Société cinématographique des auteurs et gens de lettres (SCAGL)

Charming Mimi-Trottin is in love with typographer Louis Chausson, nicknamed Godasse. She meets Doudou, actually a Vicomte, estranged with his parents who are rich automobile manufacturers. Godasse abandons Mimi because of his professional ambitions and Doudou rescues her from a suicide. After making peace with his parents, the young man has Mimi hired as a typist at the factory. After winning a race with one of his father's car, he soon wins the heart and the hand of Mimi.

Pasha Aboul-Assan XIV, consumed by profound boredom after exhausting every conceivable pleasure, is now, despite all the efforts of his odalisques and courtiers, nothing more than a pathetic, neurasthenic wreck. Meanwhile, word spreads that the famous dancer, Miss Tinguett, is touring the country with a traveling circus. Captivated by the posters featuring the charming artist, Aboul-Assan's ministers decide to hire the ballerina to entertain their royal master. Unfortunately, the dancer, weary of a life of misery with a troupe unworthy of her talent, has just vanished without a trace. The circus director, unwilling to miss such a lucrative opportunity, entrusts the clown Gugusse with the delicate task of replacing the star who has broken her contract. Gugusse carries out his mission with such verve that the pasha ends up laughing.

Everyman Coupeau's attempts to stop drinking are routinely thwarted by the wicked and vengeful Virginie. Based on Zola's novel, Capellani's film is about the free fall of a group of working-class French folk into degradation and tragedy due to carelessness, jealousy, and alcohol abuse. At the time of its release, L'Assommoir was hugely successful.

Misanthrope Raymond Ferray's life of peace and quiet is disrupted by the arrival of his new neighbors the Rovels. Lady Rovel designs on marrying her daughter Meg to the much older Marquis de Boisgenêt. Her mother agrees not to force her, however, if she can find a suitable alternative. Raymond, who despite himself has taken a great interest in Miss Rovel, helps her to find one.

In Britain, during the revolution, the nephew of the Marquis de Lantenac, Gawain (P. Capellani) befriends Cimourdain (H. Krauss), a priest who follows the precepts of the Revolution. During the Terror, the Marquis went into exile in England while his nephew is a soldier in the Revolutionary Army ...

M. Rasta, a high society con man, is accused of a crime he didn't commit.

Short of money, Rigadin appeals to his uncle. His uncle replies in a letter, advising him to overcome his shyness and propose to the daughter of a friend's family. Rigadin is very embarrassed in front of the ladies. He buys a bouquet of flowers and goes to the family's house. But they have already gone out, leaving the apartment in the care of the servants. They take advantage of this to hold a reception in the drawing room, and the maid acts as hostess. Rigadin is ushered in. Mistaking the maid for the lady of the house, he presents himself to her with his bouquet. Her manners surprise him. The maid leads him to the kitchen and dresses him in various utensils. The entire party welcomes him enthusiastically. But at that moment, the employers appear. The servants disappear, leaving Rigadin crestfallen with his uncle's letter. But after reading it, the entire family, indignant, throws him out.

Captivated by the cobbler Pierrot, the beautiful Marion drugs him and takes him to her castle, only to dress him up and abandon him in the woods. When he later sees her with a new lover, she pretends not to know him. Pierrot flies into a rage, then suddenly wakes up

After supper, two elegant couples descend into a cellar in Les Halles, a haven for criminals and murderers. In this dive, well-known to the nocturnal Parisians, unsettling couples sit at tables over glasses of cheap wine and bowls of mulled wine. The visitors shudder in this atmosphere, but a few well-timed rounds of drinks win them over. A piano begins a waltz, a couple embraces and begins a voluptuous and brutal dance. Suddenly, a brawl breaks out, knives gleam. The police burst in as the panicked visitors flee. But it's all a setup! And the prostitute and the thug return home, having honestly earned their day.

“The Queen of Judah has gained her throne by eliminating the Royal Princes, but one is still alive and protected by the high priest. In a dream the Queen sees the young Prince as a king. She orders an assault on the Temple but when the Priest draws back a curtain to reveal the child king on his throne, she rushes from the scene believing it to be the fulfilment of her dream (incomplete).” - BFI.

Yet another film adaptation of the renown 1874 French play "The Two Orphans" (Les Deux Orphelines) by Adolphe d'Ennery and Eugène Cormon, about two adoptive sisters who are violently separated upon arriving to Paris during the outbreak of the French Revolution.

Diane de Vaudrey gives birth to an illegitimate, blind daughter named Louise, who is stolen and abandoned on church steps by Diane's stepfather. Raised by a poor family alongside her adoptive sister, Henriette, Louise is later orphaned. After a tragic accident separates them, Louise is captured by the cruel Mother Frochard and forced to beg. Henriette eventually rescues Louise from Frochard's hovel. Thanks to a recovered childhood locket, Diane reunites with her long-lost daughter, while Henriette marries the noble knight Roger de Vaudrey.

An amusing story of a forgotten dinner date, a pair of slightly cruel friends, and the unfortunate consequences for one well-meaning man forced to eat three meals in a single evening.

The escalope, it seems, possesses the astonishing property of erasing wrinkles. Madame Rigadin, having discovered this marvelous remedy, secretly applies a freshly cut escalope to her forehead every evening. But a good housewife must know how to use up leftovers. And that is why Rigadin sees a succulent escalope spread across her plate every day. One shouldn't overdo it, even with the best things. Rigadin is beginning to suffer from terrible indigestion from the diet his wife persists in subjecting him to, much against his will, when he one day discovers the truth. The husband's anger leads him to inflict the punishment of retaliation upon his wife.

André de Santis, a young French officer, leaves for the war in despair for the cancelling of his marriage to Jeanne de Chazal. Jeanne entered the convent and became Sister Angélique. André, not far from the convent, was mortally wounded. He wrote to Jeanne asking her to come and receive his last breath. But the rule was strict, and Sister Angélique could not leave the convent. However, the statue of the Virgin before which Jeanne was prostrating came to life, descended from its pedestal, and took on the appearance of Sister Angélique, seemingly granting her the permission she had refused. Jeanne then went to close her ex-fiancé's eyes and then returned to the convent, where the Virgin resumed her original form.