom he was supposed to shoot, but missed on purpose.

A distressed young woman, possibly on the run is surrounded by nothing but barren landscapes of forests and fields. As she progresses to an indiscernible denouement, the film contorts shape into a circular series of pulsating images that touches on the horror and the metaphysical.

A group of people go on a picnic in the mountains. Longing for some love and understanding, they try to get close to one another, but the barriers are insurmountable. Failing to pull through their nutshells of solitude, they get back to the city, the eternal desert.

Short experimental 16mm film.

The subjects are trains and trainyards, which were key iconic symbols in the Yugoslav Black Wave films of the decade that followed. Lazić would also turn pro, directing mostly for television with the intermittent feature film to his credit.

Short experimental 16mm film.

Experimental short film from Yugoslavia with almost no plot. First half of the film displays a girl trapped behind some walls. She stumbles around trying to find a way out, and to see what's going on in the outer world. Her frustration grows as she cannot find a way out. Then she suddenly sees a man literally walking through a wall...

First five minutes of the film show a weird fellow who is playing marbles with kids and seems to be just biding his time. Film after the titles continues to follow his adventures as his love story unfolds. A love story between him and a doll in a window shop.

A group of WW2 orphans, now young people in their late teens, find out that one of them is a child of a war criminal. They are determined to discover his identity, even though this person could be any of them.