The beautiful and erotic Bramadero finds Hassen and Jonás on the outskirts of Mexico City. Away from it all, they’ve found a spot where they can seduce one another and merge into one; where sex becomes desire, desire becomes love, and only death will separate them.

The love of his life hates kids. So when his 9-year-old daughter suggests she pretend to be his sister... what could go wrong?

In a reinterpretation of Madame Bovary set on contemporary Mexico City, Emilia, a middle class housewife, tries to deal with the monotony of her life. One day, she loses the two things which makes everything beareable: her lover and her credit card.

Moisés, a man trapped in a routine, enters an irrational world when he discovers the magic of K-pop.

An outbreak has Esteban confined at home and separated from Alan. From his rooftop bedroom, he tries to maintain their relationship through video calls, but the isolation seems endless and reality catches up with them.

They dance in the water. They are like wandering clouds. But not for a homophobic spectator.

In the surroundings of Military Camp 1, a young soldier is forced to interrogate a detained student, provoking him a crisis of conscience accompanied by the memory of the corpses he piled up hours before, following the 1968 Tlatelolco massacre.

Román is an actor who works in B-movies and who’s isolated in his apartment as a pandemic keeps the world on edge. Aldo, an indigenous young man, is an essential worker who’s allowed by the authorities to come and go. They live across from each other in an apartment complex. They meet online, and they can talk and even see each other in videocalls, but they can’t meet in person. Eventually, the temptation to break out of their lockdown comes up.

Román has decided to leave his native town, but first he must say goodbye to Paloma.

The Mexican diva of cinema, María Felix, age 80, is staying as a guest at the home of a family in Veracruz. There she meets the daughter of the owners, Agatha, age 16, who wants to know what does the actress do to be so beautiful at her age. They become friends, live adventures and María reveals her secrets.

Winter. Two mothers wait for their children, involved in a social conflict, to return home. Crying is useless.

After suffering a violent incident, a woman decides to become a vigilante, defending every woman who has suffered from physical or psychological abuse.

Emiliano looks at his life with the eyes of a film director, mixing the objective reality with the processes of the artistic creation. The story he is filming flounders with his daily life, until his world is trapped in the lens of his camera. Confused, always alone and in front of a screen, now become a transfigured reality, but at the same time a measurable, controllable and manipulable one, he listens in loop to a song: one of those songs you sing or repeat as a prayer and forcing you to remember, believe and convince yourself.

In a small town in China, young Yijie sells fruit around the city in a modest food bike. Stationed on a street, he witnesses how Yong, a boy his age, steals the purse of one of his customers. Both meet streets ahead. Despite not knowing each other, they decide to spend the afternoon together and share their dreams and intimacies.

Carlos, desperate for not receiving a response from his boyfriend, takes a taxi that will take him to various parts of the city to look for him and to find himself through Aurelio, the driver of the vehicle that will transport him in the middle of the night.

Max returns to her slum turned into the vocalist of a rock band. There, the memories await, the latest news and the truths that were silent for years: Sonia is a voice that speaks from the death.

Singer Eugenia León gives her own interpretation of Mexican cinema in her album Cine, a musical review from Santa composed by Agustín Lara for his first musical to a theme from the recent film Espiral. Her exceptional voice and the collaboration of groups and soloists offer a new version of classical and contemporary songs.

An erotic triangle between two young men and a mature man. The film asks, How can three men endure every trace of an obsessive passion?

Tomás, a young mechanic stuck in a side road town, finds the opportunity to go to Mexico City and try to fulfill his dream of being a great bullfighter.

Many types of legal and social oppression cause people to leave their homelands, including misogyny, homophobia, and transphobia. The documentary Club Amazonas features two young transwomen from Honduras, Jessica and Angela, who seek tolerance and opportunity across the Mexican border while pondering the freedom and security promised by the U.S..