Lichtblick Film

After the fall of the Berlin Wall, a communist family discovers a bunker full of money soon to be worthless. With the help of their neighbors, they embark on a race against time to enter the capitalist world in style.

Stefan, a gay bartender in a trendy club, doesn't care a lot about his professional and personal future. One night, the mysterious Martin stares at him, so he thinks that his guest searches a quick love affair. Stefan invites him to his apartment, where Martin is rather surprised at his intentions and explains that he doesn't want sex, but his attention for their common past. Martin searches his father, a foreign worker from Italy, who is also Stefan's originator, which he didn't know. Their mother kept Martin, while Stefan was adopted. After the first shock, Stefan decides to join his "new brother" on his trip to Italy. They only have some photos and letters of a holiday trip to Cattolica and their father's name: Giuseppe Iacoviello. This is the beginning of an odyssey across Italy and their way to themselves...

The film tells the story of the friendship between Johann and Ludwig as they strive for the ultimate “buddy” relationship. Going beyond, well beyond, what would be considered good and healthy, the pair attempt to become the ideal twins, driving their relationship based on their partnership in competitive rowing (coxless pairs) to the ultimate, to perfect harmony in mind, word, thought and deed. But their symbiotic relationship is thrown out of balance: Ludwig strives to tighten the bonds ever closer, but Johann discovers happiness in the form of love for Ludwig’s sister, Vera. But because Ludwig hates her, the couple keep their relationship secret. But secrets have a way of coming out and Ludwig is wounded to the core. As the finals of the rowing competition draw closer, Ludwig has already set his sights on a greater goal: to preserve their friendship forever, no longer in life but in death.

easy love is the experimental fiction debut of Tamer Jandali. His way of working shifted between documentary and fiction when he followed seven men and women from Cologne on their search for a balance between emotional security and sensual fulfillment. In four months of shooting those protagonists acted as braver versions of themselves. The camera opened the possibility to pursue their unlived dreams, fears and fantasies and ultimately experiencing them in reality. By shooting in a small team, always on the edge between documentary and fiction, Tamer Jandali created space for intimacy and a new form of cinematic authenticity.

The simple staple bread has become a branded product with an increasing number of varieties and providers. The film provides authentic impressions in today’s world of bread. We encounter small craft bakers as well as corporate CEOs whose professional work is our daily bread and ask the question: how do you see the future of our bread? And: what are we actually eating?

There may be a 50-year age difference between Samid and Ayaz, but they share a passion for film. Both are brimming with ideas to revive the cinema in their village in the hills of Azerbaijan. Once the long-awaited Holy Grail – a projector bulb – arrives after many months, the cinema is packed out with locals... But will the magic work?

The story of the life, loves and work of US writer Patricia Highsmith (1921-95), told through her unpublished diaries, her own voice and that of those who knew her, both family and close friends.

Three elderly ladies, Carla, Lilli and Meta, who, after their hard earned holiday money is stolen by bank robbers, decide to steal from their local bank. Along the way their are romances, arguments and a few other unexpected surprises.

Late 17th Century: Anne de Grandcamp and Lucie de Fontenelle, two little girls from Normandy, arrive at the Saint-Cyr school founded by Madame de Maintenon for educating the daughters of impoverished nobles ruined in wars and making them into free women. Madame de Maintenon is the secret wife of Louis XIV, and empowered by his support, she offers "her" two hundred fifty girls a playful and avant-garde education. Anne and Lucie, two inseparable friends, allow themselves to be carried away by the promise of a bright future. But Maintenon has arrived at the pinnacle of power through scheming and debasing herself and she now fears the fires of hell. She is counting on her model school to atone for her past sins.

A coming-of-age tale with a difference about the grumpy doctor Annebarbel Buschhaus donning her ice skates again at the age of 58 after an absence of 40 years. Back on the ice, she tries to revive long suppressed childhood dreams – and makes a new friend, Jolina Kuhn, Berlin’s youth figure skating champion. Through her new friend, Annebarbel begins to open up and break away from her dominant mother.

Filmmaker and author Helke Sander is an icon not only of the women's movement, but also of new German cinema. Historical upheavals sometimes only need a small impulse to suddenly set petrified conditions in motion. Helke Sander triggered such a landslide-like change in Germany many years ago.

On the highways of the Ruhr region, the paths of four people cross as they try to fulfill their long-lost dreams. One of them is Georg, the coach of a Bundesliga soccer team that has to win that evening's cup match if he wants to keep his job. He is about to be sacked and realizes that the business and its mechanisms are beginning to turn against him. Dieter, the roving TV reporter, is on the hunt for spectacular pictures day and night. Although he loves his son, who lives with his ex-wife Rita, he takes too little care of him.

The contrasts between Marlen (Corinna Harfouch) and Fynn (newcomer Daniel Sträßer) couldn't be any more extreme if they tried: Marlen's apartment is packed to the rafters with objects too valuable or important to throw away, while Fynn plans to go through life with only 100 things in his possession. The fact that they can't keep their hands off each other and end up falling in love holds true to the old adage that opposites really do attract...

What could be better than knowing your future? And what could be worse? A love-filled childhood abruptly ends when catastrophe descends. A catastrophe that the child had foreseen yet failed to act upon.

After three unsuccessful attempts at the Olympics, the 30-year-old Aljona Savchenko finally wants to win a gold medal with a new partner in four years. A rather bold plan, especially since the young Frenchman Bruno Massot, chosen by the German-Ukrainian ice princess, has no international successes in pairs figure skating. He moves to Germany and has no idea of the manic perfectionist he's getting involved with. Aljona's training is tough. Constant disputes about the right course threaten to bring the project to failure. Two completely different characters collide. However, the team of trainers manages to calm things down. February 2018: The competition at the Winter Olympics in South Korea begins with the short program. Inexplicably, Bruno blunders and the pair sit fourth by a wide gap. Gold is hardly possible anymore. It only remains for them to show the world their unique free skating. Their intoxicating, perfect run will go down in history. It will be the free skating of their life!

A documentary. David Sieveking takes the advice of his idol, David Lynch and tries out Maharishi Mahesh Yogi's transcendental meditation technique.

This nature documentary takes a mesmerizing journey into the incredibly diverse marine life supported by coral reefs in the Indo-Pacific.

The story of a great friendship between Bruno Balz and Michael Jary. The most successful duo in schlager and film music has shaped German-language popular culture for five decades. The wild twenties, then cinema glamour and Gestapo imprisonment, new beginnings, and swinging sixties - their songs are still alive today.

Chinese-Australian artist Jiawei Shen's plans to create an epic work depicting his homeland's tumultuous recent history.

Sparked by the true story of Aya, a four-year-old Jordanian girl killed by her father because he believed her to be possessed, filmmaker Dalia Al Kury launches a fascinating investigation into a controversial and little-known aspect of Islamic culture: belief in djinn. The djinn are believed to be supernatural creatures that occupy a parallel world to ours and their emergence is associated with sexuality, political unrest, poverty and mental illness. The taboo subject of demonic possession remains broadly unresolved in the hearts and minds of some Muslims due to its complex and uncomfortable nature. Using a subjective, “undercover” style, Al Kury journeys into the obscure world of exorcists and the possessed, confronting their traditions and rituals. It makes for a telling ghost story that bares the filmmaker’s and her society’s subconscious underbelly.