Oh’YES

Fresh out of prison, Gwang-su, a physically impaired ex-thug, returns to his quiet seaside hometown of Yeongdeok. Hardened by years of violence, he drifts through the harbor town doing odd jobs for a small-time gang involved in a shady redevelopment project. After mistakenly assaulting Yeon-jeon, a mute single mother, Gwang-su is confronted with guilt and the fragile humanity he thought he had lost. As an unlikely bond forms between them, he learns that the redevelopment scheme will force her and her son from their home. Caught between loyalty to the gang and the chance for redemption, Gwang-su must decide whether to remain part of the violence—or risk everything to protect the only people who have shown him kindness.

Suffering from the loss of their eldest son, Yeon-jung's family starts to fall apart when they lie to each other about their personal motives in life. After betrayal and disappointments are exposed, they rediscover their love for one another while trying to fulfill a promise they made to their deceased son.

Out of nowhere, a homeless Tae-sung shows up and sets up his so-called house in an apartment’s playground. The playground is not only for children but also for neighbors who come and go to share their stories. Tae-sung observes what people do around the playground and sometimes he helps them to solve the problem. When the righteous homeless becomes almost like a sheriff of the playground, suddenly female residents disappear one by one.

The movie director Ba Ram, who happened to meet Mool Kyul at a travel destination, somehow keeps hovering around her because he can't help but care. Just like that, the people who have been busy chasing precious dreams begin to share their wounds and pain with each other and open their hearts... The moment one gives up on dreams, will everything be lost? Can these two young people who couldn't have any courage, create a brilliant melody of hope again?