Centro Universitario de Estudios Cinematográficos (CUEC)

The relationship between a nephew and his aunt in the begining of Mexico's 20th century.

While investigating the terrorist activities of a Basque nationalist group, Mexico City photographer Eliseo (Mario Oliver) becomes obsessed with his neighbor, a gorgeous young separatist named Maria (Bárbara Lennie). But when Maria is murdered, Eliseo is the prime suspect. Pursued by both the police and Maria's killer -- who has slain other Basque separatists -- Eliseo fights to stay alive and clear his name in this fast-paced thriller.

The story is about a young man suffering mental retardation and sexual awakening, poet is charismatic and has the ability to pay attention to those little insignificant details of everyday life. His new status as a lover will bring popularity and with it problems will expose prejudice and false morality of a blinded people to wash their sins charged with the death of the less guilty.

Their men went to the North in search of their destiny, while they stayed.

Bartolomé, a teacher in a multigrade school on the mountains of Chiapas in Mexico, knows well that pedagogy is not based on textbooks and cannot fit behind the four walls of a classroom. A true sower of knowledge unravels his philosophy and method and becomes a beacon of hope for the creation of a humanistic model of education based on curiosity and love for the outside world.

Turmoil becomes the order of the day when a Mexican theatrical company begins its rehearsals of absurdist philosopher Albert Camus's “Caligula” for an influential upcoming international theater festival.

The beautiful and erotic Bramadero finds Hassen and Jonás on the outskirts of Mexico City. Away from it all, they’ve found a spot where they can seduce one another and merge into one; where sex becomes desire, desire becomes love, and only death will separate them.

The story of a young man who lives alone in his house, and his indifference and solitude with the world around him.

After the colonization of Mars, an elderly man looks back on his memories of Earth and the past he has left behind.

Paul Leduc, Rafael Castanedo, Óscar Menéndez and other students filmed the CNH assemblies and took to the streets to record the rallies, demonstrations and confrontations that the various student groups held against the police and the army throughout 1968.

During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.

In an industrial town in Mexico near the US border, hundreds of women have been sexually abused and murdered. As the body count continues to rise, a web of corruption unfolds that reaches the highest levels of Mexican society.

Chicali is a young street cop who starts killing for the mafia by an unexpected situation. Mario, locked up for killing the Mexican presidential candidate in 1994 comes out of prison after 20 years of lockup and returns to Tijuana to rebuild his life. Jenny is an American homeless who decides to cross the border to Mexico in order to change her condition. Jenny falls in love with young Chicali, who is assigned to kill Mario.

Virginia, an elderly writer, starts to pen her autobiography, when her character suddenly refuses to play her role in the story. She insists that she wants to tell the truth.

After finding a ticket, a young vagabond decides to go to the movie theatre. Right there, he will know the reality of watching a movie, and this will trigger a series of events that will change his life forever.

Nieri is an indigenous teenage boy from the Wixarika culture, who is being indoctrinated by his father on the path of dreaming to reach the Blue Deer and become a Marakame. However, Nieri doubts about having the gift that is necessary to become a Marakame. His real dream is to play Mexican country music and to go to Mexico City to play there with his friends.

Two teenagers live by themselves in an apartment during their mother's hospitalization. This period of isolation will lead them to face each other's flaws and mend their relationship as they share the ordeals of becoming adults.