Mil Nubes-Cine

Emiliano looks at his life with the eyes of a film director, mixing the objective reality with the processes of the artistic creation. The story he is filming flounders with his daily life, until his world is trapped in the lens of his camera. Confused, always alone and in front of a screen, now become a transfigured reality, but at the same time a measurable, controllable and manipulable one, he listens in loop to a song: one of those songs you sing or repeat as a prayer and forcing you to remember, believe and convince yourself.

The beautiful and erotic Bramadero finds Hassen and Jonás on the outskirts of Mexico City. Away from it all, they’ve found a spot where they can seduce one another and merge into one; where sex becomes desire, desire becomes love, and only death will separate them.

Román is an actor who works in B-movies and who’s isolated in his apartment as a pandemic keeps the world on edge. Aldo, an indigenous young man, is an essential worker who’s allowed by the authorities to come and go. They live across from each other in an apartment complex. They meet online, and they can talk and even see each other in videocalls, but they can’t meet in person. Eventually, the temptation to break out of their lockdown comes up.

The love of his life hates kids. So when his 9-year-old daughter suggests she pretend to be his sister... what could go wrong?

After suffering a violent incident, a woman decides to become a vigilante, defending every woman who has suffered from physical or psychological abuse.

In a reinterpretation of Madame Bovary set on contemporary Mexico City, Emilia, a middle class housewife, tries to deal with the monotony of her life. One day, she loses the two things which makes everything beareable: her lover and her credit card.

"Nazarín is a Quixote of the priesthood " "Among the films I have made in Mexico, Nazarin is one that I prefer." "As inexplicable as the accidents that set it off, our imagination is a crucial privilege."

The Mexican diva of cinema, María Felix, age 80, is staying as a guest at the home of a family in Veracruz. There she meets the daughter of the owners, Agatha, age 16, who wants to know what does the actress do to be so beautiful at her age. They become friends, live adventures and María reveals her secrets.

Max returns to her slum turned into the vocalist of a rock band. There, the memories await, the latest news and the truths that were silent for years: Sonia is a voice that speaks from the death.

Orlando and Marco, two young men who live in Mexico City, meet by chance and fall in love. Every day they fight in order to achieve their dreams: Orlando wants to be a dancer and Marco wants to graduate from nursing school. As they go against a diverse, ever-changing, hostile world, they’ll learn that once the darkness of night is gone and through their intertwined bodies and their synchronized souls, they will have seen all those demons of dawn go by.

Many types of legal and social oppression cause people to leave their homelands, including misogyny, homophobia, and transphobia. The documentary Club Amazonas features two young transwomen from Honduras, Jessica and Angela, who seek tolerance and opportunity across the Mexican border while pondering the freedom and security promised by the U.S..

They dance in the water. They are like wandering clouds. But not for a homophobic spectator.

Damián returns injured to the apartment he lived in with Uriel. Both of them avoid talking about what happened, but the memories that linger throughout the place they once called home become present. The longing for that idyllic past becomes an anguish for both, who are forced to coexist once again.

Lola is still in the prime of her life, she’s at an age where time seems to fly by and so do opportunities. She spends her nights immersed in noise, alcohol, hypnotic lights, and the old and new songs that remind her of loving moments.

Two men on the ground separate, we lose sight of them, the camera turns on its axis in a desert landscape; we see the dust, the mountains. We listen to a piano, the murmur of male voices, the characters move in and out of the frame while the camera rotates, in one of the already well-known film choreographies of the staging characteristic of the Mexican director.

Singer Eugenia León gives her own interpretation of Mexican cinema in her album Cine, a musical review from Santa composed by Agustín Lara for his first musical to a theme from the recent film Espiral. Her exceptional voice and the collaboration of groups and soloists offer a new version of classical and contemporary songs.

Cecilia, Alberto, and Felipe live through a strange epidemic that plagues the abandoned streets of a coastal town. Suddenly, an uncontrollable desire forces them to leave in search of the sea.

Sergio and Octavio discover each other in a game between seduction and desire during a night of celebration. At daybreak, each will have a piece of the other: their joint gay moments.

Winter. Two mothers wait for their children, involved in a social conflict, to return home. Crying is useless.

An erotic triangle between two young men and a mature man. The film asks, How can three men endure every trace of an obsessive passion?