Adria Film

An insight into multi-layered relations between natives and newcomers in the town of Pula following WWII and departure of Angloamerican forces.

After Italian capitulation in WW2, German forces are rushing to take control of the Dalmatian coast, forcing thousands of people to take refuge. One partisan boat, filled with refugees, tries to reach a safe area, but because of a storm it must stop near a small island. While the crew tries to repair it, a German gunboat comes from nearby.

The first soft core porn flick made in former Yugoslavia (today Croatia). It was a huge cause celebre for the participants and equally infamous for its innumerable shortcomings ranging from the lack of coherent plot-line to the most basic elements of film making. However, in time, it has gained a somewhat cult reputation. A priceless insight into an odd culture and its lax sexual mores and follies!

Zlatko Kovač, a provincial professor, gets the job in the big city's school, only to find out that his red-employment is not random. Professor Toth, the man he replaced, has died under the strange circumstances. Kovac meets a variety of strange people in his school's collective, and it was not long before they came up with the new body. However, the police is unable to solve the case, but he takes the matter into his own hands and setting a trap for a murderer on a school manifestation.

After the death of his beloved wife, a nobleman from northern Croatia turns to spiritualism refusing to accept that she's gone. She begins to appear in his presence and he starts to believe that she's alive.

Just before Italy's capitulation in 1943, an eminent lawyer is being forcefully taken to the fort by Italian authorities along with his fourteen year old son, in order to reconstruct the judicial process for thirty nameless people that never actually took place.

This short film is part of Karpo Aćimović Godina's experimental and documentary work in 1970s Yugoslav cinema. It extends his interest in regional identities, minorities, and the visual traces left by different cultures on Yugoslav territory. The film offers a journey through examples of architecture, decor, and objects related to Islamic tradition in the former Yugoslavia, such as mosques, ornamental elements, and calligraphy. It explores how this art is embedded in the region's history and in the daily lives of the communities that produced it. It is an observational film, without a dramatic plot, functioning primarily as a "visual essay" on the material culture of Islam in a Balkan context. The tone is analytical and contemplative, closer to a cultural study or a poetic inventory.

This is an omnibus consisting of three stories, all of which deal with deviations of the human psyche. In the story "Waltz", we learn about the first sexual experiences of a man who attends a dancing school in Split. In the story "Ave Maria", a cruel crime destroys a pastoral idyll, and in the story "Seas", we meet a family, living on an isolated island, that goes through an existential crisis ending in murder.

Members of the Rodić family dedicate seven years to constructing a stone road leading to a mountain hamlet where their elders lived.

Passing away, an old lighthouse keeper recollects the key events of her life, with the past and the present converging at her deathbed.

With limited means to feed their families, the women of wartime Dalmatia turn to what they do have: the sea. After extracting salt by boiling sea water, they travel with their product, far inland over inhospitable terrain, to barter for food.