Mil Nubes-Cine

They dance in the water. They are like wandering clouds. But not for a homophobic spectator.

The beautiful and erotic Bramadero finds Hassen and Jonás on the outskirts of Mexico City. Away from it all, they’ve found a spot where they can seduce one another and merge into one; where sex becomes desire, desire becomes love, and only death will separate them.

The Mexican diva of cinema, María Felix, age 80, is staying as a guest at the home of a family in Veracruz. There she meets the daughter of the owners, Agatha, age 16, who wants to know what does the actress do to be so beautiful at her age. They become friends, live adventures and María reveals her secrets.

The love of his life hates kids. So when his 9-year-old daughter suggests she pretend to be his sister... what could go wrong?

Winter. Two mothers wait for their children, involved in a social conflict, to return home. Crying is useless.

An erotic triangle between two young men and a mature man. The film asks, How can three men endure every trace of an obsessive passion?

After suffering a violent incident, a woman decides to become a vigilante, defending every woman who has suffered from physical or psychological abuse.

Damián returns injured to the apartment he lived in with Uriel. Both of them avoid talking about what happened, but the memories that linger throughout the place they once called home become present. The longing for that idyllic past becomes an anguish for both, who are forced to coexist once again.

Emiliano looks at his life with the eyes of a film director, mixing the objective reality with the processes of the artistic creation. The story he is filming flounders with his daily life, until his world is trapped in the lens of his camera. Confused, always alone and in front of a screen, now become a transfigured reality, but at the same time a measurable, controllable and manipulable one, he listens in loop to a song: one of those songs you sing or repeat as a prayer and forcing you to remember, believe and convince yourself.

Román is an actor who works in B-movies and who’s isolated in his apartment as a pandemic keeps the world on edge. Aldo, an indigenous young man, is an essential worker who’s allowed by the authorities to come and go. They live across from each other in an apartment complex. They meet online, and they can talk and even see each other in videocalls, but they can’t meet in person. Eventually, the temptation to break out of their lockdown comes up.

Román has decided to leave his native town, but first he must say goodbye to Paloma.

Cecilia, Alberto, and Felipe live through a strange epidemic that plagues the abandoned streets of a coastal town. Suddenly, an uncontrollable desire forces them to leave in search of the sea.

Two men on the ground separate, we lose sight of them, the camera turns on its axis in a desert landscape; we see the dust, the mountains. We listen to a piano, the murmur of male voices, the characters move in and out of the frame while the camera rotates, in one of the already well-known film choreographies of the staging characteristic of the Mexican director.

Tomás, a young mechanic stuck in a side road town, finds the opportunity to go to Mexico City and try to fulfill his dream of being a great bullfighter.

In a small town in China, young Yijie sells fruit around the city in a modest food bike. Stationed on a street, he witnesses how Yong, a boy his age, steals the purse of one of his customers. Both meet streets ahead. Despite not knowing each other, they decide to spend the afternoon together and share their dreams and intimacies.

Max returns to her slum turned into the vocalist of a rock band. There, the memories await, the latest news and the truths that were silent for years: Sonia is a voice that speaks from the death.

Carlos, desperate for not receiving a response from his boyfriend, takes a taxi that will take him to various parts of the city to look for him and to find himself through Aurelio, the driver of the vehicle that will transport him in the middle of the night.

Three towns in Durango are inhabited by elderly people who hope that their memories and legacy will not be lost as they struggle against the forcefulness of modernity and oblivion.

Many types of legal and social oppression cause people to leave their homelands, including misogyny, homophobia, and transphobia. The documentary Club Amazonas features two young transwomen from Honduras, Jessica and Angela, who seek tolerance and opportunity across the Mexican border while pondering the freedom and security promised by the U.S..

Singer Eugenia León gives her own interpretation of Mexican cinema in her album Cine, a musical review from Santa composed by Agustín Lara for his first musical to a theme from the recent film Espiral. Her exceptional voice and the collaboration of groups and soloists offer a new version of classical and contemporary songs.